The Ukrainian pavilion at the 20th International Architecture Exhibition – La Biennale di Venezia is being designed by the team from CO-HATY, a local volunteer initiative restoring abandoned buildings in the country to transform them into stable homes for internally displaced people. The team is formed by METALAB and relocated members of the Ukrainian Urban Curators agency, who have been developing CO-HATY since 2022. Titled "Pool of Questions," the project poses a question the organization argues is rarely voiced in the context of survival: not simply where displaced people should live, but when they can begin to live. For Venice, the imagined installation extends the restoration and adaptive reuse work into a discourse on affordable housing, dignity and rest during an ongoing war.

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Argentina's vast territory reveals multiple ways of building shaped by its geographic, climatic, and cultural diversity. When designing single-family homes in Córdoba, Mendoza, Santa Fe, and Buenos Aires, numerous young Argentine architecture firms respond to distinct material, landscape, and cultural conditions by working with the resources, construction systems, and crafts available in each area. The house becomes a means of interpreting its context, engaging with local traditions, and incorporating new approaches to architectural production.

As the setting for everyday life, the house is part of an ongoing experience, acting as a complex and subtle organism that responds not only to its inhabitants' way of life but also to the landscapes in which it is situated. After presenting different perspectives and definitions by figures such as Le Corbusier, Ernesto Rogers, and Lewis Mumford, Argentine architect Eduardo Sacriste emphasizes in his book Qué es la casa its role as a reflection of the past, sharing the present and illuminating the future.

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Across the Gulf, Bedouin heritage often enters architecture first as an image. Airport terminals recall tent silhouettes, visitor centres incorporate woven screens, and pavilions reinterpret traditional textiles as decorative façades. These references have become a familiar visual language for expressing regional identity. They also risk reducing one of the world's most sophisticated vernacular building traditions to an architectural motif. Long before the Bedouin tent became a cultural symbol, it was an environmental technology: a lightweight, adaptable structure capable of creating comfort in one of the planet's most demanding climates. What contemporary infrastructure may inherit is not the tent's silhouette, but the construction intelligence woven into it.

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OMA, led by Partner Jason Long, together with San Francisco-based Y.A. Studio, has completed 730 Stanyan, a mixed-use affordable housing development in San Francisco's Haight-Ashbury neighborhood. Developed by the Tenderloin Neighborhood Development Corporation (TNDC) and Chinatown Community Development Center (CCDC), the project provides 160 permanently affordable homes for low-income families, formerly unhoused families, and Transitional Age Youth (TAY). Located at the intersection of Haight and Stanyan Streets, adjacent to the entrance of Golden Gate Park, the development marks OMA's first completed 100% affordable housing project in the United States.

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Since 1956, the Graham Foundation for Advanced Studies in the Fine Arts has fostered the development and exchange of ideas about architecture and its role in the arts, culture, and society. It awards project-based grants to individuals and organizations each year, and hosts public exhibitions and lectures. In June, the foundation announced the recipients of its 2026 Grants to Individuals program, awarding 54 projects that investigate architecture through exhibitions, films, publications, and research initiatives. In a second round announced this week, the organization has allocated funding to projects run by organizations with the same objective: expanding architectural discourse through diverse materials and cultural media.

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