Architecture and its atmospheric qualities have long been a subject of discussion, yet reaching a consensus on the matter remains elusive. This is largely because spatial experience is deeply personal—rooted in emotions, sensory perceptions, and individual preferences that are difficult to articulate in words alone. The way one perceives, feels, and interacts with a space adds another layer of complexity, making it challenging to define and agree upon its atmospheric impact. Nevertheless, architects and designers continuously strive to shape environments that are not only functional and comfortable but also capable of evoking emotions and leaving a lasting impression on their occupants.
Sustainability in architecture is often framed as a universal challenge, leading to standardized solutions that prioritize efficiency over context. However, architecture is inherently tied to its environment — buildings interact with climate, topography, and cultural history in ways that demand specificity. Instead of relying on standardized sustainability checklists, how can architecture embrace site-specific solutions? This conversation is deeply connected to the concept of Genius Loci, or the spirit of a place, introduced by Christian Norberg-Schulz and embraced by architects advocating for designs that resonate with their surroundings. It suggests that architecture should not be imposed upon a site but rather emerge from it, informed by its materials, climate, and cultural significance. This philosophy challenges the widespread application of generic sustainable technologies, instead proposing that sustainability must be inherently tied to the location in which it operates.
With the heightening of ecological and social crises all around the world, architects have had to re-evaluate their role, impact, and design approach. As the "new needs" of people arise, new architectural processes must be explored to answer them. However, this still comes with much resistance from the standing practices and push for financial gain that often makes it difficult to implement more comprehensive solutions. These notions led the CCA (Canadian Center for Architecture) to launch their new 3-part film and exhibit series called " Groundwork", curated by the associate director, Francesco Garutti. Through this project, the CCA selected and followed three renowned contemporary architects/practices as they developed their concepts and field research, which allowed them to engage respectfully with their site and residing communities. It's an up close and personal look into what motivates the selected architects to examine alternative ways of designing and the challenges they go through as the three parallel stories unfold.
The first exhibit opening and movie screening was held in May 2024, followed by an in-conversation event with the program curator and architect, where the question of "What is architecture today" was discussed. The exhibit and its many showcased elements, channels visitors along to the first site exploration with DnA's Xu Tiantian as she ventures "Into the Island" of Meizhou, China, in the summer of 2022.
Returning for its third edition, Desert X AlUla 2024 invites artists to engage with the landscape, nature, and heritage of AlUla. The exhibition aims to position AlUla as the hub for monumental art experiences in the region. This year’s theme, “In the Presence of Absence,” challenges the concept of deserts as “empty spaces.” Artists worldwide are encouraged to investigate conceptual ideas of the invisible, engaging in a dialogue with AlUla’s environment.
Alterity is essential to human development. If deprived of a variety of stimuli, the brain is unable to develop, losing plasticity and deteriorating like an atrophied muscle. This reasoning is widely accepted when it comes to social relations or cognitive and physical activities. But what about the stimuli promoted by the built environment?
https://www.archdaily.com/956140/the-city-as-a-tile-based-gameMarina Oba, Daniela Moro e Gabriel Tomich
POLDRA - Public Sculpture Project Viseu envisions to develop contemporary public art/art in public space proposals – with a significant focus on sculpture – created for selected spaces (site-specific) reinventing and reinterpreting them; while encouraging interactions between the visitors and the sites themselves. Through this dynamic, the work of art will be the kickstarter of a relation that it is hoped can exist beyond the act of looking. I've been doing so for the past two years by exhibiting the works of Neeraj Bhatia (Canada), Pedro Pires (Angola), Elisa Balmaceda (Chile), Natalia Bezerra & Kaitlin Ferguson (UK), Steven Barich (USA),
The Kharayeb Archaeological Museum (KAM) was designed by Shiogumo in the agricultural lands of the coastal village Kharayeb, in the south of Lebanon. The site-specific museum was commissioned to preserve and enhance the historical, cultural, and public significance by the directors of the archeological mission and site, Dr. Ida Oggiano (Istituto di Studi sul Mediterraneo Antico of CNR, Italy) and Dr. Wissam Khalil (Lebanese University).
