With buildings glazed on all sides and very brightly as well as monotonously lit rooms, it's no surprise that we long for indoor and outdoor retreats that are less bright. Places with shade from glaring sun, dimmed rooms and exciting contrasts act on the eyes like a welcome oasis. High energy consumption and globally increasing light pollution show how acute the problem of too much light is and the alarming rate of contribution toward climate change. For a better future, it is imperative to explore ways in which we can design and focus on using darkness.
Early last week, the European Commission and the Fundació Mies van der Rohe announced the 40 shortlisted projects of the EU Mies Award, a prize that commends excellence in architecture, highlighting its contribution to sustainable development. In this context, and two years after the European Parliament voted to support the Green Deal, we review the steps taken by the EU in 2021 towards achieving its sustainability goals and shaping a resilient built environment.
Buildings contribute nearly 40% of greenhouse gases to the atmosphere, so the push is on to “get to zero” on many fronts. What happens when ambitious goals like zero energy meet a conventional building industry that’s structured on repetition and cost, in a market that struggles to keep up with massive demand? This is often—too often—our challenge.
The news about real action on climate change tends to track toward the gloomy. It is easy to despair, given the severity of the problem and the time left to properly address it. But there is progress being made in the built environment—just not nearly fast enough to offset emissions elsewhere. In recent years the sector has added billions of square feet of new buildings, but seen energy consumption for the entire sector actually decline. A good chunk of the credit for that accomplishment can go to architect Edward Mazria and his dogged advocacy organization, Architecture2030. Mazria and his team, along with collaborators all over the world, keep doing the unglamorous work of revising building codes, working with mayors, governors, elected officials in Washington (and officials in China), forging new alliances, all while deftly working around the climate obstructionists currently occupying the White House. Recently I talked to Mazria, who spoke from his home in New Mexico, about his take on where we stand. Some of the news, alas, is pretty good.
With the amount of information and technology we currently have, whether from academic research or from the manufacturers of construction products themselves, there is very little room for empiricism and experimentation when we design on the most diverse scales. Even worse is when design specification misconceptions can pose huge costs and headaches. However, long before construction and occupancy of the building, it is possible to clearly understand how the construction will function thermally, its photovoltaic power generation capacity, and even how much power will be required to cool and/or heat it. There are software, tools and applications that allow you to quantify all these design decisions to avoid errors, extra costs, unnecessary waste generation, and ensure the efficiency of all materials applied.
In the mid-aughts, after acquiring an abandoned tech campus in Mountain View, California, Google tapped Clive Wilkinson Architects to fashion a new corporate campus—Googleplex 1.0—out of it.Courtesy Benny Chan/Fotoworks
The energy already embodied in the built environment is a precious unnatural resource. It’s time to start treating it like one.
At its Googleplex headquarters in Mountain View, California, Google has what is arguably one of the most sustainable corporate campuses in America. It has a new million-square-foot complex on a 42-acre landscape, featuring monumental futuristic buildings from Danish architect Bjarke Ingels and British designer Thomas Heatherwick. But these places are not the same place. Although the new campus has no doubt been developed with a sense of environmental duty, the radically sustainable campus is the one next door, which Google has been using since 2003. Foreseeably—and fortunately—they’ll go on using it. Built in 1994, it was once the corporate home of an earlier Palo Alto technology firm, Silicon Graphics.
https://www.archdaily.com/932528/a-new-idea-in-architecture-no-new-buildingsThomas de Monchaux
Located in Trondheim, Norway, Powerhouse Brattørkaia, the world’s northernmost energy-positive building, designed by Snøhetta challenges the traditional notions of construction and puts in place new standards for buildings that produce more energy than they consume.
The 2°C Symposium is an opportunity to learn essential technologies, strategies and tools that address climate change at a critical time for our collective future.
In support of World Toilet Day on November 19, SPARK Architects launched their prototype for a 3D printed toilet module titled, "Big Arse Toilet" alongside a slogan stating that "Sparks gives a sh*t." Though the pun-filled humor is definitely attention-grabbing, the project tackles serious issues of hygiene and sanitation as part of the UN initiative to eliminate open defecation by 2025. With the perpetuating cycle of malnutrition, disease, and poverty, poor sanitation is the leading cause in nearly a third of the deaths in low- and middle-income regions in several countries such as India.
Easily transportable, the toilet module converts human waste into biogas into electricity using a micro combined heat and power (CHP) unit. Essentially producing "free" energy, SPARK's proposal combats the issue of open defecation and uses the abundant natural waste in remote communities in Indian villages where there is low accessibility to electricity.
In its 27th year, Pasadena Heritage will present the Annual Craftsman Weekend on November 9-11, 2018. The Weekend will feature house tours of notable Craftsman properties, along with bus and walking tours of the surrounding neighborhoods. Other events scheduled include a Show and Sale with exhibitors of antique and contemporary furniture and decorative arts, a silent auction, workshops and presentations. In addition, Pasadena Heritage will be offering exclusive receptions at historic locations throughout the weekend.
Helen’s Suvilahti solar power plant. Customers can lease panels and monitor their output in real time on the power plant’s webpage. Thus citizens can become solar power producers. In the background is the old Suvilahti power plant, today a cultural center. Photo attribution: Katri Tamminen / Helen
In the quest for carbon neutrality, the City of Helsinki in Finland announced its action plans to minimize greenhouse gas emissions substantially by 2035. The city’s fully owned energy company, Helen Ltd, a producer of district heating, power, and district cooling, aims to augment this policy by converting its largely coal and natural gas energy production processes to climate-neutral energy production, thereby eliminating carbon dioxide emissions fully by 2050.
Architecture, Form, and Energy is a documentary series featuring 6 interviews with architects and intellectuals from the United Kingdom, United States, Malaysia, and Mexico. The series seeks to disseminate information that inspires contemporary architectural evolution, from the impact of climate on a place, finding inspiration in nature, the relationship between form and energy, selecting the right materials, and appropriate technological application.
Book cover, Form Follows Energy, Photo: Hatice Cody
Architecture is energy. Lines drawn on paper to represent architectural intentions also imply decades and sometimes centuries of associated energy and material flows. “Form Follows Energy” is about the relationship between energy and the form of our built environment. It examines the optimisation of energy flows in building and urban design and the implications for form and configuration. It speaks to both architectural and engineering audiences and offers for the first time a truly interdisciplinary overview on the subject, explaining the complex relationships between energy and architecture in an easy to follow manner and using simple diagrams to show how
As the anniversary of the disaster and its fallout passes, we have explored the past, present, and future of the architecture of Chernobyl, charting the journey of a landscape which has burned and smoldered, but may yet rise from the ashes.
Renewable energy experts from the University of Exeter in England have developed a glass block with built-in solar cells. The idea is that with the spread of technology, it is possible to build a house or a whole building's facade using blocks that generate energy.
The product has been named Solar Squared, tests done at the university have shown that they guarantee thermal insulation and allow natural light to enter the building.
Architects play a crucial role in addressing both the causes and effects of climate change through the design of the built environment. Innovative design thinking is key to producing architecture that meets human needs for both function and delight, adapts to climate change projections, continues to support the health and well being of inhabitants despite natural and human-caused disasters, and minimizes contributions to further climate change through greenhouse gas emissions.
Professor Alan Short of the University of Cambridge has published a book advocating for the revival of 19th-century architectural ideas to address the crippling energy use of modern skyscrapers. The Recovery of Natural Environments in Architecture proposes an end to the architectural fetish for glass, steel, and air conditioning, instead drawing inspiration from forgotten techniques in naturally ventilated buildings of the 1800s. The book is a culmination of 30 years’ research and design by Prof. Short and his colleagues at the University of Cambridge.
A country known for economic dependency on its rich oil deposits, Norway is now looking toward the future of energy production: net-positive architecture. Taking the lead in this initiative, developer Emil Eriksrød has commissioned American-Norwegian firm Snøhetta to design Norway’s first energy positive building, Powerhouse Telemark, a 6,500 square meter (70,000 square foot) office building located in the tiny Norwegian town of Porsgrunn, home to just 35,000 people. When completed, it will be the world’s northernmost plus-energy building.
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_Paolo_Rosselli_DSC_8101.jpg?1489090441 "Professor Short argues that skyscraper design must depart from its current reliance on glass and steel, and begin to harness natural ventilation. Boeri Studio's Bosco Verticale. Image Courtesy of Paolo Rosselli")
