For centuries, large-scale infrastructure operated in the background. Ports, power plants, and energy facilities were positioned at the edges of cities, designed primarily for efficiency, and rarely considered part of civic life. Their function was indispensable, yet their architectural presence remained secondary. These structures supported urban growth and global exchange while maintaining a spatial distance from everyday urban experience.
Today, this condition is gradually shifting. As global trade intensifies and energy systems expand in complexity, the buildings that coordinate and house these networks are becoming more visible within the urban landscape. Rather than remaining neutral containers for technical operations, they begin to assert spatial identity. Infrastructure is no longer only operational; it is increasingly institutional, symbolic, and urban. The architecture that supports these systems now participates in how cities project themselves.
Architecture this week reflects the intersections of legacy, authorship, and social responsibility, as practices navigate questions of identity, recognition, and public engagement. Legal rulings, major competition shortlists, and large-scale urban proposals illustrate how architecture continues to operate across cultural, institutional, and environmental arenas. From sustainability-driven landmarks and transformative waterfront developments to iconic commercial towers, projects demonstrate approaches to ecological strategies and public programming. At the same time, global observances such as World Hearing Day highlight how spatial design shapes inclusion and accessibility, reminding the profession that the built environment can influence participation, learning, and well-being for diverse communities.
Manresa Wilds Zoomed Aerial. Image Courtesy of BIG
ManresaIsland Corp. has unveiled the final vision for Manresa Wilds, a 125-acre waterfront park planned on a former power plant peninsula along Long Island Sound in Norwalk, United States. Developed in collaboration with landscape architecture firm SCAPE and architecture studioBIG, the proposal outlines the transformation of a polluted and long-inaccessible industrial shoreline into a publicly accessible coastal landscape. Following the receipt of a stewardship permit from Connecticut's Department of Energy and Environmental Protection in December 2025, the project will move forward in phases, beginning with the opening of the 28-acre Northern Forest in spring 2027. Subsequent phases, extending into the early 2030s, will deliver the majority of the restored landscape and the adaptive reuse of the 1960s-era power plant as a year-round civic and educational hub, opening nearly two miles of coastline that have been closed to the public for decades.
Two weeks and over 85,000 nominations later, the finalists of this year's Building of the Year Awards are in. The selection is much like the ArchDaily audience that chose it: diverse in geography, generous in ideas, and precise in intent. With projects from 46 countries, in a variety of typologies and scales, they present a beautiful snapshot of the current architectural moment.
We invite you to sit back, browse, and vote for your ultimate favorites. Below, you will find all of the 75 finalists in their respective categories. Voting is open until February 18th at 18:00 EST. Thank you—your participation is key to making this the world's largest community-driven architecture award.
This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.
Who designs architecture today? In a professional landscape increasingly defined by collaborative workflows, generative software, and distributed teams, the figure of the architect as a singular creative author feels both anachronistic and inadequate. This article argues that architectural authorship is no longer an individual act, but a collective and distributed condition shaped by institutions, technologies, and shared forms of labor. The transition from individual to collective authorship is not simply a consequence of larger offices or digital tools; it signals a deeper structural shift in how architecture is produced, communicated, and validated.
La Sagrada Familia by Antoni Gaudi. Image by Maksim Sokolov, via Wikimedia Commons, License CC BY-SA 4.0
As 2025 concludes, we look ahead to 2026, a year scheduled to deliver a diverse range of significant architectural projects across the world. The year is particularly notable for the completion of new infrastructure and cultural buildings, including long-term projects. Europe will be in the spotlight of the new year with the Milano Cortina 2026 Winter Olympics. This event will feature projects such as the Olympic Village by SOM and the Winter Olympics Arena by David Chipperfield Architects. Also in Milan, BIG is set to complete construction of the City Wave project as part of a new business district in the city. At the same time, after more than 140 years of its establishment, the architects around the world will also be watching for the long-awaited completion of Antoni Gaudí's La Sagrada Familia in Barcelona, announced for 2026.
As the year culminates, it's once again time for the ArchDaily team of curators to reflect on the best-performing projects of 2025 and consider what readers were most interested in. Through this diverse overview, we assess the cross-continental similarities and differences in trends and construction development. This year brought us many grand cultural and public spaces by Lina Ghotmeh, BIG, Zaha Hadid Architects, DnA, and Serie Architects, who populated events like Expo Osaka and the Venice Biennale, as well as a surprising number of museums and public or landscape works in China and the rest of the Asian continent. However, while these were sought-after projects, the leading works remained, unsurprisingly, residential projects.
More specifically, the houses that were most viewed on the ArchDaily global site were concrete houses that bore considerable injections of greenery and landscape focus. They propose layouts highlighting voids and double heights, as well as inner courtyards or large openings to the exterior. While some references did suggest traditional or vernacular elements, modernist revivals were still predominant. Material trends are much more tame, with a recurrence of raw concrete use, as wood and stone were common accent elements. Still, the more interesting thing about the works this year is the efforts brought by architects in situating and setting the projects within their surroundings, bringing special attention to landscape and how projects merged with nature.
Greece's built environment is shaped by the coexistence of multiple architectural layers, where historic structures, modern interventions, and evolving urban systems intersect. Classical landmarks and their surrounding urban fabrics continue to inform the spatial character of cities, while postwar developments, infrastructural upgrades, and contemporary projects add new dimensions to the country's architectural landscape. This continuity between past and present provides the foundation for current design approaches, which increasingly focus on balancing heritage, environmental considerations, and contemporaryurban needs.
Stretching along the Atlantic coast at the southern tip of Florida, Miami is often introduced through postcard views of beaches, palm trees, and glass towers facing the water. Yet, behind this familiar image lies a city shaped by migration, tourism, and real estate cycles, where architecture has repeatedly been used to project new identities and reinvent the urban landscape. From early resort hotels and the Art Deco façades of South Beach to experimental high-rises and cultural institutions on the bay, the built environment offers a way to read how Miami negotiates climate, economy, and everyday life.
Over the past century, the city has grown through successive layers of development that remain visible in its streets and skylines. The streamlined geometry and pastel colors of the historic Art Deco District coexist with the exuberant forms of Miami Modern (MiMo) motels and postwar infrastructure along Biscayne Boulevard. Downtown and Brickell have transformed from low-rise business districts into dense clusters of residential and office towers, many designed by international firms working alongside local practices. At the same time, neighborhoods such as Little Havana, Allapattah, and Wynwood reveal how diasporic communities, industrial heritage, and creative industries occupy and adapt existing fabrics, often in contrast with the image-driven waterfront.
Across cultural districts and civic centers, this week's architectural developments highlight how institutions and city governments are reshaping their futures amid shifting environmental, social, and economic pressures. New museum and opera projects signal ongoing commitments to expanding public cultural infrastructure, while the debate surrounding Dallas' modernist City Hall illustrates the tensions that arise when questions of heritage meet rising maintenance demands and redevelopment pressures. At the same time, municipalities are advancing new regulatory tools to confront climate challenges, from electrification standards in Sydney and Boston to mobility restrictions and emerging forms of urban diplomacy. These developments reflect an increasingly complex landscape in which architectural environments evolve through a combination of cultural ambition, environmental targets, and shifting models of public decision-making.
The ultimate accolades of World Building of the Year supported by GROHE, World Interior of the Year, Future Project of the Year and Landscape of the Year were announced today as hundreds of architects from across the world convened at a grand finale Gala Dinner at Miami Beach Convention Center in Florida. A host of Special Prizes, including the American Beauty Prize supported by the Royal Fine Art Commission Trust, were also announced at the closing event to celebrate the eighteenth edition of the festival. The announcement follows the final day of WAF, in which prize winners across all 43 categories have been competing for the winning titles.
https://www.archdaily.com/1036083/world-building-of-the-year-and-interior-of-the-year-revealed-at-world-architecture-festival-2025Enrique Tovar
BIG – Bjarke Ingels Group has been selected as the winner of the international competition to design the new Hamburg State Opera, a major cultural project planned for the Baakenhöft peninsula in HafenCity, Hamburg, Germany. The building will consolidate the city's opera and ballet companies under one roof, introducing new performance spaces, production facilities, and public amenities along the Elbe. The project replaces the mid-20th-century opera house on Dammtorstraße, responding to the city's call for a venue that reflects contemporary standards in acoustics, stagecraft, and audience experience.
The Suzhou Museum of Contemporary Art (Suzhou MoCA), designed by BIG – Bjarke Ingels Group, is nearing completion along the Jinji Lake waterfront in Suzhou, China. Conceived as a cluster of twelve pavilions beneath a continuous, ribbon-like roof, the 60,000-square-meter complex reinterprets the traditional garden architecture that has long defined Suzhou's urban and cultural identity. Commissioned by the Suzhou Harmony Development Group and developed in collaboration with ARTS Group and Front Inc., the project is expected to open officially in 2026. The museum will debut with "Materialism," an exhibition curated by BIG that traces a material journey from stone to recyclate.
What happens when a city’s industrial past becomes the raw material for its future? In Copenhagen, Nordhavn transforms the old harbor into a living laboratory of sustainable urbanism, where warehouses and docks give way to independent districts, small islands, and canals that redefine what it means to inhabit the city.
This week's architectural highlights traced the intersections between heritage, climate awareness, and contemporary design practice. As the 19th Venice Architecture Biennale approaches its closing, projects exploring collective intelligence and material experimentation offer reflections on small-scale responses to global challenges. In Egypt, the completion of the Grand Egyptian Museum marks a long-anticipated moment in cultural preservation, while new competition initiatives in Jordan extend this dialogue toward sacred and archaeological contexts. Complementing these developments, the recognition of Abdelwahed El-Wakil with the Tamayouz Lifetime Achievement Award highlights the continued influence of tradition-informed design across contemporary practice.
Office in Sanno / Studio Velocity. Image Courtesy of Studio Velocity
Historically, architecture and the built environment have insisted on creating flat, hard surfaces. In earlier eras, walking without paved ground meant mud-caked shoes, uneven footing, tripping hazards, standing water after rain, and high maintenance. Hence, as we shaped cities, we prioritized a smooth, continuous, solid horizontal datum. The benefits are real: easier walking, simpler cleaning, and straightforward programming—furniture, equipment, and partitions all prefer a level base. This universal preference for building on flat ground remains the norm and, for many practical reasons, will likely continue to be.
What's less recognized is that making a truly flat surface is surprisingly difficult—and many well-executed "flat" floors aren't perfectly flat at all. They are often gently sloped, calibrated to precise gradients for drainage. While interior spaces do not always require this, many ground floors and wet areas do incorporate subtle inclines as a safeguard—whether for minor flooding or to manage water that overflows from the street or plumbing when one of the discharge systems is malfunctioning.
Shenzhen is China's first Special Economic Zone（SEZ), serving as a window for China's Reform and Opening-up and an emerging immigrant city. It has evolved into an influential, modern, and international metropolis, creating the world-renowned "Shenzhen Speed" and earning the reputation of the "City of Design." Architectural design stands as the most intuitive expression of Shenzhen's spirit of integration and innovation. Over the past decade (2015-2025), the development of urban architecture in Shenzhen has closely integrated with its open and inclusive urban character, ecological advantages of being nestled between mountains and the sea, and the local spirit of blending traditional culture with innovative technology, showcasing Shenzhen's unique charm and robust vitality across multiple dimensions.
