UAE: The Latest Architecture and News

The National Pavilion UAE has announced the appointment of Faysal Tabbarah, Associate Dean and Associate Professor of Architecture at the American University of Sharjah, as the curator of UAE’s pavilion for the 18th International Architecture Exhibition of La Biennale di Venezia in 2023. Tabbarah’s proposal for the exhibition focuses on the arid and dry landscapes of the UAE and their relationship with architecture. Through the research, these areas are reimagined as spaces of abundance and productivity. This approach represents Faysal Tabbarah’s response to the Venice Biennale 2023 theme: The Laboratory of the Future.

When the winners of the prestigious Aga Khan Award for Architecture are announced every three years, the architecture celebrated is arguably the best, most important work found around the world. While the 2022 cycle announcements are imminent, looking back at the six project laureates from 2019 proves to be a fruitful review.

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Rem Koolhaas, co-founder of Office for Metropolitan Architecture (OMA), receiver of the Pritzker Prize Award in 2000, and leading urban theorist, was one of the first to question the high-rise phenomenon and its influence on city transformation. Particularly intrigued by the Gulf region and the urban ambitions of this area, in 2009, during the 9th edition of the Sharjah Biennial, he delivered a lecture on the potential of re-inventing urbanization in the Emirates.

On the occasion of the golden jubilee of UAE, marking 50 years since the Emirates were founded in 1971, 50U, published by Archis explores the different developments in the Gulf, this region that “witnessed the transformation of a partly nomadic, partly town-based community into a globally active metropolitan society”. After Al Manakh, in 2007, followed in 2010 by Al Manakh Cont’d, 50U tells the story of the UAE through 50 portraits of people, plants, and places. The book also shares an excerpt of Koolhaas’ 2009 talk that reflects on contemporary conditions, focusing specifically on his reading of Dubai, his architectural involvement as well as his future urban predictions.

Abu Dhabi unveiled plans for a Natural History Museum designed by Dutch practice Mecanoo. The project resembles natural rock formations, and geometric shapes are present across all design elements, accompanied by the presence of water and vegetation. The 35,000 square-meter venue will feature gallery display areas, temporary exhibition spaces and theatre spaces, as well as an innovative research facility for the study of zoology, palaeontology, marine biology, molecular research and earth sciences. The new institution is intended as a space for education and, at the same time, as a think-tank for future innovation in these respective fields.

Conceived in 1977, and currently, in progress, The Mastaba, Christo and Jeanne-Claude’s largest permanent artwork in the world, is designed for Abu Dhabi, to be built in a proposed location approximately 160 kilometers south of the city in the desert of Liwa, in the United Arab Emirates. Made from 410,000 multi-colored barrels, the installation will create “a colorful mosaic, echoing Islamic architecture”. 150 meters high, 300 meters long at the vertical walls and 225 meters wide at the 60 degrees slanted walls, the duo’s final project will take at least three years to be built, once it receives governmental approval.

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Despite a year-long postponement and strict pandemic regulations, the 17th International Architecture Exhibition of La Biennale di Venezia has finally come to an end with over 300,000 visitors, exceeding the previous edition. Titled "How Will We Live Together", the 2021 edition of the event featured 112 participants and 60 national participations hailing from 46 countries, displayed across the Giardini, Arsenale, and the streets of Venice from May 22nd to November 21st, 2021. UAE's Wetland by curators Wael Al Awar and Kenichi Teramoto took home the Golden Lion for Best National Participation, for presenting an innovative contextual alternative to cement, one of the key emitters of the world's carbon dioxide.

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A "symbolic interpretation of the flow of movement", Calatrava’s design for the UAE Pavilion at the 2020 Expo Dubai is a 15,000 square meters immersive and multisensory experience. Images recently shot by Stephane Aboudaram highlight a structure of 28 automated cantilevered wings, that open and rotate at a range of 110 and 125 degrees. Moreover, these photos also show a central skylight, that mimics the logo of this year’s expo.

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Designed by Warsaw-based architecture practice WXCA and Swiss studio Bellprat Partner, the Polish Pavilion for Expo 2020 Dubai is a nod to the country's natural landscapes representing an essential part of Polish identity. Through a modular structure enveloped by a kinetic sculpture resembling a flock of birds, the project references the idea of mobility while showcasing the natural connection established by bird migration between Poland and UAE.

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The Netherlands Pavilion at Expo 2020 Dubai proposes a circular climate system that harvests water, energy, manufactures rain and produces food, creating a temporary biotope that embodies the fusion between art, architecture and technology. Designed by V8 Architects, with a visitor experience curated by Kossmanndejong, the pavilion creates a multi-sensory narrative around natural phenomena. Industrial materials like metal sheets, steel tubes, ducts and pipes blend unexpectedly with vegetation and textile fabrics to create a spatial journey culminating in a centrepiece that provides a tranquil stop amidst the bustle of the Expo.

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The Finnish Pavilion for Expo 2020 Dubai showcases the country's deep connection with nature and sustainability, contributing to its high quality of life. Titled "Snow Cape", the pavilion designed by JKMM Architects subtly evokes Finnish natural settings through materiality and atmosphere while embodying the principles of circular economy championed by the Nordic country. The structure with its tent-like entrance creates a point of commonality, reminding of Finland's nomadic heritage, as well as the Arabic text.

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Designed by Toronto-based practice Moriyama & Teshima Architects and construction company ElisDon, the Canadian Pavilion for Expo 2020 Dubai aims to bridge the two cultures by echoing Canada’s landscapes and incorporating Arabic architectural elements with its wooden lattice facade a reference to the traditional Mashrabiya. Accompanying the pavilion is the art installation Traces created by Montréal-based firm KANVA, which brings a poetic reflection on the uncertainty of the future of ecosystems to the exhibition grounds.

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UK’s contribution to Expo 2020 Dubai is a wooden sculptural structure that celebrates cultural diversity and collaboration, highlighting Britain as a meeting place of cultures and ideas. Created by artist and designer Es Devlin, the Poem Pavilion uses advanced machine learning algorithms to transform the input of visitors into collective poems. The latter can be read in illuminating displays on the façade, transforming the pavilion into the exhibit itself.

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The Singapore Pavilion for Expo 2020 Dubai illustrates the city's aspiration towards a sustainable future that merges architecture, nature, technology and culture. Under the title "Nature.Nurture.Future", the pavilion designed by WOHA Architects and landscape design practice Salad Dressing showcases a sample of Singapore's urban environment that epitomizes its City in Nature vision. The multi-layered green space creates a self-sufficient ecosystem highlighting ideas of sustainability and resilience through the marriage of technology and nature.

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Expo 2020 Dubai's Sustainability Pavilion designed by Grimshaw Architects expresses the ethos of addressing the impact of human activities on the environment, acting as a catalyst for collective action. With sustainability as one of the three core themes of the Expo, the pavilion named Terra will become a platform for highlighting the urgency of the issue, sharing knowledge and exploring ideas while also providing visitors with n immersive experience. As one of the legacy buildings, the project is set to become a Science Centre after the event and aims to operate as an autonomous construction in terms of energy and water supply.

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Twenty years after the Frank Gehry–designed Guggenheim Abu Dhabi was first announced in 2006, the museum may finally have its grand opening.