But after new zoning legislation for the neighborhood was passed last year, the building’s current owner, JPMorgan Chase, has announced plans to raze the 707-foot-tall building in favor of a new, hi-tech supertall replacement. If plans go through, it would be the world’s largest and tallest building ever to be intentionally demolished.
At one of the last remaining waterfront sites in Manhattan, the topping out of a luxury, five-acre, three tower mega-structure dubbed Waterline Square marks the end of a 25-year process for the 77-acre Riverside South Master Plan. Each of the three towers has been conceptualized by a different architect, with One Waterline Square by Richard Meier & Partners Architects, Two Waterline Square by Kohn Pedersen Fox Associates (KPF) and Three Waterline Square by Viñoly Architects. The towers were developed concurrently, but each reflects the vision of its architect, contributing to a harmonious complex while still remaining distinct.
Heatherwick Studio’s glimmering staircase monument, ‘Vessel,’ has topped out after eight months of construction at New York City’s Hudson Yards development. Consisting of 154 flights of stairs, 2,500 individual steps and 80 landings, the sculptural public space has now reached its full height of 150 feet, which will allow it to offer sweeping views of Manhattan’s west side when it opens in early 2019.
Snøhetta has unveiled the design of a new residential skyscraper to be built in Manhattan’s Upper West Side that will feature a unique, multi-level amenity terrace carved from the tower’s form. Located at 50 West 66th Street just steps from iconic New York City landmarks including Lincoln Center and Central Park, the tower aims to sensitively respond to the historic architecture of its context through its intricate form and refined material palette.
Manhattan-based architecture practice Edg has created an ambitious proposal that replaces major highways into driverless ones, as well as adding green corridors spanning the length of the island. Named “Loop NYC,” the scheme aims to improve Manhattanites' quality of life and reduce the city’s urban pollution. Edg has released a video outlining the proposal and its uses (see above)—read on for the project breakdown.
James Hansen, professor of Earth and Environmental Sciences at Columbia University, former NASA scientist, and the planet’s preeminent climatologist, was among the first to sound the alarm on climate change during his 1988 testimony before Congress. Since then, he has continued to shine a light on the problem through lectures, interviews, TED talks, and his blog. He has warned that a mere 2-degree increase in temperature could result in a sea level rise of five to nine meters by the end of the century, flooding coastal cities and rendering them uninhabitable.
Moscow-based architecture practice Meganom has unveiled their design for a supertall luxury skyscraper in Manhattan. The parcel, on 262 Fifth Avenue is located in the city’s NoMad neighborhood near Madison Square Park. The site owner, Israeli developer Boris Kuzinez from Five Points Development, submitted plans for the project in September 2016. Kuzinez and Meganom have previously worked together on several projects, including the award-winning Tsvetnoy Central Market in Moscow. 262 Fifth Avenue will be the debut project in the U.S. for both, and the skyscraper will be the tallest ever built by a Russian architect in America.
New renderings of Herzog & de Meuron’supcoming luxury hotel have been released, showing the 28-storey tower’s updated interiors at its location at 215 Chrystie Street in Manhattan’s Bowery District. Constructed of raw concrete, the 370 rooms are capped with eleven open-plan luxury residences and is set to open to the public in June.
“To introduce a sense of scale and to further foster the expression of each individual floor, each column is slightly inclined,” explained Jacques Herzog with the announcement of the project back in 2014. “The prominent corner of the building facing Chrystie Street is where the two geometries of the inclined columns meet. Rather than giving one direction priority, the two directions are braided together. The result is a sculptural corner column that becomes the visual anchor for the entire building.”
Construction has officially begun on Vessel, the 15-story tall staircase sculpture designed by Heatherwick Studio that will serve as the centerpiece of New York’s massive new Hudson Yards development. To build the structure, 75 individual units are being prefabricated by Cimolai S.p.A. in their Monfalcone, Italy facility, then shipped to New York where they will be assembled on site. These first 10 of these pieces have now completed their 15-day overseas journey, with the remaining pieces scheduled to arrive on-site and put into place over the coming year.
Construction on Heatherwick Studio’s undulating Pier 55 in New York has come to a screeching halt, following a ruling by a United States District Court judge last week that will require the project to undergo an intense wildlife impact review.
Last April, the U.S. Army Corps of Engineers gave the project, located on the Hudson River in West Chelsea, the go-ahead, allowing initial construction to begin. But the district judge found that the Army Corps of Engineers had failed to properly consider the wide effects of the projects on the river wildlife.
https://www.archdaily.com/867951/construction-halted-on-heatherwicks-pier-55-in-new-yorkAD Editorial Team
The architectural legacy of the Rockefeller family in Manhattan is well-known, most obviously demonstrated in the slab-like Art Deco towers of the Rockefeller Center and the ever-expanding campus of the MoMA. But in a city that is filled with landmarks and historic buildings, it's easy for even the most remarkable projects to go unrecognized. Philip Johnson's Rockefeller Guest House in Manhattan was completed in 1950, just one year after the construction of his better known Glass House in New Canaan. The Glass House is an obvious cousin to the later guest house: both feature largely empty glass and steel boxlike forms, where structural work is exposed and celebrated.
A 1,400-foot-tall mixed-use skyscraper by Zaha Hadid Architects may be the next supertall structure to hit midtown Manhattan. Located at 666 Fifth Avenue between 52nd and 53rd Street, the project is the brainchild of Kushner Properties, who currently co-own the existing 483-foot-tall building with Vornado Realty Trust.
Estimated to cost up to $12 billion, the company is currently negotiating a multi-billion dollar deal with Chinese holding company Anbang Insurance Group to finance the project. If plans to buy out the building go through, Kushner would be in the clear to begin construction on the ZHA-designed tower, which would rebrand the property as 660 Fifth Avenue and offer 464,000-square-feet of residential space, an 11-story hotel, and a 9-story retail podium.
Responding to this phenomenon, architect Ioannis Oikonomou of oiio architecture studio has proposed an alternate solution, called “The Big Bend,” that asks the question: “What if our buildings were long instead of tall?”
GSAPP Conversationsis a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school’s influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.
https://www.archdaily.com/806013/introducing-columbia-gsapp-conversations-inaugural-architecture-podcast-exhibition-models-james-taylor-fosterAD Editorial Team
Conceived as an inner sanctuary within downtown Manhattan, the building highlights acoustics as a key consideration, with a façade system and exterior glass enabling a high OITC rating to “ensure a tranquil home environment in the center of this vibrant neighborhood.”
As long as there have been buildings mankind has sought to construct its way to the heavens. From stone pyramids to steel skyscrapers, successive generations of designers have devised ever more innovative ways to push the vertical boundaries of architecture. Whether stone or steel, however, each attempt to reach unprecedented heights has represented a vast undertaking in terms of both materials and labor – and the more complex the project, the greater the chance for things to go awry.
Even in Manhattan—a sea of skyscrapers—the Empire State Building towers over its neighbours. Since its completion in 1931 it has been one of the most iconic architectural landmarks in the United States, standing as the tallest structure in the world until the Twin Towers of the World Trade Center were constructed in Downtown Manhattan four decades later. Its construction in the early years of the Great Depression, employing thousands of workers and requiring vast material resources, was driven by more than commercial interest: the Empire State Building was to be a monument to the audacity of the United States of America, “a land which reached for the sky with its feet on the ground.”