Bjarke Ingels has featured in a new documentary about BIG’s Amager Bakke waste-to-energy plant in Copenhagen. Known for its iconic ski slope, the hybrid plant produces district heating for 60,000 households annually from waste generated in Copenhagen, and electricity for 30,000 houses.
Bjarke Ingels: The Latest Architecture and News
Japanese architect Junya Ishigami's 2019 Serpentine Pavilion is taking shape in London. A series of photographs by Laurian Ghinitoiu showcase the project and its flowing, free-form roof. Ishigami is the second-youngest designer of the pavilion, and his work is known for a light and ephemeral approach. The design for the 2019 pavilion takes the form of a slate sheet rising from the landscape of the park, held up by pilotis that form an interior field.
Media channel the slowdown has released the latest episode in their Time Sensitive podcast series, featuring an interview by Andrew Zuckerman with BIG founder Bjarke Ingels. The episode, titled “Bjarke Ingels to Cities: Take a Longer View,” sees Ingels communicate the value and world-changing potential of architecture, and reflect on his own career.
Bjarke Ingels Group.'s vortex-shaped education center has opened in the Faroe Islands. The Glasir Tórshavn College combines three schools under one roof in an area of over 19,000 square meters. Made to celebrates the Faroese landscape, the project includes the Faroe Islands Gymnasium, Tórshavn Technical College and the Business College. The design features glass façades that are mounted in a sawtooth shingle to form the building's circular shape.
Construction has begun on “The Spiral,” a 1,031-foot-tall project in New York’s Hudson Yards designed by Bjarke Ingels Group. The fifth supertall to be added to the area, The Spiral was commissioned by developer Tishman Speyer as part of the ongoing revitalization of the Midtown West region of Manhattan.
The tower is named after its defining feature - an "ascending ribbon of lively green spaces" that extend the High Line "to the sky," says Bjarke Ingels. The scheme will offer 2.85 million of office space, with the anchor tenant Pfizer occupying 18 floors, according to New York YIMBY.
Bjarke Ingels Group has designed an expansive cable-car system to connect to the new Oakland Athletics baseball stadium. The new stadium will replace the Oakland A’s existing 51-year-old Oakland-Alameda County Coliseum as a waterfront “jewel box” at Howard Terminal. At the Oakland A’s FanFest, the A’s President Dave Kaval unveiled the new Gondola connecting the Oakland Convention Center to Water Street at Jack London Square. The zero-emission transit line will provide residents and visitors with a way to see the A’s play in their future ballpark.
There are at least as many definitions of architecture as there are architects or people who comment on the practice of it. While some embrace it as art, others defend architecture’s seminal social responsibility as its most definitive attribute. To begin a sentence with “Architecture is” is a bold step into treacherous territory. And yet, many of us have uttered — or at least thought— “Architecture is…” while we’ve toiled away on an important project, or reflected on why we’ve chosen this professional path.
Most days, architecture is a tough practice; on others, it is wonderfully satisfying. Perhaps, though, most importantly, architecture is accommodating and inherently open to possibility.
This collection of statements illustrates the changing breadth of architecture’s significance; we may define it differently when talking among peers, or adjust our statements for outsiders.
Italian artist Federico Babina has published the latest in his impressive portfolio of architectural illustrations. “Archivoid” seeks to “sculpt invisible masses of space” through the reading of negatives – using the architectural language of famous designers past and present, from Frank Lloyd Wright to Bjarke Ingels.
Babina’s images create an inverse point of view, a reversal of perception for an alternative reading of space, and reality itself. Making negative space his protagonist, Babina traces the “Architectural footprints” of famous architects, coupling mysterious geometries with a vibrant color scheme.
Bjarke Ingels Group has revealed new images for their King Street West condo community in Toronto. The development was formed as sets of pixels extruded upwards to create space for housing, retail and boutique offices. The concept was made to avoid the footprints of heritage buildings that already exist on site. The latest renderings revealed both interior and exterior images of the striking new development.
One of the star attractions of 2018’s Burning Man Festival was the ORB, designed and overseen by Bjarke Ingels, Iacob Lange & Laurent de Carniere. The 1/500,000 scale sphere of the Earth’s surface was designed to conceptually reference earth and human expression, intending to leave no trace following its deflation.
The designers wanted the giant sphere to act as a guiding landmark for festival-goers, and set up an Indiegogo campaign back in July to raise the remaining funding for the installation. In total, the team invested 30 tons of steel, 1,000 welding and sewing hours, and $300,000 of their own funds to make the ORB a reality.
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
Danish architect Bjarke Ingels (born 2 October 1974) is often cited as one of the most inspirational architects of our time. At an age when many architects are just beginning to establish themselves in professional practice, Ingels has already won numerous competitions and achieved a level of critical acclaim (and fame) that is rare for new names in the industry. His work embodies a rare optimism that is simultaneously playful, practical, and immediately accessible.
BIG’s “unzipped wall,” which served as the 2016 Serpentine Pavilion in London, has been opened to the public in Toronto under the new title “Unzipped.” Having been transported to the city and rebuilt in collaboration with Westbank, new photographs by Derek Shapton show the completed pavilion standing as a temporary place of showcase and events in downtown Toronto.
Bjarke Ingels Group has released new images of their WeGrow micro school in New York. As the first school design of the office-sharing brand WeWork, the project was designed to undo the compartmentalization often found in traditional school environments and reinforce the significance of engaging kids in an interactive environment. The design starts from the premise of a school universe at the level of the child. This first WeGrow project is now open in New York’s Chelsea neighborhood.
As Burning Man 2018 comes to a close, snapshots and glimpses of the event have begun to emerge in the mediasphere. The most recognizable among these is, perhaps, BIG's Orb, a hovering sphere representing a scaled version of the earth itself.
Since moving to New York in 2010, BIG founder Bjarke Ingels has built an impressive portfolio, from developed projects such as VIA 57 West and The Eleventh to propositions such as West 29th Street and The Spiral.
In a new interview with Louisiana Channel, Ingels steps back from the pragmatism of individual projects, and instead reflects on his view of New York, from multiculturalism and inequality to regeneration and skyscrapers.