At the edge of most cities, beyond the ring roads and interchanges, a different kind of architecture is taking shape. It is not designed to be seen, visited, or remembered. It does not gather people; it moves things. Inside, thousands of parcels travel continuously, being sorted, lifted, scanned, and dispatched with minimal interruption. These buildings rarely enter architectural discourse, yet they are among the most consequential spaces of our time. The defining typology of the 21st century is increasingly the warehouse.
The scale of this transformation is difficult to grasp because it unfolds horizontally, across territories rather than skylines. Global warehouse space now exceeds tens of billions of square feet, expanding rapidly alongside the rise of e-commerce. During the COVID-19 pandemic, demand for logistics infrastructure accelerated by several years, compressing future growth into an already strained present. In India, the warehousing sector continues to grow at double-digit rates, reshaping peri-urban land into storage and distribution corridors. Logistics is no longer a background system; it is a territorial condition.
Manufacturers: Duravit, Fisher & Paykel, Light Co., Thermogroup, ABI Interiors, +24All Round Glass & Glazing, Atlantic, BORA, Binq Windows, Bosch, Di-Metal Design, Enzie Spiral Staircase, Fatboy, Jamfactory, LLDS designed, LLDS designed, Lighting Republic, Nemo Lightings, Oblica, Power to Make, Power to Make, Power to Make, Power to Make, Power to Make, Power to Make, Ruth Allen Studio, Warwick Fabrics, Wortley textiles, Zetr-24
In many high-density cities across Asia, the staircase is often treated as a necessary evil. Whether in apartment buildings, private homes, or retail interiors, it is frequently hidden, tucked away, or pushed to the margins—an element to be minimized so more area can be given to "usable" space. Yet as density intensifies and square footage becomes increasingly scarce, architects and designers are forced to rethink this vertical puzzle.
The question shifts from how to conceal the staircase to how to make it work harder: can it become a productive addition to the interior—an architectural device that does more than connect levels, performing dual (or multiple) duties rather than simply consuming floor area?
Art Paris will return to the Grand Palais from 9-12 April 2026, marking the 28th edition of the fair at the recently renovated landmark. Reopened following its most extensive restoration in over a century, the 77,000-square-meter building, transformed under the direction of Chatillon Architectes, now accommodates large-scale cultural events across its nave and balcony spaces. Bringing together approximately 165 galleries from around twenty countries, the fair is structured around two curatorial themes, language and reparation, presented within an updated spatial framework defined by improved circulation and expanded exhibition areas.
RICA, MASS Design, Rwanda. Image Courtesy of Pan-African Biennale (PAB)
This week, architecture presents new visions of the future across a geographically diverse landscape, with landmark projects and renewal initiatives emerging in Saudi Arabia, Taiwan, Bahrain, Germany, Italy, Australia, Morocco, and Burundi. New platforms for discussing urban futures highlight decolonization and the climate crisis as central priorities for contemporary architectural practice. At the same time, contrasting perspectives on urban regeneration are reflected in both the demolition of recent landmark structures and the large-scale transformation of industrial sites. On another note, the Olympic Games continue to act as catalysts for architectural production, as seen in the proposal for a new sports center in Australia for Brisbane 2032. This momentum coincides with major international infrastructure developments in Africa, including a new airport terminal in Morocco, as well as projects that rethink spaces for research and public engagement, such as a new building for the German Language Forum.
At a time of ecological emergency, architecture cannot be separated from the extractive systems on which it depends. As the technosphere expands, linking material flows, energy consumption, and digital infrastructures, design becomes increasingly entangled in these processes. How can design practice intervene in anthropocentric systems and transform the architectural process and aesthetics through an investigation of material intelligence? More broadly, how does architecture engage with the agency and intelligence of non-human entities to rebalance the environmental burden?
