The Uzbekistan Art and Culture Development Foundation and Wael Al Awar have jointly unveiled “Tashkent: Appropriating Modernism” at the Sharjah Architecture Triennial. The showcase spotlights three essential instances of modern architecture in Tashkent, Uzbekistan. Crafted by Wael Al Awar, founder and principal architect of waiwai, the initiative presents the three case studies and their significant evolution.
Global Architecture Development (GAD) has presented the New Tashkent City master plan, shortlisted in the Master planning category at the World Architecture Festival (WAF) 2023. This comprehensive vision hopes to propel Tashkent, Uzbekistan, into a new development phase through their design strategies. The New Tashkent City master plan attempts to carefully examine critical aspects of traditional city planning, setting up lasting development goals for the design. In fact, it includes efforts to strengthen infrastructure, support economic growth, improve community involvement, and enhance environmental services. Overall, the design hopes to raise the city’s overall livability.
Tashkent, the capital city of Uzbekistan, stands as one of the most populous cities in Central Asia. Situated in the northeastern part of the country, near the border with Kazakhstan, Tashkent has been profoundly shaped and influenced by diverse cultures throughout its history. The most significant transformation of its urban landscape occurred during the Soviet era when the city was rebuilt as a model Soviet city, following the 1966 earthquake that caused substantial damage. During this reconstruction, architects from various regions of the Soviet Union collaborated with local experts, resulting in a unique form of architectural modernism that harmoniously integrated elements of Islamic architecture, indigenous creativity, and cutting-edge engineering achievements of that era. At that time, Tashkent held the esteemed status of a prominent international city in the East.
Public spaces are the beating heart of our cities. They act as the hubs of social and cultural activity where people congregate, interact, and escape the clamor of the city. These areas are crucial in determining a city's identity, character, and citizens' well-being and standard of living. Public spaces can define our communities and significantly impact how we live, work, and interact with one another through their architectural designs, facilities, and activities. Furthermore, they provide leisure, exercise, and recreation opportunities, allowing individuals to escape the confines of their daily routines and connect with nature.
Studio KO’s curation of the Uzbekistan Pavilion for the Venice Biennale is based on research, curiosity, workshopping, and experimenting with the senses. For over two years, the studio has worked alongside the Arts and Cultural Development Foundation, designing the Center for Contemporary Arts and their initiatives to restore and rehabilitate vernacular houses, transforming them into artist residencies. While exploring the 18th International Architecture Exhibition onsite in Venice, ArchDaily had the chance to speak with the founders of Studio KO, Karl Fournier, and Olivier Marty, curators of Uzbekistan National Pavilion. Their exhibition for this year’s theme, “The Laboratory of the Future,” focuses on the country’s rich heritage as a potential tool and inspiration for developing a more sustainable future.
Master plans, or large-scale urban planning projects, are one of the main tools for shaping and structuring land use and development to ensure that the built environment is coherent and functional. The interventions vary in scope and approach. While some projects are extending the buildable area by creating floating neighborhoods off the coast of Florida, others are reusing the existing spaces and heritage to reimagine the future of their communities.
The 59th International Art Exhibition - La Biennale di Venezia has officially opened its doors to the public on the 23rd of April, 2022. Titled "The Milk of Dreams”. the exhibition is welcoming more than 210 artists from 58 countries, to showcase over a thousand artworks and installations that promote art, science, research, and ecological transition from the environmental humanities.
Along with several other imperative factors, the success of an architectural project relies heavily on how it is communicated to its users and builders. Most architects opt for realistic computer generated renders to showcase their projects, while others choose to explore different techniques, translating their architectural narratives through photo collages, sketches, animation, hyper-realistic miniature models, walkthroughs, diagrams, and occasionally, script.
In the second half of the 20th century, Soviet architecture has spread a common aesthetic across highly diverse environments, being an integral part in promoting the totalitarian ideology that disregarded local cultures, envisioning a unified, homogenous society. Nevertheless, in practice, the architecture proved itself susceptible to adaptations and local influences, perhaps nowhere more than in Central Asia. The article looks at the architectural heritage of a geographical area largely excluded from the Western-centric narratives on Soviet Modernism, encouraging a re-reading of a layered and nuanced urban landscape, with images by Roberto Conte and Stefano Perego.
“Mahalla: Urban Rural Living” is the first participation of the Republic of Uzbekistan at the 17th International Architecture Exhibition – La Biennale di Venezia. Open to the public from May 22 to November 21, 2021, at Quarta Tesa, Arsenale, the exhibition is curated by Emanuel Christ and Christoph Gantenbein, professors of architecture and design at ETH Zurich, and founding partners of Christ & Gantenbein.
