The architectural legacy of the Rockefeller family in Manhattan is well-known, most obviously demonstrated in the slab-like Art Deco towers of the Rockefeller Center and the ever-expanding campus of the MoMA. But in a city that is filled with landmarks and historic buildings, it's easy for even the most remarkable projects to go unrecognized. Philip Johnson's Rockefeller Guest House in Manhattan was completed in 1950, just one year after the construction of his better known Glass House in New Canaan. The Glass House is an obvious cousin to the later guest house: both feature largely empty glass and steel boxlike forms, where structural work is exposed and celebrated.
Manhattan: The Latest Architecture and News
A 1,400-foot-tall mixed-use skyscraper by Zaha Hadid Architects may be the next supertall structure to hit midtown Manhattan. Located at 666 Fifth Avenue between 52nd and 53rd Street, the project is the brainchild of Kushner Properties, who currently co-own the existing 483-foot-tall building with Vornado Realty Trust.
Estimated to cost up to $12 billion, the company is currently negotiating a multi-billion dollar deal with Chinese holding company Anbang Insurance Group to finance the project. If plans to buy out the building go through, Kushner would be in the clear to begin construction on the ZHA-designed tower, which would rebrand the property as 660 Fifth Avenue and offer 464,000-square-feet of residential space, an 11-story hotel, and a 9-story retail podium.
In 2014, midtown Manhattan received its first supertall (taller than 1,000 feet) residential building, Christian de Portzamparc’s One57. The following year, Rafael Viñoly Architects’ 432 Park Avenue surpassed the mark, confirming the trend of sky-shattering, pencil-thin skyscrapers rising along Central Park’s southern edge. In all, at least 10 supertall projects have been planned for the neighborhood, earning it the nickname of Billionaire’s Row.
Responding to this phenomenon, architect Ioannis Oikonomou of oiio architecture studio has proposed an alternate solution, called “The Big Bend,” that asks the question: “What if our buildings were long instead of tall?”
We are pleased to announce a new content partnership between ArchDaily and Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) in New York City.
GSAPP Conversations is a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school’s influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.
Tadao Ando’s first residential building in New York City—152 Elizabeth—has topped out in Manhattan’s Nolita neighborhood. A collaboration with architect and designer Michael Gabellini of Gabellini Sheppard Associates, as well as developer Sumaida + Khurana, the project will feature Ando’s hallmarks, poured-in-place concrete, burnished, metal, voluminous glass, and a living green wall.
Conceived as an inner sanctuary within downtown Manhattan, the building highlights acoustics as a key consideration, with a façade system and exterior glass enabling a high OITC rating to “ensure a tranquil home environment in the center of this vibrant neighborhood.”
As long as there have been buildings mankind has sought to construct its way to the heavens. From stone pyramids to steel skyscrapers, successive generations of designers have devised ever more innovative ways to push the vertical boundaries of architecture. Whether stone or steel, however, each attempt to reach unprecedented heights has represented a vast undertaking in terms of both materials and labor – and the more complex the project, the greater the chance for things to go awry.
These 200 images show you the spectacular views from hundreds of New York City’s finest residences. Everyone loves an amazing view, and some pay millions for a property with views across Central Park, the East River, the Hudson River, or the Midtown skyline. In the jungle of glass, stone, and steel that is New York City, it is impossible to overstate the value of an incredible view. Tauber, a Manhattan-based independent photographer, shot these images over the last decade while shooting New York City’s finest properties for real estate firms, architects, interior designers, developers, and magazines.
Studio Seilern Architects (SSA) has unveiled its design for a new skyscraper in New York, located on the riverfront of the Hudson River, which will offer views to the South West towards the river and Hoboken, as well as to the East towards the Empire State Building and Manhattan skyline.
The 16.107 square meter building (24 floors) will feature commercial units in the form of a gallery in the plinth—which is reduced to form a sculpture garden—at the lower levels, while upper levels will contain residential units.
The Kohn Pedersen Fox-designed One Vanderbilt Avenue broke ground today, beginning construction on what will stand as the second tallest tower in New York City upon completion. Located adjacent to Grand Central Terminal on 42nd Street, the tower will be integrated into the its neighbor through a series of underground connections and $220 million in improvements to Grand Central’s infrastructure.
UPDATE: We've added a video of Thomas Heatherwick explaining the design of "Vessel," after the break!
Thomas Heatherwick is bringing a new public monument to New York City. Today, Heatherwick Studio revealed the first renderings of “Vessel,” a 15-story tall occupiable sculpture comprised of 154 intricately interconnecting flights of stairs that will serve as the centerpiece of the new Hudson Yards development in west Manhattan.
July 15th – September 2nd, 2016
July 14th Exhibition Opening
6 – 7 pm: Press and Members Preview [RSVP]
7 – 9 pm: Public Opening [RSVP]
We are experiencing the emergence of a culture that is marked by a return to, redefinition, and expansion of the notion of the commons. The increasing complexity and interconnectedness of globalization is reorienting us away from trends that have emphasized individuation and singular development, and toward new forms of collectivity.
Over the last decade, emerging technologies and economies have affected aspects of our everyday life, from the way we work and travel, to how we
SHoP has unveiled the design for a new 900 foot tall skyscraper in Manhattan’s Lower East Side. The 77 story, 500,000 square foot, mixed-income tower will have 600 units, 150 of which will be permanently affordable and distributed evenly throughout the building. The project has been developed as a collaboration between SHoP and JDS who are co-owners of the development, with the partnership of two not-for-profit groups: Two Bridges Neighborhood Council (TBNC) and Settlement Housing Fund (SHF).
In an interview with the Council on Tall Buildings and Urban Habitat (CTBUH), Bjarke Ingels reflects on the design of skyscrapers, noting how "sculpture is fine, but if its arbitrary it's not as interesting." Architects, Ingels argues, have the problem of "skilled incompetence:" the notion that they "already know the answer before [they've] even heard the question." This prevents them "from questioning the question, or having the question rephrased, or elaborating on the question, or even listening for the question – because [they] already know the answer."
OMA's first building in Manhattan will be a condo project at 122 East 23rd Street, built in collaboration with Toll Brothers City Living. Designed by OMA's New York principal Shohei Shigematsu, the residential tower culminates a decade leading the office and several previous attempts to realize a project in the region.
Pier 55, the floating park designed by Heatherwick Studio and landscape architecture firm, Signe Nielsen, received a green-light from the New York Supreme Court this past Friday, April 8, according to a report by the Architect’s Newspaper. Floating above the Hudson River on the Lower West Side of Manhattan, the park is anchored by an aggregation of enormous petal-like stilts that are submerged in the water below. The park is being funded by the philanthropy of Diane von Furstenberg and her husband Barry Diller.
Recently the subject of a competition to reimagine its expansive facade, the MetLife building is one of Manhattan's most noticeable - and hated - buildings. In this article originally published on 6sqft as "Great Game Changers: How the MetLife Building Redefined Midtown Architecture," Carter B Horsley tells the tale of how the building came to be.
Perhaps the most detested midtown skyscraper by the public, this huge tower has, nevertheless, always been a popular building with tenants for its prime location over Grand Central Terminal and its many views up and down Park Avenue. It is also one of the world’s finest examples of the Brutalist architecture, commendable for its robust form and excellent public spaces, as well as its excellent integration into the elevated arterial roads around it.
However, it is also immensely bulky and its height monstrous. As shown in the photograph ahead, the building completely dominates and overshadows the former New York Central Building immediately to the north, which had been designed by Warren & Wetmore as part of the “Terminal City” complex. The New York Central Building, now known as the Helmsley Building, straddled the avenue with remarkable grace and its distinguished pyramid. As one of the city’s very rare, “drive-through” buildings, it was the great centerpiece of Park Avenue. But by shrouding such a masterpiece in its shadows, quite literally, the Pan Am Building (today the MetLife building) desecrated a major icon of the city that will unfortunately will never recover from this contemptible slight on such a prominent site.
After 12 long years and a series of construction headaches, Santiago Calatrava’s $4 billion World Trade Center Transportation Hub has finally opened to the public. Once widely regarded as a symbol of hope for post-9/11 New York, the project’s ballooning budget and security-related revisions gradually soured the opinions of the public and top design minds including Michael Graves and Peter Eisenman, and provoked a multitude of mocking nicknames ranging from “Calatrasaurus” to “squat hedgehog” to “kitsch dinosaur.” All the while, Calatrava urged critics to reserve their opinion until the project’s opening. Now that day has arrived - did Calatrava receive the vindication he was insistent would come? Read on for the critics’ takes.
Skidmore, Owings & Merrill (SOM) has released the plans for Manhattan West, a new office and residential development spanning five million square feet over the 2.6-acre platform that covers the active rail tracks connecting Penn Station to New Jersey and Upstate New York.