In preparation for the city of Asturias, Spain, to become one of the hosts of the FIFA World Cup in 2030, the El Molinón stadium is proposed to undergo a major remodeling process. Home Real Sporting de Gijón, the stadium is reimagined by the architecture office Sordo Madaleno together with Orlegi Sports. The proposal aims to increase the stadium’s capacity to accommodate 9,000 additional visitors to the 33,650 fixed seats during the World Cup. It also strives to reconnect the venue to its surroundings and the city of Gijón, Asturias.
BIG and HNTB have just won the competition to design an Athletics ballpark in Las Vegas. Situated along the iconic Las Vegas Strip, the ballpark for the Athletics Major League Baseball team promises to uphold the values of the “Entertainment Capital of the World.” Nestled between Tropicana Avenue and Reno Avenue on Las Vegas Boulevard, the ballpark boasts 33,000 seats in an open-air stadium sprawling across nine acres.
The Republic of Poland boasts diverse geographical territories and cultural tribes that span thousands of years. Its cities and towns reflect a whole spectrum of styles, from Romanesque architecture to Gothic Revival and postmodernist residential and commercial structures. In addition to its unique topography and rich urban fabric, the country houses 17 UNESCO World Heritage Sites. One site, however, has stood out from the rest and given the country a royal status. Tucked beneath the Malinowka stream, just outside the southern city of Krakow, is one of the world's oldest and largest hand-chiseled underground mines that has been transformed into an expansive, all-inclusive complex. From a naturally-healing health center to a secluded church and an underground bungee jumping platform, this colossal adaptive reuse project is the Wieliczka Salt Mine.
The Jakob-Park Stadium, home of FC Basel, is getting an update to extend its lifespan after 20 years of use. Originally designed by Herzog & de Meuron, the architecture reform aims to provide better hospitality to visitors by restructuring the access and optimizing security to keep the stadium open even on non-match days. The proposal also contemplates replacing the iconic facade with a sweeping roof to give the stadium a unified appearance and broadcast the events outside.
Architecture firm HKS and landscape designer Hood Design Studio have been selected by global entertainment and media company CMNTY Culture to design a new creative campus in the heart of Hollywood. Dubbed CMNTY Culture Campus, the project will feature production spaces, offices, performance venues, bringing together creative industries in a 500,000-square-foot development.
Metropolitans take pride in their storied cultural venues, the chroniclers of intellectual acumen and architectural achievement. While these icons revel in their ornate design, immersive grandiosity, and dramatic acoustics, the pandemic has introduced numerous challenges to the rules of assembly.
Recognizing changes in the rituals of attending a show—from procession and gathering to engagement—architects and cultural leaders are designing the next generation of performance venues while asking the question: How does architecture solve issues raised by a building’s inherent purpose? Is it possible to maintain the essence of a venue through gentle yet effective changes in people’s habits? The answers seem to rely on updating the auditorium culture (which dates as far back as the Colosseum) with contemporary design solutions rooted in new technologies.
https://www.archdaily.com/976581/what-will-post-pandemic-performance-venues-look-likeOsman Can Yerebakan
Titled "Mapping Festivities", the Pakistan Pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia, explores the national wedding hall as an architectural typology of post-colonial Pakistan. Curated by Sara M. Anwar, the pavilion will be on display on the second floor of the Palazzo Mora from May 22nd until November 21st.
The Green. Image Courtesy of Mimi Lien/Rendering by Timothy Leung
After several event cancellations due to the pandemic, Manhattan’s Lincoln Center for the Performing Arts complex have transformed their outdoor plaza into a green park and outdoor performance venue called The Green. As of May 10, the Restart Stagesinitiative will add fake grass across the 14,000-square-foot (1,300 sqm) Josie Robertson Plaza. The plaza, which was originally designed by Philip Johnson, Wallace K. Harrison, and Max Abramovitz, and renovated by award-winning architecture firm DS+R in 2010, will transform into a public urban space of gathering, leisure, and entertainment.
Designed by Iotti + Pavarani Architetti, Tassoni & Partners, Lauro Sacchetti Associati, the RCF Arena, currently under construction, is set to become Europe’s largest events and concerts venue. Located in the Italian region of Emilia Romagna, the structure can host up to 100 000 people.
HOK's Mercedes-Benz Stadium is officially the first LEED Platinum certified professional sports stadium in the United States. The new home to the NFL’s Atlanta Falcons boasts the highest sports venue LEED score at 88 total points.
There is much more to learn from this stadium than just its unique retractable roof system. The two-million-square-foot venue is an unprecedented model for sustainability and performance innovation. Its notable design solutions conserve water, lighting, and energy.
North America’s largest classical repertory theatre company, the Stratford Festival revealed Hariri Pontarini Architects’ design for their new Tom Patterson Theatre at a town hall meeting last month. According to Antoni Cimolino, the Stratford Festival’s Artistic Director, the company desires a new facility that compares to distinguished theatres worldwide.
Originally built as the headquarters for the Finnish Communist Party, the House of Culture (Kultuuritalo in Finnish) has since established itself as one of Helsinki’s most popular concert venues.[1] Comprising a rectilinear copper office block, a curved brick auditorium, and a long canopy that binds them together, the House of Culture represents the pinnacle of Alvar Aalto’s work with red brick architecture in the 1950s.