Fashion: The Latest Architecture and News

For the Fall/Winter Prada 2024 menswear show, AMO has designed a space that draws inspiration from two contrasting elements of modern life: office interiors and the natural landscape. Transforming yet again the space of the Deposito Hall at Foundation Prada in Milano, the designers have chosen to create a contrasting image of seemingly opposite elements: rows of office chairs illuminated by the white glow of LED lights, standing over a pastoral landscape with meandering creaks and ample foliage. The design aims to highlight this separation between natural instincts and the typical environment of modern life.

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In 2018, OMA opened the Fondazione Prada in Milan, Italy, housed within a former gin distillery established in 1910. The project which includes a statement facade cladded in 24-carat gold leaf and camouflaged mirrors, comprises the renovation of seven buildings in the Largo Isarco industrial complex on Milan’s southern outskirts, making the foundation neither a preservation project nor a new architecture. Recently, photographer Bahaa Ghoussainy captured the infamous structure in his new architectural photo series.

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Architecture and fashion share an interesting interplay in the formation of cultural expressions and identities. Both disciplines can become vehicles for creativity at different levels. Architecture is often described as the “third skin” of humans, while clothes represent the second skin, highlighting somewhat similar functionality of protecting the body while also allowing for self-expression and individuality.

The relationship between architecture and fashion can also be seen in the shared design principles, such as form, proportion, human scale, and materiality. More than a simple background for runway shows, architecture can contribute to setting the atmosphere, becoming a source of inspiration, and orienting the movement through space. Collaborations between architects and fashion houses, such as the renowned partnership between OMA/AMO and Prada, further blur the boundaries between the two disciplines, demonstrating the myriad of interconnections between the two creative fields.

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Architect Tadao Ando has been commissioned to design this year’s Costume Institute exhibition highlighting the work of Karl Lagerfeld. The opening of the exhibition titled “Karl Lagerfeld: A Line of Beauty” was marked by the world-renown Met Gala, a fundraising event attended by celebrities and personalities perceived to be culturally relevant in the fashion scene. Perceived as a thematic and conceptual essay on Lagerfeld’s work, rather than a traditional retrospective, the exhibition aims to illustrate the designer’s method of creative expression and its significance in the industry.

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Continuing its long-lasting collaboration with Prada, OMA’S research and design branch AMO created a cinematic scenography for the brand’s 2022 Fall Winter Menswear show. Yellow carpeting envelops the hall of Deposito at Fondazione Prada, reimagined as a theatrical setting with olive-green theatre chairs and stage lighting. In juxtaposition, sci-fi looking metal-clad tunnels bathed in neon lights emphasize “the uncanny relationship between the theatrical and technological atmospheres”.

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Designed by award-winning architect Rudy Ricciotti, the designer of the MuCEM in Marseille, the Jean-Boutin Stadium in Paris, and the Islamic Arts Exhibition in the Louvre Museum, the Manufacture de la Mode reintroduces Chanel's intricate craftsmanship in an architectural and urban context. Architectural photographer Simon Garcia uncovers the newly-inaugurated fashion community in a series of photographs.

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The purpose of architectural photography is to show a design in the best possible way, with the artform often characterized by perspective correction and atmospheric lighting. However, few architectural photographers have experimented with other artistic disciplines. Miguel de Guzmán, Paul Vu and Jules Couartou are among those who have challenged the limits of this form of photography, generating an interesting crossover between architecture photography, fashion and performances. In their images, the relationship between space and the user is shown through a scene designed to register an effect on the viewer. The results are images which are full of creativity.

Greek architect Viktoria Lytra has created a set of images exploring the relationship and interaction between architecture and fashion. FormFollowsFashion investigates the common purpose of architecture fashion, to create shelter for the human body, placing aesthetic as a common factor in novel approaches to the design of clothes and buildings.

Lytra’s series features various movements and styles, such as minimalism, deconstructivism, and postmodernism, playing on common geometric characteristics such as folks, pleats, curves, prints, and twists.

Nike has announced that it will release a special edition of its Air Max 1 range, inspired by the iconic Centre Georges Pompidou in Paris. The special edition pays tribute to the Richard Rogers and Renzo Piano-designed structure, which is credited by designer Tinker Hatfield as the inspiration behind his original Air Max 1 range.

Two upcoming editions of the Air Max 1 will honor the building, with colored tubes appearing along the seams and lines of the fabric, as well as the sole. A large P logo on the translucent sole offers a further tribute to the controversial structure, opened in 1977.

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In what has to be one of the most spectacular collisions of high fashion and architecture, fashion designer Guo Pei has tapped into the "immutable" qualities of Gothic buildings with a series of outfits inspired by vaults, spires, flying buttresses, and elaborate window tracery. According to Vogue, the Chinese designer described her work as "a dialogue between the human body and spatial dimension," while Pei's own Facebook post explained her Fall 2018 collection with just a short phrase: "Time flows unhurriedly, while architecture stands immutably."

Many of the designs in Pei's collection seem to have been conceived as architectural structures in themselves, projecting outwards from the body to create striking church-like forms. Converting the rigid stone structures of the Gothic style into fabrics designed to hang from the human body is clearly a challenging technical feat, and proves extremely satisfying for architecture-obsessed onlookers when achieved with the audacity brought to her work by Pei.