Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
ArchDaily had the chance to catch Rem Koolhaas and his son, Tomas Koolhaas, together, when they met for a weekend in Los Angeles. In their first ever interview together, following the release of “REM” online, we spoke with the pair about the documentary that was four years in the making. The film had Tomas following his father from the desert to the ocean to the 2014 Venice Biennale, as well as inside several OMA projects around the world, like the Seattle Central Library in America and Maison à Bordeaux in France.
The pair reveal what their father-son relationship is like, how the profession of architecture and filmmaking inform each other, and shine a light on the challenges of filming a well-known family member. Work aside, what came across the most strongly throughout the conversation was the respect they had for each other’s craft, and their gratitude for the chance to work so intimately as father and son.
On Sunday evening, rapper Kanye West took to Twitter to announce the creation of a new architecture wing for his popular Yeezy company. With “Yeezy Home,” West is “looking for architects and industrial designers who want to make the world better,” leading to a flurry of speculation, excitement—and a certain amount of ridicule—across the online world.
Whether or not you welcome the news, or believe it will be realized, there is undoubtedly an interesting relationship between West and architecture which merits exploration, and which may provide clues as to Yeezy Home’s future, if indeed it has one. With that in mind, we dive into three questions: How likely is Yeezy Home to happen? What might the architecture of Yeezy Home look like? And how can architects get involved?
https://www.archdaily.com/893988/kanye-wests-new-architecture-venture-who-what-why-and-reallyNiall Patrick Walsh
OMA founder Rem Koolhaas has joined his colleague Stephan Petermann and artist Wolfgang Tillmans in calling for ideas on re-branding the European Union, at a time when the EU is experiencing increased pressure from the rising tide of far-right nationalism. Working with a group of artists, creatives, and communications experts from across Europe, the “Eurolab” team will present the outcomes of their initiative at the Forum on European Culture on June 3rd, 2018.
Eurolab argues that, although the EU is a project aimed at peace, cooperation, and solidarity, it has failed to present itself as a progressive, positive organization to European citizens. As support for nationalism and the far-right grows across Europe, Eurolab will embark on a 4-day fact-finding mission to investigate why the voices of European unity are been drowned out by the voices of European division. Going beyond the identification of issues surrounding disdain for the EU, Eurolab seeks to help re-brand the organization, asking “how can cooperation and solidarity be communicated to a large audience in a fresh and compelling way?”
https://www.archdaily.com/892199/rem-koolhaas-and-eurolab-call-for-creative-ideas-on-how-to-re-brand-the-euNiall Patrick Walsh
Rem Koolhaas & David Gianotten / OMA’s 2017 MPavilion has found a permanent home at Monash University, Clayton, the Naomi Milgrom Foundation has announced. The news marks the fourth MPavilion to be gifted to the public by the Foundation.
“The relocation of Rem Koolhaas and David Gianotten’s MPavilion to Monash University ensures it will continue to be a dynamic incubator, where ideas about architecture, design, and creativity are encouraged and nurtured. I’m extremely pleased that it will carry on inspiring our young practitioners,” said Naomi Milgrom AO, founder of the Naomi Milgrom Foundation.
OMA has revealed plans for the renovation of the New Tretyakov Gallery on Krymsky Val in Moscow that will increase the accessibility and visibility of the gallery’s four sectors. Led by Rem Koolhaas, the scheme will use color and material to create a new visual identity and to establish a new link to the Moscow River.
Update 2/20/18:We've added a gallery of additional images to the post!
OMA has been selected as the winner of an international competition for the design of the new Palais de justice (courthouse) in Lille, France. Located on the outskirts of the city near the historic Vauban fortifications, the new courthouse will house the high court and district court of Lille within a colorful, expressive volume.
“The opening was an opening with many formal obligations and many excellencies, and that was exciting,” said Koolhaas about the pavilions opening events. “But frankly more exciting was this morning, when the thing performed really wonderfully spontaneously in terms of raising a lot of issues and having from the very first second a really animated discussion about a whole range of issues. And that’s exactly we intended it go.”
Countryside: Future of the World, a collaboration between Guggenheim and AMO / Rem Koolhaas examines radical changes transforming the non-urban landscape opens Fall 2019. Photo: Pieternel van Velden (Koppert Cress, The Netherlands 2011). Image Courtesy of Guggenheim
The Solomon R. Guggenheim Museum has announced a new research project exploring the “radical changes in the countryside, the vast nonurban areas of Earth” that will culminate in an exhibition at the museum’s Frank Lloyd Wright-designed New York home in Fall 2019.
Collaborating with Rem Koolhaas and his firm AMO, the think tank wing of OMA, the project will continue research already conducted by the Dutch architect and students from the Harvard Graduate School of Design.
With the extensive list of acclaimed alumni of his firm, OMA, it is not a stretch to call Rem Koolhaas (born 17 November 1944) the godfather of contemporary architecture. Equal parts theorist and designer, over his 40-year career Koolhaas has revolutionized the way architects look at program and interaction of space, and today continues to design buildings that push the capabilities of architecture to new places.
Rem Koolhaas and Shohei Shigematsu, both partners at OMA, have been tapped to design the recently-announced expansion of the New Museum in New York. OMA will design a new building adjacent to SANAA's tiered-box museum. The project is expected to break ground in 2019 and will give the New Museum an additional 50,000 square feet (4,650 square meters) for "galleries, improved public circulation and flexible space for the institution’s continued exploration of new platforms and programs." This will be Koolhaas' first public building in New York. According to the New York Times, the New Museum—the only museum in New York City exclusively devoted to contemporary art—has already raised 50 percent of the cost.
https://www.archdaily.com/881400/oma-shohei-shigematsu-and-rem-koolhaas-selected-to-design-new-museum-expansion-in-new-yorkAD Editorial Team
Inspired by the design of ancient amphitheatres and embedded into a raised landscape of native plantings, the project represents OMA’s first-ever completed project in Australia. The 19x19-meter, aluminum-clad structure will feature a rotating grandstand to allow the space to be reconfigured for the variety of events planned for the summer MPavilion program, as well as a two-meter-deep floating roof structure to offer shade and provide support systems for the programming below.
Seniority is infamously important in the field of architecture. Despite occasionally being on the butt end of wage jokes, the field can actually pay relatively well—assuming that you’ve been working for a couple of decades. Even Bjarke Ingels, the tech-savvy, video-producing, Netflix-documentary-starring provocateur and founder of the ultra-contemporary BIG isn’t a millennial; at 42 the Dane is a full nine years older than Mark Zuckerberg.
As a result of this, it's common to lead a rich and complex life before finding architectural fame, and many of the world’s most successful architects started their careers off in an entirely different field. If you haven't landed your dream job yet, you may find the following list of famous architects' first gigs reassuring.
The Naomi Milhave Foundation have released OMA‘s first renders and drawings for their upcoming MPavilion which is set to take shape this fall in Melbourne, Austrailia. The counterpart to the Serpentine Gallery Pavilion in London, the MPavilion is now in its fourth year. Comprising static and dynamic elements, OMA’s proposal allows for multiple configurations that can generate unexpected programming, echoing the ideals of the typology of the amphitheater. Following the idea of the traditional amphitheater, OMA’s design will be “itself built to perform” as a space for public debate, design workshops, music and arts events.
A large-scale masterplan for Feyenoord (or Feijenoord), a suburb-city of the Dutch city of Rotterdam, has been approved by Rotterdam City Council. The successful concept design from OMA, led by Partner David Gianotten, incorporates a historically-important football stadium—for the nationally significant Feyenoord football club—which "no longer fulfills modern demands." Aligned with the football club's "expanding ambitions" both in the Dutch and European football leagues, this proposal is the latest in a string of plans to expand, but the only one to have been accepted.
View into the exhibition (1988). Photographer unknown. Image via MoMA
When Philip Johnson curated the Museum of Modern Arts’ (MoMA) 1932 “International Exhibition of Modern Architecture,” he did so with the explicit intention of defining the International Style. As a guest curator at the same institution in 1988 alongside Mark Wigley (now Dean Emeritus of the Columbia GSAPP), Johnson took the opposite approach: rather than present architecture derived from a rigidly uniform set of design principles, he gathered a collection of work by architects whose similar (but not identical) approaches had yielded similar results. The designers he selected—Peter Eisenman, Frank Gehry, Zaha Hadid, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and the firm Coop Himmelblau (led by Wolf Prix)—would prove to be some of the most influential architects of the late 20th Century to the present day.[1,2]
The Naomi Milgrom Foundation has selected Rem Koolhaas and David Gianotten of OMA for the design of Melbourne’s 2017 MPavilion. The announcement comes after this weekend’s closing of the 2016 MPavilion, designed by Bijoy Jain of Studio Mumbai, which welcomed more than 94,000 visitors to over 287 free events in its 139 day run. Now in its 4th year, the MPavilion program invites architects who have yet to completed a project in Australia to design and construct their first structure in the country.
