Aesthetics: The Latest Architecture and News

The concept of aesthetics goes back to the Greek civilization and refers to perception through the senses. Despite being a philosophical concept, in architecture, aesthetics is used to translate architectural ideologies and concepts from the set of constructive elements, forms and materials, being intrinsically linked to the physical shape of a building and, therefore, bound to a social, economic and political context. In addition to a discussion of tastes, architectural aesthetics is a source of historical reading and analysis.

Humans try very hard to make the inexplicable understood. Our spirituality becomes religion. Fairness becomes law. And what delights us becomes aesthetics, and aesthetics are dumbed down to “style” in fine arts and architecture. The description, then definition, of aesthetics enables us to judge, and hopefully, control what thrills us: "Styles may change, details may come and go, but the broad demands of aesthetic judgement are permanent". -- Roger Scruton

But the instant delight we sometimes feel when we hear, taste, think or see parts of our experience is unreasoned in its apprehension. We try to create value in our outcomes by defining them beyond experience – that is aesthetics.

If Nature had been comfortable, mankind would never have invented architecture. - Oscar Wilde

Architecture is human. Despite their exquisite beauty,  burrows, hives, nests and anthills are creations of instinct.  Design by humans considers options, means and methods of creation, solving problems of desire, beyond functional accommodations.

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Some years end up being cultural pivot points. 2021 was one such year, with COVID-19 as the first existential threat to our culture since World War II. Architecture will change as a result, and may evolve in public perception to value motivations as a criteria for understanding it, versus valuing outcomes as the validation of any particular aesthetic.

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This article was originally published on Common Edge.

There is an astonishing degree of complexity, order, and beauty in the natural world. Even so, and especially within the realm of living things, nothing is more complex than it needs to be to sustain its existence. Every aspect of the system serves a purpose. If it does not, the unneeded component eventually ceases to exist in future generations. Even with these constraints of resource and energy efficiency, we find boundless beauty and harmony in the natural world. Contrast nature’s “just the right amount of complexity” to the way many architects design buildings today. While nature is only as complex as it needs to be, architects and designers add excessive and inessential complexity to their buildings and landscapes when none is warranted.

Are machines capable of design? Though a persistent question, it is one that increasingly accompanies discussions on architecture and the future of artificial intelligence. But what exactly is AI today? As we discover more about machine learning and generative design, we begin to see that these forms of "intelligence" extend beyond repetitive tasks and simulated operations. They've come to encompass cultural production, and in turn, design itself.

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