Rebuild Foundation, run by Artist Theaster Gates, is converting the St. Laurence Elementary School into a new 40,000 sq foot arts hub on Chicago’s South Side. The formerly vacant elementary school in Chicago’s local St. Laurence neighborhood has been reimagined to redeem indoor and outdoor spaces, making it a cultural hub. Set to open in 2024, the building's adaptive reuse expanded the program and the landmark into a place of exploration, entrepreneurship, and creative education.
As you make your way through the symphony of wooden colonnades, leafy screen walls, and unfurled roofing, towards the converging veins of flooring and ceiling ribs leading to the light, it feels like a space that was always meant to be there. Part of the park, the pavilion complements the nature around it, reflecting its patterns, and illuminates a main interior feature: a concentric set of tables and stools that inspire people to sit at the moment, hold conversations, and connect with each other. This narrative tells the tale of this year's Serpentine Pavilion, designed by French-Lebanese architect Lina Ghotmeh.
Titled, À table, It draws inspiration from the designer’s connection with nature growing up and is reminiscent of the French call to sit together at a table, share a meal and enter a dialogue. It foregrounds the table as a laboratory of ideas, concerns, joys, connections, and essentially brings people together. It further reflects on the architectural ideals that can provoke and welcome moments of collective conversations.
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Since its launch in 2000, the Serpentine Pavilion has been providing renowned and emerging architects with a platform for design experimentation, becoming an important display of contemporary architecture. As we approach the inauguration date of the 2023 Serpentine Pavilion, designed by Lina Ghotmeh and titled “À Table", French for sitting together to eat, we look back at the last six editions of the famous annual structure.
National Museums Liverpool (NML) has revealed a revised version of the redevelopment of the city’s waterfront, led by architect Asif Khan and artist Theaster Gates. The plans include the redesign of the public spaces at Canning Dock, a historical area central to the Liverpool docks. As part of the Waterfront Transformation Project, the interventions aim to create accessible public spaces to better serve the community and to create a link between the surrounding museums. The preliminary proposal is now open for public consultation.
Announced today in a live presentation, the 18th International Architecture Exhibition, titled The Laboratory of the Future, curated by Lesley Lokko, will be open to the public from May 20 to November 26, 2023, in Venice, Italy. This edition will include 63 National Pavilions, 27 of which are at the Giardini, 22 at the Arsenale, and 14 in the city center of Venice. Structured in six parts, the exhibition will include 89 Participants, over half of whom are from Africa or the African Diaspora, with a 50/50 gender balance, and an average age of 43 for participants. Contributors include Adjaye Associates, atelier masōmī, Kéré Architecture, MASS Design Group, Sumayya Vally and Moad Musbahi, Theaster Gates Studio, Andrés Jaque / Office for Political Innovation, Liam Young, Neri&Hu Design and Research Office, to name a few.
A few weeks ago, this year’s edition of the Serpentine Pavilion opened to the public. Designed by Chicago-based artist Theaster Gates, it’s an evocative project, its cylindrical form referencing American beehive kilns, English bottle kilns, and Musgum adobe homes found in Cameroon.
What the pavilion is named tells the viewer a lot more about its intentions as a spatial experience. Titled Black Chapel, it houses a spacious room with wraparound benches, and an oculus above that allows daylight to filter into the space. It’s a fairly minimal interior – designed as a site for contemplation and reflection. This minimal quality of Gates’ Serpentine Pavilion raises particularly interesting questions. How artists and architects opt for a “less is more” approach when designing meditative spaces, but also how these introspective spaces have been equally enhanced by ornamentation.
The 21st Serpentine Pavilion, Black Chapel, designed by Chicago-based artist Theaster Gates opens today, on June 10, 2022. On display until the 16th of October 2022, the project is realized with the architectural support of Adjaye Associates with Goldman Sachs’ patronage. In 2021, the Pavilion events program was planned to reflect Gates’ concept of interlinking architecture and music, particularly emphasizing artistic explorations of monastic sounds and hymns. The pavilion will act as a platform for Serpentine’s live program throughout the summer, offering the public space of reflection, connection, and joy.
American artist Theaster Gates unveiled his design for the 21st Serpentine Pavilion. Curated for the first time by a non-architect, the 2022 edition named Black Chapel, “will pay homage to British craft and manufacturing traditions”. Realized with the architectural support of Adjaye Associates, the pavilion will open to the public on Friday 10 June 2022, in Kensington Gardens.
The third Chicago Architecture Biennial will occur from September 19, 2019, to January 5, 2020, and yesterday the first group of contributors to the 2019 edition and publication was announced. This year’s theme, “...and other such stories,” will bring together a multi-faceted and international exploration of architecture and the built environment. Newly commissioned projects for the Biennial will highlight issues including public housing, social justice, and the appropriation and preservation of the natural environment.
A version of this article was originally published by Common Edge as "The Principles of Ethical Redevelopment."
Where does creativity live? Can the highest level of cultural production come from down the street? What does it mean to be a good neighbor, a good steward? How does that look when there are so many forces at work keeping people isolated? How do you see value in what others discard? Can we learn to talk about moments of success in our struggling neighborhoods, not as random and magical, but as sophisticated flexibility? What is civic empathy?
These are some of the questions Place Lab, a University of Chicago partnership between Arts + Public Life and the Harris School for Public Policy, explored in an exercise last year conducted with the support of the John S. and James L. Knight Foundation: it’s the articulation of a set of nine principles collectively called Ethical Redevelopment.
The Center for Architecture and Design has announced Theaster Gates as the 2017 recipient of its Edmund N. Bacon Award, which honors one individual who has advocated for excellence in urban development, planning, thought, and design.
A Chicago-based artist and community developer, Gates is the founder of the Rebuild Foundation, which focuses on improving the quality of urban life by planning and designing active and engaged communities. “Under Gates’ leadership, the Rebuild Foundation currently manages projects in the Greater Grand Crossing neighborhood of Chicago. Program sites include the Stony Island Arts Bank, the Black Cinema House, the Dorchester Art + Housing Collaborative, Archive House, and Listening House.”
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