URB has revealed 'Dubai Reefs,' a floating living lab designed to restore marine ecosystems and promote ecotourism. The project's primary objective is to generate over 30,000 employment opportunities within a green economy in the city. Dubai Reefs encompasses a sustainable floating community dedicated to marine research, regeneration, and ecotourism, comprising residential, hospitality, retail, educational, and research facilities.
The 2023 Sharjah Architecture Triennial (SAT) will take place from November 11th, 2023 to March 10th, 2024, under the theme "The Beauty of Impermanence: An Architecture of Adaptability". Focusing on how scarcity in the Global South has led to a culture of re-use, re-appropriation, innovation, collaboration, and adaptation, the second edition of the architectural exhibition, curated by Tosin Oshinowo, aims to shift global conversations towards creating a more sustainable, resilient, and equitable future.
Foster + Partners has developed a provisional concept design for a Vertiport terminal, located next to Dubai International Airport, in collaboration with Skysports Infrastructure, the leading designer and operator of Vertiport technology for advanced air mobility.
Skyports Infrastructure and Dubai's Highways and Transport Authority are now considering four initial locations, with the DXB vertiport being one of them (RTA). The locations are envisioned as part of an electric vertical take-off and landing (eVTOL) infrastructure network that will link Dubai's most populated and well-known places and offer high-speed, zero-emission transportation. The RTA's Dubai Metro network and Dubai International Airport are just two existing transportation hubs with which the vertiport network will interact. By 2026, the RTA and Skyports Infrastructure intend to have a network of vertiports ready for use for air taxi services.
With more than 900 projects in over 40 countries, every project that Zaha Hadid Architects designs and builds has an impact on the narrative of contemporary architecture. At ArchDaily, we know that each architectural project has a team of professionals behind it which makes it possible. In this edition of the ArchDaily Professionals Video Interviews, we talked to Johannes Schafelner, associate director at Zaha Hadid Architects, and Enrique Peiniger, founder of OVI-Office for Visual Interaction about their long-standing collaboration in projects merging design and lighting.
Aridly Abundant is the title of the body of research being exhibited at the UAE National Pavilion at the 18th annual International Architecture Exhibition - La Biennale di Venezia. The Pavilion was curated by Faysal Tabbarah, Associate Dean and Professor of Architecture at the College of Architecture, Art, and Design at the American University of Sharjah. The exhibition explores the possibility of architectural possibilities in, with, and for arid landscapes.
Designed by URB, The LOOP is a 93-kilometer-long sustainable highway that aims to encourage Dubai’s residents to opt for a healthy mode of transportation. The structure provides a climate-controlled all-year environment to make walking and cycling the preferred type of transportation in the city. The initiative aligns with Dubai’s 20-minute city initiative, which hopes to see 80% of Dubai’s residents commute to work by walking or cycling. The project is currently in the research and development phase.
The threat of climate change is looming before us. Sea level rise concerns over 410 million people at risk of losing their livelihoods. Coastal cities are choked with high-rise buildings and traffic-laden roads, consuming land insufficiently. Synthesizing these problems, architects across the world have proposed a potential answer - floating cities. A future of living on water seems like a radical shift from how people live, work, and play. Vernacular precedents prove otherwise, offering inspiration for what our cities could morph into. As world leaders discuss courses of action to tackle climate change at the COP27 climate summit in Egypt, ArchDaily dives into the concept of radical water-based settlements.
Architects play an important role in creating healthy, functional and aesthetically pleasing environments. Interior design represents a natural continuation of the same prerogative, and its importance has been accentuated in recent years, from the lockdown forcing many people to remain indoors for extended periods of time, to the rise of remote work. The task of the interior designer is not decorating spaces, but planning for an effective use of space, understanding the needs of the user and highlighting the intrinsic qualities of a space. Acoustics, lighting, material properties and proportions all play a role in achieving a coherent and enjoyable interior space.
This week’s curated selection of Best Unbuilt Architecture highlights interior design projects submitted by the ArchDaily community. From a pastel-colored library in Turkey to a renovated symphony hall in San Diego, US, this selection of unbuilt projects showcases how architects design interior spaces by integrating textures, materials, light, and color in well-proportioned spaces. The article includes projects from Turkey, US, Switzerland, Indonesia, UK, and Denmark.
As the new year begins, we look forward to the most exciting projects planned to open in 2023. The world's second-tallest tower is currently under construction in Malaysia; Egypt is almost ready to open its largest archeological museum, while MVRDV is currently renovating a large-scale brutalist landmark in Albania. Featuring internationally renown architectural offices such as Snøhetta, OMA, Studio Gang, Zaha Hadid Architects, BIG, along with the latest winner of the Pritzker Prize, Francis Kéré, the following selection presents projects from all around the world. They also range in scale and program, from international airports to sculptural arts galleries or museum expansions.
Several projects presented here have also featured in the previous year's compilation. Resource availability and labor issues generated by the pandemic have also continued to influence opening schedules, but with a diminishing impact. Following the predicted trends for 2023, more and more projects involve the adaptive reuse of existing structures. An underlying theme is visible in the increased interest in expanding artistic and cultural venues and integrating historical heritage into the expression of contemporary architecture.
One of the most significant cultural events in the Middle East, Dubai Design Week represents a platform that offers individuals and companies the opportunity to showcase their design experience and to open conversations about the most pressing issues of our times. Developed in a strategic partnership with Dubai Design District (d3), the event presents a series of immersive, large-scale installations that highlight the festival’s theme: Design with Impact.
This year’s program is focused on designing a sustainable future. To promote this, Dubai Design Week has invited international and regional architects and designers to create installations that demonstrate creative design thinking, to introduce innovative materials, and spark conversations about the ways in which design can have a positive impact on the environment.
The National Pavilion UAE has announced the appointment of Faysal Tabbarah, Associate Dean and Associate Professor of Architecture at the American University of Sharjah, as the curator of UAE’s pavilion for the 18th International Architecture Exhibition of La Biennale di Venezia in 2023. Tabbarah’s proposal for the exhibition focuses on the arid and dry landscapes of the UAE and their relationship with architecture. Through the research, these areas are reimagined as spaces of abundance and productivity. This approach represents Faysal Tabbarah’s response to the Venice Biennale 2023 theme: The Laboratory of the Future.
When the winners of the prestigious Aga Khan Award for Architecture are announced every three years, the architecture celebrated is arguably the best, most important work found around the world. While the 2022 cycle announcements are imminent, looking back at the six project laureates from 2019 proves to be a fruitful review.
Rem Koolhaas, co-founder of Office for Metropolitan Architecture (OMA), receiver of the Pritzker Prize Award in 2000, and leading urban theorist, was one of the first to question the high-rise phenomenon and its influence on city transformation. Particularly intrigued by the Gulf region and the urban ambitions of this area, in 2009, during the 9th edition of the Sharjah Biennial, he delivered a lecture on the potential of re-inventing urbanization in the Emirates.
On the occasion of the golden jubilee of UAE, marking 50 years since the Emirates were founded in 1971, 50U, published by Archis explores the different developments in the Gulf, this region that “witnessed the transformation of a partly nomadic, partly town-based community into a globally active metropolitan society”. After Al Manakh, in 2007, followed in 2010 by Al Manakh Cont’d, 50U tells the story of the UAE through 50 portraits of people, plants, and places. The book also shares an excerpt of Koolhaas’ 2009 talk that reflects on contemporary conditions, focusing specifically on his reading of Dubai, his architectural involvement as well as his future urban predictions.
Standing at 78 meters tall, the Museum of the Future (MOTF) is far from reaching Dubai’s famous skyline, which features skyscrapers like the unparalleled Burj Khalifa – the world’s tallest tower. However, with its bold shape and striking façade illuminated by more than 14,000 meters of Arabic calligraphy, it certainly succeeds in taking its place among the city’s most iconic buildings. The award-winning project by Killa Design and Buro Happold, described by many as ‘the most beautiful building in the world’, opened in February of 2022 in Dubai’s Financial District. In a total built up area of 30,000 sqm, it accommodates exhibition spaces for innovative ideologies, services, and products, as well as theater spaces, a laboratory, and a research center.
Abu Dhabi unveiled plans for a Natural History Museum designed by Dutch practice Mecanoo. The project resembles natural rock formations, and geometric shapes are present across all design elements, accompanied by the presence of water and vegetation. The 35,000 square-meter venue will feature gallery display areas, temporary exhibition spaces and theatre spaces, as well as an innovative research facility for the study of zoology, palaeontology, marine biology, molecular research and earth sciences. The new institution is intended as a space for education and, at the same time, as a think-tank for future innovation in these respective fields.
With the magnitude and urgency of the immediate Covid-19 crisis worldwide, efforts have been concentrated on saving lives, rather than focusing on concerns related to the road to Net-zero carbon. Net Zero carbon in regards to construction is defined as when the amount of carbon emissions associated with the construction of a building and its completion is zero. A zero-energy building will have an overall zero net energy consumption; the total amount of energy used by the building annually is equal to the amount of renewable energy generated on-site.
As the climate emergency presents itself as a severe and existential threat, it is crucial that the road to net-zero carbon is resumed large-scale in both an architectural and commercial sense. Around the globe, efforts have been renewed in an attempt to tackle the almost inconceivable. According to the 2019 global status report for buildings and construction, the buildings and construction sector accounted for 36% of final energy use and process-related carbon emissions in 2018. Although carbon emissions were temporarily reduced during the peak of the pandemic, they are set to swiftly return to previous figures.
Conceived in 1977, and currently, in progress, The Mastaba, Christo and Jeanne-Claude’s largest permanent artwork in the world, is designed for Abu Dhabi, to be built in a proposed location approximately 160 kilometers south of the city in the desert of Liwa, in the United Arab Emirates. Made from 410,000 multi-colored barrels, the installation will create “a colorful mosaic, echoing Islamic architecture”. 150 meters high, 300 meters long at the vertical walls and 225 meters wide at the 60 degrees slanted walls, the duo’s final project will take at least three years to be built, once it receives governmental approval.
With its quantifiable objectives and measurable performance, sustainability often passes as a technological challenge. Its primary language is that of data, equipment, and engineered systems, most often translated into a hyper-technologized layer hidden within a design upholding pre-existing aesthetic norms. As architecture is the image of society at one moment in time, how does the focus on sustainability translate into architectural language, further legitimatizing the efforts to establish an equitable relationship with the environment? Architecture serves as an expression of attitudes, and since sustainability has become a fundamental value, it is worth looking at whether or not it has produced an aesthetic transformation.
