Every large dam divides as much as it connects, and the Grand Ethiopian Renaissance Dam is no exception. A monumental feat of architecture and engineering, the mega-dam has brought everyone together, for better or worse, to interrogate who gets to declare sovereignty over the riches of the river, be it water or momentum, and to challenge colonial-era Nile treaties.

Inaugurated in September 2025, the Grand Ethiopian Renaissance Dam, or GERD, is a grand concrete structure on the Blue Nile in western Ethiopia within the Benishangul-Gumuz region, just 30 kilometers upstream along the river and east of the border with Sudan. It is built as a major source of hydroelectric power, being consistently ranked in the top 3-30 globally, and symbolizes Ethiopia's national sovereignty, rise to exponential economic development, and technological self-determination. So, why has it become the center of a protracted dispute over regional water security and international law between Ethiopia, Sudan, and Egypt?

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At Bishan–Ang Mo Kio Park in Singapore, a river does not occupy a fixed boundary. Under ordinary conditions, water moves through a naturalized channel bordered by grass, planting, and paths that bring visitors close to the river. During heavy rainfall, water spreads into the surrounding park, which is designed to accommodate flows beyond the capacity of the narrower channel. What appears to be a public landscape is also working infrastructure. Singapore's approach retains drainage engineering while assigning a wider role to the land around it.

For decades, Singapore's network of concrete canals has been central to managing stormwater in a densely developed city exposed to intense tropical rainfall. Their hard surfaces and defined channels were designed to convey water efficiently. These channels moved stormwater efficiently, but offered limited space for public access, planting, or other uses along the water's edge. Through its Active, Beautiful, Clean Waters (ABC Waters) Programme, launched in 2006, Singapore began integrating waterways with parks, ecological systems, and public spaces. The programme links stormwater management with the design of parks, waterways, and public spaces.

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A team led by Politecnica Building for Humans, with Park Associati and AMDL CIRCLE as architectural co-leads and Studio Mattioli responsible for geology and archaeology, has won the competition for a new cultural hub in Ceto, Italy. The project will transform the former Società Filati Niggeler & Kupfer textile mill into a facility comprising exhibition spaces, research facilities, an auditorium, and visitor services. Located in Valle Camonica, an area known for its prehistoric rock engravings, the proposal approaches the site through the relationship between industrial heritage, archaeology, and the surrounding landscape.

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The LOCO Alliance architectural competition in Tbilisi, Georgia, was organized to transform a 73,600 m² brownfield site, the former Soviet-era Tbilisi Electric Locomotive Manufacturing Plant in the "Temka" residential area, into a new green neighborhood and cultural destination called Loco Park. On October 18, 2026, LOCO Alliance officially announced Stefano Boeri Architetti's design as the selected project for the site's transformation, with the official masterplan images unveiled on October 23. The selected masterplan is designed to integrate the industrial heritage of the factory with contemporary architecture, dense green public spaces and community recreation hubs. The site is already hosting large-scale cultural events, organized in parallel with the formal masterplan competition.

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Throughout history, people have sought ways to see the world. In Renaissance painting, linear perspective made this impulse explicit by transforming the canvas into a window, organizing depth from a fixed viewpoint. In his treatise De Pictura (1435), Leon Battista Alberti described painting as a window onto what one wishes to represent. Landscape, in this sense, ceased to be simply what lay before the eyes and became a visual construction, a reality selected and organized by the gaze.

Architecture operates in much the same way. A window determines what can be seen, from where it is seen, and, consequently, what becomes part of everyday experience. This question was central to modern architecture and found one of its most emblematic debates in the 1920s.

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