Agrivoltaic Pavilion prototype & designs in 'Sustainable Architecture & Aesthetics.' Transforming BIPVs with custom 3D-printed filters and panels for site-specific solar collection. Courtesy Sabin Design Lab at Cornell College of Architecture, Art, and Planning and the DEfECT Lab at Arizona State University. Image Courtesy of Jenny E. Sabin
Why research and innovate in architecture? In a conversation with architectural designer Jenny E. Sabin, we delve into the critical link between research and practice in architecture. Seeking the development of a new model, her team incorporates an interdisciplinary approach that introduces connections between these areas, fostering collaboration with both scientists and engineers.
Observing nature’s behavior, the proposed method integrates biological and mathematical discoveries into the design process. After undergoing a systematic testing process, these insights are applied in the project’s generative design phase to create adaptive and responsive material solutions. Analyzing her research and design strategies, we showcase how she translates research into architectural practice.
Rock salt is a chemical sedimentary rock that forms through the evaporation of water, as minerals dissolve and settle down. When excavated directly from the earth, it maintains a cube-shaped crystalline form. With its diverse textures, compositions and structures, this natural element has captivated human interest for centuries. Depending on the region and environmental conditions, salt rock has been found in diverse applications in architecture, such as a construction material that uses blocks of salt to build structures, bricks, or tiles. Often translucent, these bricks allow diffused light to enter interior spaces, creating a unique atmosphere and aesthetic appeal.
Giving this ancient material a modern twist, Casalgrande Padana uses rock salt as the inspiration for its new Supreme porcelain stoneware tile collection. By replicating the colors, texture and brightness of natural sedimentary rock, this collection can be seen as a fascinating journey to discover the unique features of the center of the Earth.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina, Partners at FAME Architecture & Design discuss the livability of designer homes. The two cover designing for function and aesthetics, material resilience, lifestyle changes, space efficiency, designing based on reference images, and the benefits of adapting to design-forward living environments.
https://www.archdaily.com/1001273/the-second-studio-podcast-the-livability-of-designer-homesThe Second Studio Podcast
“How to give your home: Dark Academia vibes” reads the title of a popular YouTube video targeted at homeowners fascinated by the aesthetics relating to liberal education and the arts. A subculture born in the age of social media, Dark Academia is one of many internet aesthetics that have gained prevalence in the last decade. Image-based platforms like Tumblr, Instagram, Pinterest, and TikTok have amplified internet aesthetics, especially during the COVID-19 pandemic. Social media allows users to support and create their own trends that rapidly amass a following. Today, the creation of aesthetic trends lies in the hands of the general public and will dictate the way interior design trends develop.
HeartFelt® Linear. Image Courtesy of Hunter Douglas & Inteco
Every day, architects and designers tackle an ambitious task: crafting spaces that not only captivate the eye but that also nurture the health and well-being of those who inhabit them. A key part of this mission involves implementing design strategies that foster a pleasant indoor climate, as temperature, humidity and air quality all have a significant impact on users’ mood, productivity and overall health. Humans simply operate better if they are comfortable and content in their home or working environment. Although air-conditioning, ventilation and heating systems have conventionally served as popular solutions to regulate indoor climate, they often carry with them undesirable consequences –the presence of dust and bacteria, the need for regular maintenance and a cluttered, unappealing look. There is, however, an alternative solution.
Interior design has progressively become a subject of interest among architects and designers. Having spent more time indoors recently, practitioners have been experimenting with their spaces and exploring different approaches to scale, comfort, and aesthetics. Much like everything else, design is highly influenced by external factors; any change to people's lifestyle influences how they respond to it, whether consciously or subconsciously. And while this dynamic is often seen in fashion or graphic design, it has been noticeable in interior design as well. Following years of linear, clean-cut, and refined spaces, curved silhouettes were revived, becoming one of the dominating interior design trends across the world.
Technology is disrupting the creative industry and it's only getting better, and faster. Innovation in the architecture industry has never been as rampant as it is at this moment. The advent of artificial intelligence (AI) in architecture - the first genuine 21st-century design method - is changing the way buildings are imagined and designed. AI image generatorslike Midjourney and DALL-E provide an efficient and explorative way of conceiving architectural concepts. Generated in less than 5 minutes, these images unveil an interesting design aesthetic that is emerging. In an exclusive interview with ArchDaily, architect and educator Matias del Campo hypothesizes what the future of architectural aesthetics would be.
Architecture is not simply building. Over 2,000 years ago, Roman architect Marcus Vitruvius Pollio defined two base realities in building: “Firmness” (Safety) and “Commodity” (Use) and then offered what turns building into architecture: “Delight” (Beauty).
“Firmness” has been recoined in this century as “Resilience”. After being unscathed in five hurricanes over thirty years, does this building have “Delight” beyond its “Firmness”? The property of “Commodity” is found in any design’s usefulness and fit: is this archive, in constant use, have “Delight” beyond its “Commodity”?
Discussions of architectural form demonstrate how disability is negatively imprinted into the field of architecture. In architectural theory and the history of architecture, “form” typically refers to the physical essence and shape of a work of architecture. In the modern idea of form, it is a quality that arises from the activity of design and in ways that can be transmitted into the perceptions of a beholder of architecture. Form provides a link between an architect’s physical creations and the aesthetic reception of these works. It occupies a central place within a general understanding of architecture: the idea of the architect as “form-giver,” among many other turns of phrase, conveys the sense of some fundamental activity and aesthetic role of form within architecture, what architects create, and how people perceive works of architecture.
The current architectural production faces several paradigms and one of them is aesthetic. In a scenario of constant uncertainty, buildings with projections, holograms, or completely automatic ones that science fiction has shown so much, seem more and more distant from reality. Nowadays, the search for greater identification with the built space has been amplified instead of idealizing the new for the new. Therefore, looking at the past has presented different perspectives and it is in this scope that perhaps we can imagine a new futuristic aesthetic.
Architecture has long been a profession in aesthetic apartheid. The profession’s favored aesthetic, Modernism, has relegated all other “styles” to marginalized insignificance in laud, teaching and publication. The last generation has seen those following an aesthetic deemed “traditional” create an entirely separate system of schools, awards and publication.
Architecture, with all its practitioners, academics, and theorists, have long been exploring utopic ideas with hopes of turning them into something concrete for the sake of a better world. But as the world heads towards an even greater polarization than it currently has, the architecture practice found itself having to adapt to the current systems of the planet, constrained by its ever-growing conditions. Slowly, practitioners realized that utopia can not truly be seen as the ideal solution, and needed to be readapted or morphed with other concepts for it to actually work. DETAIL's latest monograph BIG. Architecture and Construction Details / BIG. Architektur und Baudetails, a rapport between BIG’s imaginative, unbuilt utopias and functional, built architecture, explores 20 projects from the firm's workshop.
In the history of architecture the concept of beauty has always been linked to different factors that represent, mainly, the values of society in a given period. The zeitgeist is certainly crucial to these definitions, so something that was once considered beautiful in the past is likely to be given another connotation nowadays. In this sense, aesthetic preferences in architecture seem to be linked to symbolic references implicit in the construction itself and in its relation with the world. They are preferences that express convictions, ideologies and positions, as well as moral, religious, political feelings and, of course, class status symbols.
The visual aesthetic of the past few decades could be defined as designing with the principles of ‘nothingness’. Whether it’s through art, lifestyle, fashion, industrial, or interior design, there has been an alleged need to keep things at a bare minimum, promoting the globally-loved-yet-highly-criticized trend of minimalism. Minimalism is this notion of reducing something to its necessary elements, but who is deciding what is necessary, and who is deciding what is too much? With those questions in mind, combined with radical changes in consumerism and the way people live seen during recent years, current trends have shown that minimalism might be here to stay, but with a twist.
Sundance Square, a new central place for the city of Fort Worth, TX, USA. Image Courtesy of PPS
Public spaces play a significant role in organizing the life of every community but defining what differentiates them from other spaces within the city is not an easy task. Once these spaces start to settle into the collective memory of the local communities, they become key elements that concentrate the mental image of a city. While this process usually happens with urban spaces, monuments and isolated architectural elements can also become markers for the urban life of an area. So, what happens when dramatic events like fires, war, or even the pandemic alter that image?
The concept of aesthetics goes back to the Greek civilization and refers to perception through the senses. Despite being a philosophical concept, in architecture, aesthetics is used to translate architectural ideologies and concepts from the set of constructive elements, forms and materials, being intrinsically linked to the physical shape of a building and, therefore, bound to a social, economic and political context. In addition to a discussion of tastes, architectural aesthetics is a source of historical reading and analysis.
"The details are not the details. They make the design." – Charles Eames. Creating attractive spaces that anticipate the needs of users relies on several factors: scale, circulation, functionality, and comfort. However, the past few decades have proved that the visual appeal of a project is also greatly important, and can make or break the interior space. In this interior focus, we will explore the aesthetic side of interior design, looking at popular styles across the world and how architects and designers use elements such as color, furniture, accessories, and finishes to define their spatial identity.
More than ever; today a trip to a hair or beauty salon has become a much-needed escape time. It promises an ultimately uplifting and relaxing experience with an aesthetically pleasing result. However, this affair, like many others, depends on a catered physical setting; a space that’s efficient design can make or break one’s leisurely time. Many spatial considerations have to be taken while setting up a successful and functional beauty shop, and there are no better examples to consider than the quaint Japanese beauty salons.
._Image_by_Zupagrafika.jpg?1653259487 "Orła Białego prefab panel estate in Poznań (Brutal Poland). . Image © Zupagrafika")
