The Naomi Milgrom Foundation has announced that internationally renowned architecture and design practice all(zone) is the the recipient of the MPavilion 2022 commission. Demonstrating how architecture and design can contribute to creating equitable cities, the Bangkok-based studio was commended for its commitment to designing built environments where people can feel at home in the world, reusing and recycling local materials in bold and innovative new ways.
Studio Other Spaces, founded by artist Olafur Eliasson and architect Sebastian Behmann, envisioned a wine tasting pavilion for California wine producer The Donum Estate that weaves together various elements of the site in what the designers describe as a vertical panorama. The project essentializes a vertical cut through the landscape and the conditions that make for a thriving vineyard, proposing a holistic experience addressing all senses. The roof’s coloured glass tiles represent an abstract calendar depicting the yearly averages of parameters such as wind intensity, temperature and humidity.
The Turba Tol Hol-Hol Tol Pavilion is a collective project led by curator Camila Marambio that proposes an experimental path towards the conservation and visibility of peatlands, a type of wetland considered to be the most efficient natural ecosystem for accumulating carbon in the atmosphere and yet one of the least researched.
Presented by the Ministry of Cultures, Arts and Heritage and the Ministry of Foreign Affairs of the Government of Chile at the 59th International Art Exhibition - La Biennale di Venezia, which will have its official opening on the 23rd of April, was a collaborative work between art, science and traditional knowledge, promoting research and ecological transition from the environmental humanities. In this sense, a diverse multidisciplinary team was brought together: sound artist, Ariel Bustamante; art historian, Carla Macchiavello; filmmaker, Dominga Sotomayor; and architect, Alfredo Thiermann.
The construction industry has experienced severe changes in recent decades. Historically, it counted on abundant labor and a false notion that natural resources were infinite, but nowadays the sector has struggled to find innovations that will allow it to become more sustainable, especially considering its enormous impact and importance in the world. In addition, the recent Covid-19 pandemic changed several factors and dynamics, demanding creativity from designers to overcome challenges. In some cases, the design process itself became subject to changes. The S'Winter Station project, developed by students and teachers of Ryerson University's Department of Architectural Science, is one of these examples which relied on existing visualization and manufacturing technology for its completion.
Château La Coste inaugurates a pavilion designed by Oscar Niemeyer, representing the last project drawn by the renowned architect before he passed away in 2012. Set amongst a vineyard, the curved structure features a glazed gallery space, accompanied by an 80-seat auditorium placed within a cylindrical volume. Emphasizing the pavilion's connection with the surrounding landscape is a shallow pool that brings a new dimension to the project through the interplay of light and reflections.
On the 24th of February 2022, Russia launched a large-scale invasion of Ukraine. Set to become Europe’s largest refugee crisis and armed conflict in this century, so far, this war has mobilized people across the world in order to exert pressure on authorities and put a stop to the armed hostilities. Individuals, as well as institutions in the architectural field, have taken part in these acts of solidarity, issuing statements, condemning actions, and even halting their work in Russia. From the UIA to MVRDV to Russian Institutions such as Strelka, the architecture world is denouncing the acts of violence and supporting an immediate cease of fire.
Tsz Yan Ng is a Michigan-based firm principal, professor, researcher, and artist whose interdisciplinary and collaborative work seeks to challenge and improve upon modern fabrication and manufacturing practices. “We haven’t changed the way we build in so long,” Ng said. “We need to think of it more productively—not just economically—but as a collection of different voices. Architecture is a global ecosystem of people, where the sum is greater than the parts.”
Architecture collective AKT and Hermann Czech will be collaborating on the concept and design of the Austrian Pavilion at the 18th International Architecture Exhibition - La Biennale di Venezia. Titled "Beteiligung / Participation", the pavilion will be temporarily converted into a social experiment that explores themes such as public vs. private, accessible vs. inaccessible, and communal vs. individual through architectural interventions. The 18th International Architecture Exhibition will be held from May 20th until November 26th, 2023.
The new biennial event Architekturwoche Basel (AWB) will debut this May as a platform for discussing architecture and urban development through the lens of sustainable construction and the circular economy. The inaugural edition also marks the launch of the first Basel Pavilion, a temporary structure meant to showcase new possibilities for environmentally-friendly building practices. The winning design, “Loggia Basileana”, created by architecture practice isla, is made of reused building components and features a series of modules that form a continuous pedestrian passageway along the train tracks on the Dreispitz site.
American artist Theaster Gates unveiled his design for the 21st Serpentine Pavilion. Curated for the first time by a non-architect, the 2022 edition named Black Chapel, “will pay homage to British craft and manufacturing traditions”. Realized with the architectural support of Adjaye Associates, the pavilion will open to the public on Friday 10 June 2022, in Kensington Gardens.
Bernard Tschumi's HyperTent, a hyperbolic paraboloid structure, is the latest addition to the iconic Parc de la Villette. Prompted by the opening of L'Espace Chapiteaux, a space for contemporary circus performances, the new ticket booth located on the podium of Folie L4, originally a music venue, carefully negotiates its presence within the context. The morphology of the project allows for the two structures to coexist without interfering. At the same time, the materiality of the HyperTent makes for an iconic presence in juxtaposition with the adjacent folie.
The Colombia Pavilion at Expo 2020 Dubai is thought of as an artefact with the ability to tell the past, present and future stories of the country's culture through its music. Supported by its geography and its cities, the pavilion designed by Pacheco Estudio de Arquitectura intersperses dense vegetation with water, representing the great biodiversity of its plant and animal world, and is composed of a reticular structure in three dimensions symbolising the urban centres that are constantly growing.
By proposing a route from the vegetable and aquatic floor to the open ceiling, the artefact is quickly identifiable from a distance and seeks to remain in the memory of those who visit it as a fresh, open space that reveals itself to all and finds itself in constant development.
In 1929, Ludwig Mies van der Rohe and Lilly Reich design the German National Pavilion for the 1929 Barcelona International Exhibition. The official reception for the exhibition was held there, presided over by King Alfonso XIII and the German authorities. From then on, the story is well known to everyone. A symbolic work of the Modern Movement, the Pavilion has been extensively studied and interpreted, and has inspired the work of several generations of architects.
Over the past year, NFTs have entered the realm of architecture, prompting conversations over the role of the profession in the future digital economy. From the design of digital real-estate to exhibitions and architecture events exploring its value for the practice and established architecture firms embracing the new medium, NFTs have been embraced by the profession as the promise of a new form of creative production. Discover a round-up of architecture's experiments with NFTs so far, together with a series of Archdaily articles shedding light on the topic.
Due to unexpected circumstances, The Tallinn Architecture Biennale announced a new winning proposal for its Installation Programme Competition: Fungible Non-Fungible Pavilion by iheartblob, a new "decentralized and systematic" approach towards architectural design which allows the community to be both designers and investors, contributing to a structure that evolves over time. TAB 2022 will take place during September – October 2022, with the opening week on the 7th–11th of September.
The Mies van der Rohe foundation presents “Never Demolish” a temporary intervention by curators Ilka and Andreas Ruby that explores the “Transformation of 530 dwellings in the Grand Parc Bordeaux” project by the Pritzker laureates Lacaton & Vassal architects, Frédéric Druot Architecture, and Christophe Hutin Architecture. Running until December 16th, the pavilion is transformed into a domestic space that allows visitors to "deepen the debate on housing and the rehabilitation model of the large-scale blocks of the 60s and 70s".
In collaboration with architecture practice Hassell, Architectural Association's Association's Emergent Technologies and Design (EmTech) programme created a reclaimed wood pavilion, exploring the convergence of computational design, new construction technologies, and material reuse. Titled Re-Emerge, the project addresses the issue of limited material resources, exploring the architectural potential of material recycling in the context of generative design.
.jpg?1646040749 "SOM Explores Future Timber Construction Methods at the 2021 Chicago Biennial. Image © Kendall McCaugherty © Hall+Merrick Photographers")
.jpg?1646040755 "SOM Explores Future Timber Construction Methods at the 2021 Chicago Biennial. Image © Kendall McCaugherty © Hall+Merrick Photographers")
