The Prince Moulay Abdellah Stadium in Rabat has officially opened as Morocco's new national stadium, following its inauguration by Crown Prince Moulay El Hassan on September 4, 2025. Designed by Populous, the stadium has a capacity of 68,700 and was developed under the direction of the National Agency for Public Facilities of Morocco to meet FIFA standards, enabling it to host matches up to the semi-finals of the 2030 FIFA World Cup. The redevelopment replaces the original 1983 stadium, positioning it as Morocco's flagship sports venue ahead of a series of international events.
SANAA, led by architects Kazuyo Sejima and Ryue Nishizawa, has unveiled its design for the Taichung Art Museum in central Taiwan. The new institution is scheduled to open on December 13, 2025, as part of the Taichung Green Museumbrary project, developed in collaboration with local firm Ricky Liu & Associates. Conceived as a major cultural initiative, the project combines a contemporary art museum, library resources, and public parkland. It aims to create a new institutional model for Taichung, one that supports artistic exchange and public programming while positioning the city as an international cultural hub.
Foster + Partners Gstaad House project in Switzerland. Render. Image Courtesy of Foster + Partners
Foster + Partners has received planning permission for a new timber residential building in Gstaad, Switzerland. Designed as a house in the Alpine resort town, the project combines residential use with exhibition, storage, and social spaces. According to the architects, it will be the first purpose-built facility in Gstaad to accommodate the specialised requirements of fine art, cars, fashion, and antique collections.
On June 24, 2019, the International Olympic Committee (IOC) announced that Milan and Cortina d'Ampezzo would host the 2026 Winter Olympic Games. The last Winter Games to take place in Italy were held in Turin in 2006, and since then, climate change in the European continent has impacted traditional skiing venues. In this context, Italy has the advantage of a portion of the Alps, a strip of about 1,200 km along the borders with France, Switzerland, Austria, and Slovenia. The Italian Alpine region hosts most of the facilities that have been prepared over the past five years for the Winter Olympics, which will take place from February 6 to 22, 2026, followed by the Paralympic Games from March 6 to 15. Set to be the most geographically widespread Olympic Winter Games in history, this edition continues the sustainable model established by the Paris 2024 Olympic Games by relying almost entirely on existing and reconditioned sports infrastructure.
October will see the opening of Ibraaz, a new cultural space reimagined by Architect-in-Residence Sumayya Vally in central London. The initiative is led by the Kamel Lazaar Foundation and aims to highlight art, culture, and ideas from the Global Majority: communities of African, Asian, Indigenous, and Latin American heritage that together represent most of the world's population. The project seeks to bridge local and global conversations by creating a "world of many worlds" within a single venue: a six-floor, 10,000-square-foot building that has undergone multiple transformations, from synagogue to residence, club, and now cultural center.
Toronto Paramedic Services Multi-function Station 02. Image Courtesy of Diamond Schmitt Architects
As cities and infrastructures evolve to meet shifting cultural, environmental, and social demands, new architectural projects are redefining how public spaces and civic institutions operate. This edition of Architecture Nowbrings together proposals spanning different contexts and scales: on Yakushima Island, Jean Nouvel embeds a boutique retreat for NOT A HOTEL into a UNESCO-listed forest landscape; in New York City, Rossetti and WSP are preparing a major renovation of Arthur Ashe Stadium to expand capacity and enhance the visitor experience; in Toronto, Diamond Schmitt and gh3* have broken ground on a mass-timber, net-zero paramedic station; and across the English Channel, Hollaway Studio is leading a transformation of LeShuttle's UK and French terminals into more seamless and sustainable gateways. Together, these projects reflect how design is being used to adapt existing systems and landscapes to new forms of public life.
Zaha Hadid Architects' design for a digitally fabricated marine habitat in the North Lantau Marine Park conservation zone in Hong Kong was recently presented at the World Design Congress exhibition in London. The event took place at the Barbican Centre between September 9 and 10, one of the world's most recognized examples of Brutalist architecture. Its theme, "Design for Planet," called on designers and commissioners of design to take on their most critical brief to date: to design a regenerative future in the face of climate change and to examine design's role as a tool for environmental action. In this context, Zaha Hadid Architects presented Nereid, a digitally fabricated habitat developed with advanced 3D printing technologies by D-Shape, aimed at supporting the natural regeneration of marine ecosystems.
Al-Saa'a Convent after restoration. Image Courtesy of UNESCO / Abdullah Rashid
From 2014 to 2019, Daesh (ISIS) occupied and controlled territory in Iraq and Syria, including the northern city of Mosul. UNESCO estimates that 80% of Mosul's historic town was destroyed during this period, which led to one of the most ambitious reconstruction campaigns in recent decades: "Revive the Spirit of Mosul." Since 2019, UNESCO has carried out large-scale efforts to rebuild the city's landscapes and monuments, reconstructing three religious and cultural landmarks and 124 heritage houses, along with other buildings located in the Old City. The program was structured around three pillars: restoring significant heritage, promoting the return of cultural life, and strengthening spaces for education. On September 1, 2025, Iraq's Prime Minister inaugurated three major landmarks: the Al-Nouri Mosque complex, Al-Saa'a Convent, and Al-Tahera Church, marking the completion of the restoration project.
The KoreanPavilion at the 19th International Architecture Exhibition - La Biennale di Venezia marks its 30th anniversary with "Little Toad, Little Toad: Unbuilding Pavilion," an exhibition commissioned by Arts Council Korea (ARKO) and curated by Curating Architecture Collective (CAC), composed of Chung Dahyoung, Kim Heejung, and Jung Sungkyu. Bringing together architects and artists Kim Hyunjong, Heechan Park, Young Yena, and Lee Dammy, the exhibition critically revisits the pavilion as both a physical structure and a symbolic space, tracing its trajectory since its completion in 1995 while speculating on its possible futures.
The AlmatyMuseum of Arts has opened in Kazakhstan, establishing a new cultural institution dedicated to contemporary art in Central Asia and internationally. Designed by Chapman Taylor, the museum is located at the foothills of the Tian Shan mountains and encompasses 10,060 square meters. The design draws inspiration from the contrast between the city of Almaty and its mountainous surroundings, a relationship expressed through two interconnecting limestone and aluminium-clad volumes. These are organized around a central, light-filled atrium referred to as the "Art Street," which serves as the primary circulation and gathering space.
Lina Ghotmeh — Architecture recently revealed images of the AlUla Immersive Living project, a proposed dwelling envisioned to emerge from the desert landscape of Saudi Arabia. Its form is shaped by the site's light and wind, rooted in climate, and positioned between rock and dune. The design follows the concept of a shelter belonging as much to the desert as to its inhabitants, and behaving as a "living landscape." The structure is conceived with thick rammed-earth walls, contrasted by open platforms that frame the sky. It is presented as a statement of architecture intended "not to dominate but to host," providing refuge without severing connections, reflecting Lina Ghotmeh's position at the intersection of context, craft, and care.
The 2025 edition introduced projects that examined themes of ecology, memory, and connectivity while responding to the challenges of building in the desert. Ranging from intimate interactive pieces to monumental landmarks, the installations encouraged reflection, participation, and community engagement before disappearing at the close of the event.
From September 6 to October 15, 2025, the Aedes Architecture Forum in Berlin will host an exhibition on the Finnish architectural firm Helin & Co. The show aims to examine the firm's role in shaping Helsinki over the past two decades. Titled Heart and Horizon, it reflects the practice's approach of combining the human scale ("Heart") with an engagement with urban space along the waterfront ("Horizon"). A central focus is placed on three projects that have been fundamental to Helsinki's transformation: the Kamppi Centre, a networked urban quarter with mobility hubs, cultural and residential areas; the Kalasatama Centre, a new district on the former harbour that combines urban density with views of the sea; and the Sello District Centre in Espoo, a multifunctional complex with a library, music school and concert hall.
The international design competition to select the architect for Finland's new Museum of Architecture and Design in Helsinki has concluded with the announcement that JKMM Architects has been awarded first prize. The Helsinki-based practice's proposal, known during the competition as Kumma, was chosen from 624 entries submitted from around the world. The open and anonymous competition, launched in April 2024, sought conceptual designs for a new 10,050-square-meter cultural institution to be built on the city's South Harbor waterfront. Construction is scheduled to begin in 2027, with completion and public opening planned for 2030.
The European Cultural Centre Italy has organized the ECC Awards since 2010 to recognize artists, architects, designers, and academics in their respective fields. The Awards highlight projects featured in the Time Space Existence exhibition, which runs in parallel with the Venice Architecture Biennale and showcases tangible approaches to building more sustainably, aiming to position architecture as a force for environmental and social repair. The seventh edition of Time Space Existence is a group exhibition spanning three Venetian venues: Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens. This year, the exhibition focuses on the themes of Repair, Regenerate, and Reuse, emphasizing the essential role of architects and designers as agents of positive change in shaping sustainable, inclusive, and regenerative ways of living.
The Mir-i-Arab Madrasa. Image Courtesy of Uzbekistan Art and Culture Development Foundation
The inaugural edition of the Bukhara Biennial opened on September 5, 2025, bringing over 70 site-specific commissions by more than 200 participants from 39 countries to the historic core of the Uzbek city. Commissioned by the UzbekistanArt and Culture Development Foundation (ACDF) and Commissioner Gayane Umerova, the Biennial is described as the largest and most diverse cultural event in Central Asia to date. Curated by Diana Campbell under the theme Recipes for Broken Hearts, the ten-week event is staged across a constellation of newly restored sites, including madrassas, caravanserais, and mosques, all part of Bukhara's UNESCOWorld Heritage listing. Beyond an exhibition platform, the biennial is framed as part of a broader master plan, positioning culture as a catalyst for urban transformation and heritage renewal.
Lina Ghotmeh — Architecture has recently unveiled images of a project to transform a historic residence in Bukhara, Uzbekistan, into a "21st-century cultural destination." The proposal envisions a museum dedicated to the ideas and influence of Jadidism, a Muslim reform movement that advocated for the modernization of education across Central Asia during the late 19th and early 20th centuries.
The project was commissioned by the Uzbekistan Art and Culture Development Foundation (ACDF), established in 2017 to preserve, promote, and nurture the country's heritage, arts, and culture, while integrating them into the global art world and cultural landscape. Scheduled to open to the public in 2027, the museum is part of the ACDF's broader efforts to create landmark cultural institutions that engage audiences worldwide.
The Uzbekistan Art and Culture Development Foundation (ACDF) has announced the transformation of a 1912 industrial building in Tashkent into the Centre for Contemporary Arts (CCA), set to become the first permanent institution dedicated to contemporary art and research in Central Asia. Designed by the French architecture practice Studio KO, led by Karl Fournier and Olivier Marty, the project integrates preservation of the city's industrialheritage with a new cultural identity for the historic site. The building, originally designed by Wilhelm Heizelmann, known for the Treasury Chamber, was constructed as a diesel station and depot for Tashkent's first tram line. After decades of serving the city's electricity network, the structure was transferred to the Foundation in 2019 as part of Uzbekistan's long-term cultural development strategy. Under the leadership of Gayane Umerova, the project now represents a major step in shaping a contemporary cultural infrastructure for the region.
