New York-based collaborative and design studio Snarkitecture have unveiled their newest interactive installation, bringing a surreal sense of play to Hong Kong’s waterfront. Titled “BOUNCE,” the installation features hundreds of 300% sized bouncing balls contained in a cage-like stadium, inviting the public to “create their own unique playing experiences.”
The program is spread across three locations, with the feature installation along the Harbour City waterfront, an indoor installation at the Ocean Center titled “Gallery by the Harbour,” and a children’s “Eyeball Maze” at the Ocean Terminal.
Hong Kong is an autonomous territory in southeastern China known for its skyscrapers, urban density, and high prices. However, on Nico Van Orshoven's travelogue, Everywhere in Particular, the Belgian architect creates a visual portrait of the territory beyond the stereotypes. With lively public spaces and stunning natural landscapes, Hong Kong can and will surprise you.
Below, Van Orshoven recounts his visit to Hong Kong:
In his ongoing study, Nikola Olic - a Serbian photographer based in Dallas, Texas - focuses on “architectural photography and abstract structural quotes that reimagine their subjects in playful, dimensionless and disorienting ways.” Often isolating elements of a facade, which obscures the viewer's sense of scale and perspective, Olic provides short descriptions of each image, acting as a “demystifying tool” and reminding us of the everyday nature of his subject matter. In the third collection shared with ArchDaily, the photographs are taken in Dallas, Fort Worth, Las Vegas, New York, Los Angeles, Long Beach, and Hong Kong.
The downtown skyline of a city is perhaps its most symbolic feature. The iconic cityscapes that we know and love are typically formed by skyscrapers, but much of the surrounding context is made up of other high-rise buildings. Yes, there is a difference between a skyscraper and a high-rise. Research company Emporis defines a high-rise as a building at least 35 meters (115 feet) or 12 stories tall. These high-rise buildings play a major role in the more sprawled urban context of larger cities today.
Read on for Emporis' list of the 20 cities in the world with the most high-rises. You might be surprised by which cities made the cut.
Design Trust provides project grants to individual designers, curators, collectives and non-profit organisations for projects and activities focusing on the context and content relevant to Hong Kong and the Greater Pearl River Delta region. These include but are not limited to: talks, exhibitions, residencies, overseas research projects and creative installations. Design Trust currently offers applications every 20th of January, April, July and October.
Norman Foster, Luke Fox, Armstrong Yakubu, Colin Ward, Andy Lister, Stefano Cesario, Tim Dyer, Lawrence Wong, Won Suk Cho, Benjamin Stevenson, Carl Bonas, Amy Butler, Charlotte Gallen, Catt Godon, Manuela Guidarini, Tanja Heath, Abbie Labrum, Harry Twigg, Bong Yeung
The Walk DVRC International Design Competition is a way to imagine a more walkable, pedestrian environment on a 1.4 km stretch of Des Voeux Road Central in the heart of Hong Kong’s Central Business District. It is an idea-based contest to re-envision and re-engage the street as quality public space – a placemaking effort in a vehicle-choked urban street. The Competition is an international one where any interested party is eligible to participate. From all compliant Expression of Interest statements, a renowned Jury will invite five Finalists to participate in the Design Competition.
Hong Kong is a unique city. With its unlikely history as a British Colony, its position as a global hub city, and its spectacular geography, the dense, lively streets of Hong Kong feature a variety of urban phenomena that can't be found anywhere else in the world. In this series of video essays, New Office Works probes the urban character of Hong Kong with stunning depth, uncovering histories and explanations that bring new intrigue to an urban fabric that is, both literally and figuratively, already heavily layered.
The title of the series, Middle Man, references Hong Kong's status as a city that mediates between east and west, calling back to the "compradors" that helped the city to grow in the 19th century by translating for traders—middlemen in the most literal sense. Rooted in this history, the urban environment is not one built on grand schemes or overarching ideals, says New Office Works: "The combination of a growing population and limited land has cultivated an instant-fix mentality. There is neither time nor space for architectural ideologies, only pure pragmatism."
The West Kowloon Cultural District Authority (WKCDA) has announced the winning design for the inaugural Hong Kong Young Architects and Designers Competition. The competition asked local architects and designers emerging in their careers to design a "temporary pavilion that promotes sustainability and addresses economic and natural resources." The winning design, titled Growing Up, by New Office Works is a timberpavilion that sits on the waterfront in Nursery Park at West Kowloon. Paul Tse Yi-pong and Evelyn Ting Huei-chung from New Office Works will serve as Design Advisors with the project set to open in fall 2018.
Fans of absurd architecture, over-the-top action, and wrestling-stars-turned-beloved-actors are in for a treat this summer thanks to the recently-announced film Skyscraper. The movie’s central character is “The Pearl,” an imagined 1,067-meter-tall skyscraper in Hong Kong—although apparently some guy named “Dwayne ‘The Rock’ Johnson” also plays a pretty big role with his character Will Sawyer, a former FBI Hostage Rescue operative who lost a leg in the line of duty and now reviews building security for a living.
The plot, as revealed in the trailer and a single-paragraph synopsis on the official website, sees Will Sawyer criticizing the security of the “vertical city” billed as the tallest, most advanced, and safest building in the world. His concerns are immediately shown to be well-founded, as a group of (what are presumably) terrorists set fire to the 96th floor of the building, trapping Sawyer’s family and somehow framing Sawyer for the whole thing. As a result, Sawyer must save his family while running from the law, with the trailer showing a climactic leap from an adjacent crane (we can only assume that Dwayne Johnson doesn’t fit into a ventilation duct). The film has come in for some good-natured ribbing already, with internet jokesters questioning how a 260-pound amputee makes a 15-meter jump off the end of a crane. But of course, closer inspection reveals that these concerns are just the start of the entertaining wackiness of this movie.