The Bruges Triennial 2024 has announced its theme, “Space of Possibility,” along with a list of participating artists and architects and the locations of the 12 installations. Running from Saturday 13 April to Sunday 1 September 2024, the event will take over the streets and historic center of Bruges. Belgium, showcasing contemporary art and architectural interventions. The curators of this edition, Shendy Gardin and Sevie Tsampalla, have selected a list of 12 artists and architects who will challenge the existing locations within the city’s quarters in response to the theme which asks them to seek to reveal the hidden potential of the city.
Exhibition Hall of the Union of Artists, Tashkent, Uzbekistan, 2022. Image Courtesy of Armin Linke
Tashkent, the capital city of Uzbekistan, stands as one of the most populous cities in Central Asia. Situated in the northeastern part of the country, near the border with Kazakhstan, Tashkent has been profoundly shaped and influenced by diverse cultures throughout its history. The most significant transformation of its urban landscape occurred during the Soviet era when the city was rebuilt as a model Soviet city, following the 1966 earthquake that caused substantial damage. During this reconstruction, architects from various regions of the Soviet Union collaborated with local experts, resulting in a unique form of architectural modernism that harmoniously integrated elements of Islamic architecture, indigenous creativity, and cutting-edge engineering achievements of that era. At that time, Tashkent held the esteemed status of a prominent international city in the East.
In his book “Curation: The Power of Selection in a World of Excess,” Michael Bhaskar defines curation as “using acts of selection and arrangement (but also refining, reducing, displaying, simplifying, presenting, and explaining) to add value.” Originating from the Latin word curare, meaning to take care of, the curator’s role in dissecting our understanding of the world around us cannot be overlooked. Over time, as the definition morphs into different bodies, the practice of curation continues to evolve, filling the roles of caretakers of our built environment and thinkers of different forms for the overall bettering of society.
Irish architect Shane de Blacam has been awarded the 2023 Royal Academy Architecture Award in recognition of his commitment to creating communal spaces and the craftsmanship and detail of his projects. In 1976, De Blacam co-founded the architectural firm de Blacam and Meagher alongside John Meagher, establishing a collective practice focused on the careful integration of local materials and the creation of comfortable spaces for people. Each year, London’s Royal Academy awards individuals or collective practices whose body of work has made a meaningful and positive impact on society.
Asiat-Darse Pedestrian Bridge . Image Courtesy of Counterspace
Sumayya Vally, renowned architect and Principal of the Johannesburg/London-based studio Counterspace, won the competition to design the new Asiat-Darse pedestrian bridge in Vilvoorde, Belgium. Counterspace's design concept delved into the history and impact of Paul Panda Farnana, a significant yet under-appreciated figure in the city, who studied the intricate connections between past and future generations of migrant individuals and communities. "The studio has been praised for its research-led approach, which led to the discovery of Farnana and his work, and for shedding light on an otherwise overlooked, vital part of the city’s history". Construction on the Asiat-Darse pedestrian bridge is set to commence in April 2024, with an estimated completion date of December 2025.
The First Islamic Arts Biennale, artistically directed by Sumayya Vally, opened on January 2023 and is still ongoing until May 23, 2023, in Jeddah, Saudi Arabia. The inaugural event was commissioned and produced by the Diriyah Biennale Foundation and was curated by Vally alongside Dr. Julian Raby, Dr. Omniya Abdel Barr, and Dr. Saad Al-Rashid. The biennale re-imagines the Western Hajj Terminal at King Abdulaziz Airport, designed by Skidmore, Owings & Merrill and winner of the 1983 Aga Khan Award, as a cultural space to redefine Islamic Arts from "within, in a way, that connects some of these art forms and forms of artistic expression to the experience and rituals" of those that live it.
Sumayya Vally is a South African architect, founder, and director of the Johannesburg-based collaborative architectural studio Counterspace. Designer of the Serpentine Pavilion in 2020/2021, she was the youngest architect to get this commission. Part of Time’s 100 emerging leaders who are shaping the future, in 2021, the only architect to make the list at that time, Sumayya started her career as a curator and teacher, and recently she was appointed as artistic director of the first Islamic Arts Biennale in Jeddah. ArchDaily had the chance to talk with Vally about her contribution to this biennale, her vision of the exhibition, the venue, the scenography, and the participating architects. Sumayya also shared some exclusive info about her entry for the 2023 Venice Architecture Biennale, starting on May 20th, in Venice, Italy.
EJS Presidential Center. Image Courtesy of Atelier Masōmī
Atelier Masōmī has just revealed its design for The Ellen Johnson Sirleaf Presidential Center for Women and Development (EJS Center). President Ellen Johnson Sirleaf chose an all-female team to work on the project with lead architect Mariam Issoufou Kamara of Atelier Masōmī, exhibition's architect Sumayya Vally of Counterspace, and the local architect Liberian architect Karen Richards Barnes. The EJS Center, located in Liberia’s capital Monrovia, will provide digital access to former President Ellen Johnson Sirleaf’s personal and professional archives.
The Islamic Arts Biennale re-imagines the Western Hajj Terminal at King Abdulaziz Airport in Jeddah, Saudi Arabia, as a cultural space to create an evocative journey to explore Islamic heritage. The terminal, designed by Skidmore, Owings & Merrill and a winner of the 1983 Aga Khan Award, will be extended and complemented to create the setting for the event. Through the contributions of over 60 artists from over 20 countries, the biennale aims to become a platform to explore and reflect the diversity of the Muslim experience worldwide. Themed Awwal Bait, or The First House, the event intertwines commissioned works with never-before exhibited historical artifacts to convey a holistic perspective of the Islamic arts. The Biennale, curated by Sumayya Vally, now in its inaugural edition, will be open from January 2023 to April 2023.
Diriyah Biennale Foundation recently revealed the curatorial team of Saudi Arabia's inaugural Islamic Arts Biennale, highlighting the past and present art of the Islamic culture. Among the curators is Sumayya Vally, co-founder of Johannesburg-based practice Counterspace, responsible for designing the 2021 Serpentine Pavilion. Taking place in Jeddah in early 2023, the Islamic Arts Biennale will foster artistic exchanges and further establish Saudi Arabia's status within the art scene.
