From city master plans to pocket-sized products, Zaha Hadid Architects (ZHA) have explored architectural formalism through innovative digital design methods. In 2006, the collaboration with furniture-makers and fashion houses led to the creation of Zaha Hadid Design that served both as an iterative process for and a resultant of ongoing architectural design.
A pop-up exhibition, located suitably on the ground floor of ZHA's renowned condominium along the High Line in New York City, features a scale model of the building itself on display. To honor and present the work produced by the firm in the last four decades, the Zaha Hadid Gallery showcases a series of projects in a wide range of mediums including the six 'Silver Models' that represent eight of the firm's key works.
They say one cannot separate art from the artist, or perhaps in this case, the artist from the architect. Arguably one of the most criticized architects, Le Corbusier is often portrayed as cold and controlling. Depicting his more dreamy and humorous nature, the Nasjonalmuseet's exhibition titled, “Le Corbusier by the Sea,” draws upon his memories from his summer travels along the coast of southwest France.
Hosted in Villa Stenersen, one of the National Museum's venues, the exhibition showcases Le Corbusier's work as an artist during the period 1926-36. Not only does the exhibition include fifteen of his reproduced paintings alongside a collection of sketches, but also screens two films from Le Corbusier's own footage of his surrounding views.
Architecture and Landscape in Norway, a photography exhibition by Ken Schluchtmann, will open this fall in the Felleshus of the Nordic Embassies in Berlin. Featuring architecture, landscapes and roads in northern light, the exhibition situates Ken Schluchtmann in a long tradition of landscape representation in Norway. Opening on October 5, 2018, the show is part of the "European Month of Photography." The exhibition will displays images taken along the National Tourist Routes in Norway.
OMA's research and design practice AMO has opened True Me, the studio's first exhibition design in China. Built in the 798 Art Factory in Beijing, True Me explores modern selfie-culture and modes of self-representation through art and media. Organized by App developer Meitu and the Beijing Contemporary Arts Foundation, the exhibition features artworks by Hou Ying, Lu Yang, Maleonn, Xie Haiwei, Ye Funa, Chen Tianzhuo, teamLab, and Theodore Bradley. Celebrating the launch of Meitu’s new logo, the exhibition extends AMO’s interest in studying visual culture.
Kéré Architecture has recently completed the scenography for “Racism. The Invention of Human Races,” an exhibition at the Deutsches Hygiene-Museum, Dresden. The atmospheres within each of the three spaces are unique yet harmonious, aiming to connect “the rooms’ architecture with the rooms’ theme.” Using a variety of high-quality materials and engaging structures, the journey hopes to show a conflict between people’s desires for stability and the organic need for social transformation, emphasizing the charm of the temporary and importance of conversation.
Morphosis has released images of its proposed Orange County Museum of Art (OCMA) in California. The scheme hopes to create an “open and engaging urban presence within Orange County’s largest center for arts and culture” when it opens in 2021.
At 52,000 square feet, the museum will allow OCMA to organize major temporary exhibitions alongside spacious installations. The museum will contain nearly 25,000 square feet of exhibition galleries, representing a 50% increase on their current location in Newport Beach.
Celebrating its 75th anniversary, the Institute of Architects of Brazil - Department of São Paulo (IABsp) has launched an unprecedented call for the selection of a curatorial proposal for the Architecture Biennale of São Paulo, to be held between September and December 2019. The proposal should formulate and justify the core program, concepts and themes that frame the Biennale.
https://www.archdaily.com/894440/iabsp-launches-open-call-for-curation-for-xii-international-architecture-biennale-of-sao-pauloEquipe ArchDaily Brasil
As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Japan Pavilion. Below, the participants describe their contribution in their own words.
In the 20th century, the industrialization of society raised productivity and brought us convenient life with economic growth. However, the change has made us adapt our lives into an industrial network and created the barrier between people and environmental resources. One of the main roles of the 21st-century architecture is to break the barrier and to realize higher accessibility to resources.
Throughout the spring and summer of 2018, the Palazzo Strozzi in Florence, Italy will host a new site-specific project seeking to further our understanding of ecology, and the relationship between humans and the natural world. “The Florence Experiment” will connect internal and external spaces of the famed Renaissance palace through two separate experiences: an intertwined set of 65-foot-high (20-meter-high) slides, and a “live analysis” of the impact of human emotion on plant growth.
The Florence Experiment has been devised by German artist Carsten Höller and plant neurobiologist Stefano Mancuso, with the vision of turning the Palazzo Strozzi’s façade and courtyard into engaging areas of scientific and artistic experiment. Inspired by the Renaissance alliance between art and science, the project aims to create a new awareness of the way we see, understand, and interact with plant life.