As has become customary in recent years, on the first Monday of October, we celebrate both World Architecture Day and World Habitat Day, serving as a reminder to the global community of its collective responsibility for the well-being of the built environment. This edition, like its predecessors, sheds light on the realm of architecture and the challenges faced by our cities, introducing new themes, contemplating the state of our urban areas, and proposing constructive strategies.
Since urban economies have encountered significant difficulties this year, the UN's World Habitat Day focuses on "Resilient Urban Economies: cities as drivers of growth and recovery." Launching Urban October, this event seeks to bring together diverse urban stakeholders to deliberate on policies to help cities recover after the dual economic impacts caused by the COVID-19 pandemic and conflicts worldwide. Aligned with this concept, World Architecture Day, created by the UIA in 1985, has chosen to concentrate on "Architecture for Resilient Communities," emphasizing the role and duty of architecture in fostering thriving community existence while initiating a global dialogue regarding the interconnectedness of urban and rural regions within every nation.
What we build can be metaphoric—often intentionally, sometimes subliminally. But architecture is seldom the intentional commentary of architects, crafting symbolism; more often it is a direct reflection of its time and the culture that made it.
Graffiti, as an art form, has a complex relationship with gentrification. On one hand, it has engaged the streets and urban fabric as a canvas for people to express themselves culturally and socio-politically. This expression could be a form of rebellion by ethnic minorities and disadvantaged groups in certain neighborhoods, or it can build up a sense of cultural uniqueness and social expression, giving a neighborhood a positive character and attracting newcomers. However, over the years, the latter has been an agent of gentrification, spiking up property values to accommodate richer residents and alienating the native communities of those neighborhoods.
In certain instances, artists recognize their role in this urban scheme and tweak their art form through its style, message, location, and action as direct forms of protest to fight against gentrification. From Brixton, Shoreditch, and Hackney in London, Williamsburg and Bushwick in New York, to The Canal Saint-Denis and Belleville in Paris, the use of graffiti on the streetscapes of these neighborhoods can either protest or inspire different forms of development.
The Museum of West African Art (MOWAA) has just unveiled a 20-acre project for a Creative District in the historic center of Benin City in Edo State, Nigeria. MOWAA, in collaboration with Adjaye Associates, is planning to establish a comprehensive environment dedicated to the artistic and cultural realms of the past, present, and future. The space provides support and collaboration opportunities for young professionals in the creative and cultural fields while also fostering partnerships with institutions throughout West Africa. At the heart of the project is the Creative District’s role in contributing to economic growth and development.
Under the titles of Optimism and Instability, this year’s global index score has returned to pre-Covid-19 days, highlighting that the world has fully recovered from the pandemic. Ranking living conditions in 173 cities based on stability, health care, culture and environment, education, and infrastructure, the survey suggests that nowadays, “life in cities is a bit better than at any time in the past 15 years”, although Stability scores dropped on average in 2023, due to worldwide clashes, political disruptions, social protests, inflation, and wars.
The Croatian Pavilion at the Venice Architecture Biennale 2023 celebrates the harmonious coexistence of the wild and domesticated, natural and man-made, and inanimate and living elements. Modeled after the Lonja Wetlands in Croatia, where communities that have adapted to the continuously shifting landscape have coexisted harmoniously for generations to create a dynamic habitat, the Pavilion is a hub for ongoing research into potential futures through educational experimentation and practice. The exhibition was curated by Mia Roth and Tonči Čerina, in collaboration with their design team: Luka Fatović, Vedran Kasap, Ozana Ursić, Niko Mihaljević, and Ivica Mitrović .“Same As It Ever Was” places a focus on the connections among actors from various backgrounds around the world.
Henning Larsen has just revealed the design for Smyril Line's new headquarters and ferry terminal in Torshavn, the capital of the Faroe Islands. The building pays homage to traditional Faroese fishing boats and the historic Eastern harbor while embracing the picturesque backdrop of abundant landscapes and open seas. The new headquarters serves three functions: a ferry terminal, an office building, and a logistics center.
As Venice Architecture Biennale presents its 18th edition titled "The Laboratory of the Future", it centers on Africa as a place of exploration that will offer a template for solutions to the world. According to its curator Lesley Lokko, the Biennale explores entrenched concepts such as climate, land rights, decolonization, and cultures. It challenges us to question how Africa's history can be a radical tool for imagination and reminds us of Stephen Covey's statement: “Live out of your imagination, not just your history.” The biennale's title is probably the most ambitious question in years. It forces us to revisit all boundaries of the continent's historical societies, explore the influence of imposed colonial borders on them, and examine the dual identities they gave birth to. We must consider how these identities can be instruments of creativity, and, more importantly, recognize that every African society has a unique point of view. This viewpoint yearns for cross-cultural collaboration as a powerful tool for imagination.
room206 Apartment / Daiki Awaya. Image Courtesy of Daiki Awaya
Kitchens encapsulate the essence of culture, acting as dynamic museums that preserve age-old recipes, processes, and traditions. Influenced by ethnic practices and culinary customs, kitchen architecture varies greatly across continents. In this context, kitchens transcend their domestic role and become insightful manifestations of cultural, societal, and regional factors. They not only serve as functional spaces for cooking and meal preparation but also stand as reflections of the rich tapestry of culture and lifestyles embraced by the individuals who inhabit them.
Courtesy of 70°N arkitektur, Snøhetta and Joar Nango
The Sámi National Theater Beaivváš and Sámi High School and Reindeer Husbandry School are two of the most important cultural institutions of Sápmi, a region in northern Norway, Sweden, and Finland traditionally inhabited by the Sámi people. To strengthen the position of the two institutions, a project was initiated in June 2021 to create a shared cultural and educational facility. A design proposal by 70°N arkitektur, in collaboration with Snøhetta and artist and architect Joar Nango, was chosen following a competition. The building, also known as Čoarvemátta, is currently under construction and is expected to be completed by 2024.
True beauty in architecture lies in its ability to serve and improve human experience, yet this fundamental principle is not always upheld. Too often, we see “public” buildings that do not integrate into the urban fabric, are disconnected from their surroundings and fail to contribute to a city’s vibrancy and quality of life. Some may be quite beautiful to look at, but if they are not functional, comfortable, and welcoming to the people they are meant to benefit, their value as public spaces becomes rather questionable. Architectural icons like the Sydney Opera House and Bilbao Guggenheim Museum, for example, are celebrated not just for their stunning silhouettes or breathtaking interiors, but because they enhance culture and city life, enrich the community, and offer diverse opportunities for interaction and public involvement. It is this holistic, human-centered approach to design that allows these landmarks to become integral parts of a city’s identity, one that is embraced and owned by its citizens.
Tersane Istanbul. Image Courtesy of Contemporary Istanbul
In September 2022, Istanbul highlights the best names in contemporary art and architecture from Turkey and the world at the 17th Istanbul Biennial organized by the Istanbul Foundation for Culture and Arts and at the Contemporary Istanbul art fair. From September 17 to 22, 2022 The Contemporary Istanbul will gather sixty-five galleries, and art initiatives from 22 countries in Tersane Istanbul, a 600-years historic landmark renovated by the award-winning firm Tabanlioglu Architects. Opening the same day until November 20, the Istanbul Biennial will be held in multiple venues around the historic city. For this edition, the visitors will experience the “sense of our times” by contemplating present-day life and the richly layered past.
Aedas has unveiled the design of the Hangzhou Yun He Wan International Tourism and Leisure Complex in Hangzhou, China. Located in the southern area of the Grand Canal New Town in the Gongshu District of Hangzhou, the site is the first phase of a larger project, starting off as a vibrant international tourism and leisure complex that highlights the waterfront of Yun He Wan and the historical remains of the nearby industrial pier.
Global Finance's ranking of the world's best cities to live in, during 2022 has just been released. Centered on 8 different parameters that calculate and compare the quality of life of people living in urban areas such as economy, culture, population, environment, etc., this year’s edition also took into consideration Covid-19 deaths per thousand for each country, to reflect the new reality we live in. With data from the Global City Power index, Johns Hopkins University, Statista, and Macrotrends, the list seeks to have a complete vision, putting together traditional metrics with new factors.
Claiming the first position is London, U.K, a city that although didn’t get high rankings in its Covid-19 metrics, still topped the list, mainly due to its scores in culture, accessibility, and population growth. Tokyo was selected for the second position, showing weakness in one parameter, population, as its numbers have been declining for the past 10 years. Shanghai followed next, in the third position, because of relatively low Covid-19 death figures and strong population growth. Singapore and Melbourne came in 4th and 5th positions.
As part of a strategy developed in late 2021 by Ken Salazar (US Ambassador to Mexico), Deanna Kim (US Consul General in Nuevo Laredo), and Esteban Moctezuma (Mexico Ambassador) in collaboration with leaders politicians, and businessmen from the southern region of Texas and the Mexican state of Tamaulipas, Overland Partners has been announced in conjunction with Able City as the creators of the new 6.3-mile "Binational River Park" that will extend along the Rio Grande - Rio Grande between Laredo, Texas and Nuevo Laredo, Mexico. This new space aims to restore and revitalize the ecosystem as well as attract tourism and celebrate the multiculturalism that takes place in this border territory.
The ColombiaPavilion at Expo 2020 Dubai is thought of as an artefact with the ability to tell the past, present and future stories of the country's culture through its music. Supported by its geography and its cities, the pavilion designed by Pacheco Estudio de Arquitectura intersperses dense vegetation with water, representing the great biodiversity of its plant and animal world, and is composed of a reticular structure in three dimensions symbolising the urban centres that are constantly growing.
By proposing a route from the vegetable and aquatic floor to the open ceiling, the artefact is quickly identifiable from a distance and seeks to remain in the memory of those who visit it as a fresh, open space that reveals itself to all and finds itself in constant development.
Auckland in New Zealand has topped the ranking in the 2021 EIU's annual world's most liveable city survey. Classifying 140 cities across five categories including stability, healthcare, culture and environment, education, and infrastructure, this year’s edition of the review has been highly affected by the global pandemic. Australia, Japan, and New Zealand took leading positions, while European and Canadian cities fell down the ranking.
Reflecting on the future of shopping centres and addressing their decline in visitors, MVRDV's Heuvelkwartier design proposes converting Eindhoven's Heuvel shopping venue into a green cultural quarter. The project brings together retail, culture and recreation, expanding the existing buildings while transforming the roofs into a park. The proposal also expands the Muziekgebouw with a stacked cultural building encased in a "glass mountain", creating a new landmark for Heuvel.
