Culture: The Latest Architecture and News

In the world of interior architecture, where creativity and culture intersect, Tola Ojuolape stands as a designer whose work is a testament to personal narrative. From her early studies in art and construction to her degree in interior architecture, Tola's career has been shaped by a deep connection to her Nigerian heritage, discovered during her travels back to the African continent. This journey has profoundly influenced her design philosophy, creating a process tightly woven with history, culture, and a sense of place.

Curated by Anneke Abhelakh, the Albania Pavilion at the 2025 Venice Architecture Biennale, titled "Building Architecture Culture", explores how the country's architecture embodies its political, cultural, and social transformations. Albania's built environment reflects a layered history, from Ottoman and Italian rule to communist isolation and post-socialist transformation, each leaving visible marks on its cities and public spaces. The pavilion examines how architecture both responds to and shapes collective memory, public space, and civic engagement, framing these questions through past, present, and future perspectives.

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The House of Culture and Administration, a new civic complex designed by Benthem Crouwel Architects in collaboration with Snøhetta, is gradually taking shape in the Dutch city of Delfzijl. Located at Molenbergplein, the project brings together cultural and administrative functions in a unified architectural gesture that aims to strengthen the urban fabric of Eemsdelta. The current visualization marks a step forward in the structural design phase. Technical and financial refinements will continue over the summer, with final approval from the municipal council expected in October 2025.

As cities worldwide navigate evolving social, environmental, and cultural priorities, recent project announcements showcase how architecture is increasingly conceived as both civic infrastructure and a catalyst for collective identity. From Populous' new stadium design in Thessaloniki that blurs the lines between sport and urban life, to HENN's transparent cultural stage in Augsburg that invites community participation, these projects illustrate architecture's expanding role beyond its immediate function. In Luxembourg, Schmidt Hammer Lassen's work for the European Investment Bank reimagines institutional spaces through sustainability and heritage, while SLA and GHD's new island community in Toronto pushes forward nature-based, climate-adaptive urbanism. This edition of Architecture Now brings together diverse yet interconnected efforts to shape how architecture can support long-term ecological, cultural, and civic impact.

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On April 10^th, 2025, Saint-Gobain revealed the winners of the 14th edition of its International Gypsum Trophy during a ceremony held in Paris, France. 85 projects from 29 countries participated in this unique international competition organized by Saint-Gobain.

From the Americas to Asia, from Europe to Africa, the most talented and skilled gypsum installers competed in six categories: Ceilings; Innovation; Residential; Culture, Education and Leisure; Business and Institutional; and Façades, for the chance to win one of the 14 prizes. The 1st and the 2nd prize were awarded in each category, as well as the President's Prize (the "coup de coeur" of the jury) and the Grand Prix (rewarding the most outstanding project across all categories).

Czech-based architectural firm CHYBIK + KRISTOF has revealed its design for a new school in Mulbekh, North India, in collaboration with the Czech NGO Himalayan Patron and Spring Dales Public School. The project aims to provide quality education in the region while preserving local culture. This initiative is particularly significant as many children, especially girls, from remote ethnic minority communities, have faced limited access to education due to the area's harsh climate and challenging terrain.

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This article was originally published on Common Edge.

In the post-pandemic era, an oversupply of underutilized churches is a growing reality. Besides offering explorations in adaptive reuse, what does this trend say about modern spirituality? Have humans lost interest in the sacred? In a recent article on Common Edge, Duo Dickinson addressed this concern by claiming that "the cultural change that is causing the abandonment of churches does not end the human search for the sacred."

While correctly stating that no formula can turn architecture into "the holy," he seemed to indicate that a new spirituality might still be found in architectural form. As we consider what changing forms of sacred space mean for the modern era, looking for a revitalization of spirituality through architecture alone risks a repeat of an error made in the last century: expecting too much of aesthetics.