In the last decade, Miami has progressively transformed into a mecca of architecture and design. While the city’s tropical persona is most often associated with Art Deco, Miami offers a wide range of architectural styles from Mediterranean Revival to Miami Modern and everything in between. Over the years, the city has welcomed a some of the world’s leading talent including Pritzker Prize winners like “Queen of the Curves” Zaha Hadid, French visionary Jean Nouvel, Swiss duo Herzog & de Meuron, Frank Gehry and more – who have all left a lasting impression on Miami through their work. Whether visiting Miami Beach’s Art Deco district or the quaint, village-like Coconut Grove neighborhood, visitors can discover an array of awe-inspiring architecture no matter where their travels take them.
https://www.archdaily.com/922657/miami-architecture-guide-10-places-to-visit-on-your-first-tripAD Editorial Team
Design:ED Podcast is an inside look into the field of architecture told from the perspective of individuals that are leading the industry. This motivational series grants unique insight into the making of a successful design career, from humble beginnings to worldwide recognition. Every week, featured guests share their personal highs and lows on their journey to success, that is sure to inspire audiences at all levels of the industry. Listening to their stories will provide a rare blueprint for anyone seeking to advance their career, and elevate their work to the next level.
In this episode of Design:ED Podcast, Patrik Schumacher — the company director and Senior Designer for the esteemed Zaha Hadid Architects — sits down to discuss the future of parametric design, the early days of Zaha Hadid Architects, and how the firm is continuing the legacy of Zaha Hadid after her passing in 2016.
Construction has been completed on the Al Janoub Stadium, the first stadium commissioned for the 2022 FIFA World Cup in Qatar. Designed by Zaha Hadid Architects and Aecom, and situated in the city of Al Wakrah, the stadium underwent a design process beginning in 2013, and was inaugurated on May 16th 2019.
Construction has begun on Zaha Hadid Architects’ Danjiang Bridge in Taiwan, the world’s longest single-mast, asymmetric cable-stayed bridge. At 920 meters in length, the bridge spans the mouth of the Tamsui River and is integral to the infrastructural upgrading program of northern Taiwan.
The bridge seeks to minimize its visual impact by using a single concrete mast to support its main 450-meter span with dedicated road, cycle, and pedestrian lanes. The scheme also accommodates future expansion of the Danhai Light Rail network across the Tamsui River.
More than 80,000 votes were cast over the last two weeks and, after careful review, the results of the 2019 ArchDaily Building of the Year Awards presented by Unreal are in. Building of the Year, which itself celebrated ten years this year, is the largest peer-based crowdsourced architecture award in the world, showcasing the projects chosen by you, our readers, as the most significant of the year.
This is no mean feat. More than 4000 projects were in contention this year, challenging readers to carefully consider a wide variety of projects across type, scale, and location. 4000 projects were whittled to 75 finalists; 75 have now been reduced to the 15 winners - one for each typological category.
The results are as diverse as the architecture itself. Well-known names are, as in years past, present among the bunch, among them Zaha Hadid Architects, MVRDV, and Heatherwick Studio. For London-based Heatherwick, their win marks the second consecutive year they have taken top honors for a refurbishment-based project. But less-renowned names dominate the ranks of the winners this year. Innocad’s serenely simple office building for a real estate company elevates what corporate architecture can be while the technical and material mastery of Sameep Padora’s Maya Somaiya Library is enough to make any architect look twice. The library is, in fact, one of two Indian projects to take top honors this year - a strong first year showing for the nation whose design talent seems finally to be coming to the fore.
But for all their many beautiful differences, the winners share a crucial element in common: they represent the values of our mission, to bring inspiration, knowledge, and tools to architects everywhere. Building of the Year - indeed, ArchDaily itself - would not be possible without the generosity of firms and readers as invested in our mission as we are. We give our profound thanks to all who participated this year, no matter the form. Congratulations to all the winners!
Having launched at the end of 2018, Project Correl used VR headsets and apparatus to transport visitors to a virtual environment to collaborate with each other on an ever-evolving structure. The design was periodically captured and exhibited in the gallery as scaled 3D printed models to further demonstrate the design process encouraged by Correl. The final resulting model is now on display as part of the Design As Second Nature Exhibition.
Zaha Hadid Design has released images of its latest collection set to be featured at the Maison et Objet 2019 in Paris later this month. The collection, embodying Zaha Hadid’s inventive process, features a Swirl bowl in crystal glass, and a monochromatic marble collection from the Cell range.
The Maison et Objet festival is described as the international authority for home décor, interior design, architecture, and lifestyle culture, with its bi-annual Paris trade fair taking place from January 18th to 22nd 2019.
As reported by The Daily Mail, the sugar-fueled city includes futuristic tower blocks, sports facilities, and a modern homeless shelter by Holland Harvey Architects. The architectural delights have been created using a mix of sweet ingredients including liquorice, Jelly Babies, and icing.
Emporis has announced the results of its annual Emporis Skyscraper Award, recognizing the best new supertall buildings completed in the previous year. This year, the top prize was given to the Lotte World Tower in Seoul, South Korea, designed by Kohn Pedersen Fox Associates and Baum Architects. The tapered tower, South Korea’s tallest, also houses the world’s highest glass-bottomed observation deck, for architects who can handle the 1820-foot (555-meter) drop.
https://www.archdaily.com/908226/the-top-10-new-skyscrapers-of-2018Niall Patrick Walsh
Zaha Hadid Architects have received the go-ahead for their Vauxhall Cross Island towers, a duo of skyscrapers sited adjacent to Vauxhall Station. The scheme, which was publicly announced nearly a year ago (19 January 2018), would be the first project undertaken by the office in the UK for a private client.
Plans for a set of skyscrapers for Brisbane, designed by Zaha Hadid Architects, have been scrapped following a long-running controversy. The "Grace on Coronation" scheme, lodged for application in 2014, consisted of three sculptural residential towers and sought to reinvigorate a historic site in Toowong, four kilometers west of Brisbane’s Central Business District.
However, the scheme has been criticized for a perceived lack of sensitivity to the surrounding area, with its proposed 27 stories breaching the city plan limit of 15 stories. In May 2018, a sole resident won an appeal against the development due to the height violation.
https://www.archdaily.com/907959/zaha-hadid-architects-champagne-flute-brisbane-towers-cancelledNiall Patrick Walsh
Either as singular outcroppings or as part of a bustling center, skyscrapers are neck-craning icons across major city centers in the world. A modern trope of extreme success and wealth, the skyscraper has become an architectural symbol for vibrant urban hubs and commercial powerhouses dominating cities like New York, Dubai, and Singapore.
While skyscrapers are omnipresent, 2018 introduced new approaches, technologies, and locations to the high-rise typology. From variations in materiality to form, designs for towers have started to address aspects beyond simply efficiency and height, proposing new ways for the repetitive form to bring unique qualities to city skylines. Below, a few examples of proposals and trends from 2018 that showcase the innovative ideas at work:
Zaha Hadid Architects and A-Lab have been announced the winner of a competition to design two new metro stations in Oslo. The stations, Fornebu Senter and Fornbuporten, are to be part of Oslo's new Fornebubanen line, connecting a major existing rail interchange to the Fornebu Senter, a major shopping center in the city.
From city master plans to pocket-sized products, Zaha Hadid Architects (ZHA) have explored architectural formalism through innovative digital design methods. In 2006, the collaboration with furniture-makers and fashion houses led to the creation of Zaha Hadid Design that served both as an iterative process for and a resultant of ongoing architectural design.
A pop-up exhibition, located suitably on the ground floor of ZHA's renowned condominium along the High Line in New York City, features a scale model of the building itself on display. To honor and present the work produced by the firm in the last four decades, the Zaha Hadid Gallery showcases a series of projects in a wide range of mediums including the six 'Silver Models' that represent eight of the firm's key works.
Zaha Hadid Architects, working in collaboration with Russia-based TPO Pride Architects has been selected as one of three consortiums to realize the Rublyovo-Arkhangelskoye neighborhood in the West of the Russian capital Moscow.
The team will work with fellow winners Nikken Sekkei, UNK Project, Archea Associati, and ABD Architects to develop 4 million square meters of new buildings over 460 hectares. Over one-third of the new neighborhoods will be parklands and forest bordering the Moscow River, with a centerpiece 30-hectare lake.
https://www.archdaily.com/905513/zaha-hadid-architects-among-firms-chosen-for-russian-mega-smart-cityNiall Patrick Walsh
The “KnitCandela” prototype represents the first application of this technology at an architectural scale, a five-tonne concrete structure on display at the Museo Universitario Arte Contemporaneo in Mexico City.
https://www.archdaily.com/905231/zaha-hadid-architects-and-eth-zurich-create-3d-knitted-concrete-pavilion-transportable-via-suitcaseNiall Patrick Walsh
New photographs have emerged of the Zaha Hadid Architects-designed Leeza SOHO, a mixed-use office tower in Beijing’s Leeza Financial Business District. Featuring the world’s tallest atrium, the twisting, contorted structure weaves two separate sections of the tower in a visual infusion.
The new images celebrate the 190-meter-tall atrium rising through the full height of the building, designed to “rise as a single volume, divided into two halves.” The 172,800-square-meter scheme sits atop a new transit hub straddling a subway tunnel currently under construction.
In her lifetime, Pritzker prize-winning architect, fashion designer and artist Zaha Hadid (31 October 1950 – 31 March 2016) became one of the most recognizable faces of our field. Revered and denounced in equal measure for the sensuous curved forms for which she was known, Hadid rose to prominence not solely through parametricism but by designing spaces to occupy geometries in new ways. Despite her tragically early death in March of 2016, the projects now being completed by her office without their original lead designer continue to push boundaries both creative and technological, while the fearless media presence she cultivated in recent decades has cemented her place in society as a woman who needs just one name: Zaha.
_HI_RES_(5)_copy.jpg?1565259186 "© Robin Hill. ImagePark Grove / OMA | Shohei Shigematsu")
.jpg?1565259275 "Courtesy of Herzog & de Meuron. Image1111 Lincoln Road / Herzog & de Meuron")
.jpg?1544768630)
.jpg?1541690682)
.jpg?1541159237 "© Satoshi Ohashi (Zaha Hadid Architects)")
