Contemporary Architecture: The Latest Architecture and News

Renowned sculptor Richard Serra, known for his monumental steel structures that reshaped the landscape of contemporary art, passed away at the age of 85 at his residence in Orient, N.Y. His groundbreaking works, characterized by massive tilting corridors and spirals of steel, offered viewers a unique experience, inviting them to navigate through and around the imposing forms to fully comprehend their essence. Because of this invitation to explore space, materiality, and site, the artist has been long-recognized in the architectural community, earning him the Architectural League of New York President’s Medal in 2014, becoming the first artist to receive the honor.

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The Joslyn Art Museum in Nebraska announced that the restoration and expiation works led by Snøhetta and Alley Poyner Macchietto Architecture (APMA) are nearing completion, as the transformed institution is scheduled to reopen on September 10, 2024. The new 42,000-square-foot Rhonda & Howard Hawks Pavilion, designed by Snøhetta and APMA will add new gallery spaces to Nebraska’s largest art museum, becoming the centerpiece of the large-scale project for reimagining the visitor experience.

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When it comes to contemporary Portuguese architecture, the initial association often leans towards tradition. The historical significance of the program, the importance of typologies for the locals, and the construction methods all play a role. These associations are not unfounded, but they are not limiting either. In this context, Portugal boasts a prominent figure who exemplifies this balance: Álvaro Siza Vieira.

Siza is the foremost representative of Portuguese architecture. There are many reasons for this distinction. It is not only because he was the first Portuguese architect to receive a Pritzker Prize in 1992 or for the Golden Lion at the Venice Biennale in 2012. It is not solely due to his extensive and prolific career. Above all, his unique and simultaneously universal approach to architecture sets him apart. His involvement on national and international fronts highlights a characteristic likely intrinsic to his nature: the ability to embody many facets within a singular entity, just like his compatriot Fernando Pessoa.

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As AI has become more accessible, we have witnessed examples illustrating its diverse applications. Prominent among these are generative AIs, which excel in their ability to “create” images through prompts, many distinguished by their composition and vividness. These AI systems are neural networks with billions of parameters, trained to create images from natural language, using a dataset of text–image pairs. Thus, although the initial question posed by Turing in the 1950s, “Can machines think?” still recurs today, the generation of images and text is grounded in existing information, limiting their capabilities.

What has surprised many is the increasingly apparent closeness to overcoming the Turing test and the growing similarity, in terms of visualizations, to what an architect with skills in this field can achieve. In this context, while the debate persists in the architectural community about whether AI can process architectural concepts, this article explores how it interprets materials to develop these visual representations. With that in mind, a single prompt was developed for this experiment (with materiality as its variable) to delve into the obtained results.

Bricks are versatile and long-lasting building materials that combine technical and aesthetic qualities. In a variety of shapes, dimensions, textures, and colors –depending on the manufacturing process and type of clay– incorporating bricks into architecture creates dynamic facades and structures. From traditional to modern styles, these versatile elements can be arranged in different patterns and easily integrated with other building materials, enabling diverse architectural expressions. In addition to these qualities, the use of bricks in contemporary architecture is distinguished by experimenting with placement, orientation, and material textures, as well as embracing minimalistic design principles focused on simple and clean lines.

Among the different types of bricks, designing with a linear or elongated style involves playing with horizontal and vertical arrangements –or a combination of both– creating modular patterns for a rhythmic and harmonious visual appeal. Following this format, Randers Tegl has developed the Ultima waterstruck brick collection, which integrates craftsmanship, high-quality materials, and timeless appeal. By analyzing various projects, we showcase how the aesthetics of linear bricks are applied in contemporary architecture.

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ATELIER XI has been selected for ArchDaily's 2023 New Practices and is one of the few firms still rooted in traditional architectural design. Founded in 2017, ATELIER XI began their practice in Shenzhen, one of the fastest-growing and urbanizing cities in China. Their work represents the current state of a generation of architects, with major projects in small-scale urban architecture, exhibition design, interior design, renovation, and rural architecture. While they may not become urban landmarks, they can still influence the lifestyle of the community through small-scale design.

The studio aspires to create spaces that bring unique poetry and profoundness to contemporary urban and rural environments: "We see architecture as an art of mediation between social, economic, and political interests. We strive to create meaningful places with minimal resources. We aim to convey emotions and memories through spatial poetry. We believe that each space, whether grand or tiny, offers a glimpse into the vastness of our world and serves as a testament to the glory of everyday life. By planting these quiet and resilient spaces one at a time, we envision architecture branching out and flourishing with life and narratives."

Although the use of color can be employed to hide or disguise a specific characteristic, it can also be used to highlight them. Within the Latin American territory, we can observe that shades of red, green, and blue have predominated in residential architecture, aiming to integrate a language appropriate to the context in which it is implemented.

Harvard University Graduate School of Design (GSD) has announced Jingru (Cyan) Cheng as the recipient of the 2023 Wheelwright Prize, a study grant created to support globally-minded research and investigative approaches to contemporary architecture. The winning research project, titled “Tracing Sand: Phantom Territories, Bodies Adrift,” delves into the multifaceted impacts of sand mining and reclamation, understood from cultural, economic, and ecological perspectives. The unassuming material has become an indispensable element for our built environment and human communities, serving as a vital component in the production of glass, concrete, asphalt roads, and artificial land. Yet the process of dredging underwater systems and sand mining leads to the disruption of habitats in a process that simultaneously shapes one habitat while devastating another.

Cairo, Egypt's vibrant capital, is a unique synthesis of both historical and contemporary architecture. One of the most populated cities in Africa, this busy urban agglomeration has a long, rich history and is home to nearly 20 million people. Apart from the infamous Great Pyramids of Giza and the Sphinx, which have attracted tourists for ages, the city has been a melting pot of cultures, histories, and built environments alike.

The city of Cairo has witnessed many different eras, each characterized by unique architectural styles. After the Ancient Egyptians, the Islamic Period saw the birth of iconic buildings like the Mosque of Ibn Tulun and the Mosque of Sultan Hassan. These were followed by the Mamluk Period, during which structures such as the Al Rifai Mosque and the Mosque Madrassa of Sultan Barquq were constructed, boasting exquisite stone carvings, towering minarets, and intricate decorative motifs. The Ottoman era brought its own landmarks, including the Mosque of Muhammad Ali and the Citadel of AlQalaa. In the late 19th and 20th centuries, Cairo experienced an influx of European architectural styles due to colonial influences. This resulted in the construction of notable structures such as the Cairo Opera House and the Cairo Tower.

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