Oma: The Latest Architecture and News

Five finalist teams have been selected in the MK:U International Design Competition to create alternative masterplan visions for a proposed new model university in the United Kingdom. The proposed new university, will focus on digital economy skills and practical, business-oriented courses; it also plans to offer fast-track two-year degrees. MK:U, a partnership between MKC and Cranfield University, will use the new University Quarter and the wider city as a ‘living lab’ to test out new concepts and ideas while inspiring students and citizens.

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The Museum of Contemporary Art Chicago is presenting an exhibition devoted to the work of the ultra-modern, genre-bending artist and designer Virgil Abloh. Titled “Virgil Abloh: Figures of Speech” the immersive space has been curated by the Museum's Chief Curator Michael Darling, and Samir Bantal, a director at OMA’s research wing, focusing on the creative process and collaborative work of Abloh who is redefining fashion, art, and design.

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The EU costs you the same as Netflix - is it worth it? Rem Koolhaas thinks so.

Architecture is defined by stories. It’s through visualization and communication of ideas that we construct new environments. Trained as an architect, Keely Colcleugh is a designer with a range of experience across the fields of architecture, graphic design, film, and visualization. In 2009, she founded Kilograph with a desire to combine leading edge visualization techniques with animation, interactive design, graphics, and branding. Now Keely is the CEO of a growing creative agency with offices in Los Angeles and Spain.

In an exclusive interview with ArchDaily, Keely talks about her transition to communication design, her love for Los Angeles, and how the art of visualization continues to evolve.

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This video tutorial will teach you how to create detailed, 3-D environments from images taken by drones, using Photogrammetry to better contextualize our architectural projects.

The video covers the entire process, from flying the drone to using the RealityCapture software, including identifying plants and trees through an application for mobile phones and lastly viewing the architecture in 3D using Lumion.

Before social media took over, buildings were published on magazines, edited and refined according to their architects’ preferences. Nowadays, magazines are left on the sidelines for a much more influential platform, one that is not totally controlled by the architects. Digital communication has changed the way people view and interact with architecture, providing architects with new insights on how to design their structures.

PLANE—SITE, a global production agency involved in the world of urban, cultural, and social spaces, have put together a short video that examines the impact of social media on architecture firms. Building Images provides insights from OMA/AMO and UNStudio, two firms with different approaches to social media, who explain how social platforms have helped them see their projects in unprecedented ways.

OMA has won a masterplanning competition for the redevelopment of the Scalo Farini and San Cristoforo sites, two disused railway yards north and south of the periphery of Milan. Led by OMA’s Ippolito Pestellini Laparelli and Reinier de Graaf, and co-designed with Laboratorio Permanente, the “Agenti Climatici” scheme revolves around concepts of ecological filters and adaptable development. The OMA scheme triumphed over finalists including Baukuh, Arup, Grimshaw, and Kengo Kuma.

The University of Illinois at Chicago has announced the shortlist to design a new $95 million Center of the Arts for the College of Architecture, Design and the Arts. Chosen from 36 teams, the shortlist includes OMA with KOO Architects, Johnston Marklee with UrbanWorks, and Morphosis with STL Architects. The new center will include a 500-seat concert hall, a 270-seat reconfigurable theater, an exhibition hall, rehearsal spaces, and a combination cafe and jazz club. The 88,000-square-foot building will be primarily used by the UIC’s School of Theatre & Music as the new public face of UIC’s East Campus.

As part of Milan’s Salone del Mobile, Knoll has presented an exhibition celebrating the centenary of the Bauhaus, curated and designed by OMA / Ippolito Pestellini Laparelli with Domitilla Dardi. The story, presented at Knoll’s showroom at Piazza Bertarlelli, is told by means of four clusters that encourage people to participate.

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Where does originality and independent thinking come from? The answer is prosaically straight forward – from an inquiring individual, and an experimental environment wouldn’t hurt to stimulate it. Rem Koolhaas is credited with fostering such an environment, both through building his practice, Office for Metropolitan Architecture (OMA), a 300-architect network of seven global offices, and teaching at Harvard’s GSD, as well as lecturing all over the world. Koolhaas now has eight partners. One of the eight, since 2008, is Shohei Shigematsu who heads OMA New York since 2006. The studio originally numbered just a handful of people and over the years has grown into a large practice of 75 architects with a focus on projects in North America.

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Construction has begun on OMA’s pyramid-shaped mixed-use building – Xinhu Hangzhou Prism – which forms the heart of Hangzhou’s Future Tech City in the new Technology Central Business District (CBD). Led by the firm's partner Chris van Duijn, the project is commissioned by Zhejiang Xinhu Haichuang Group.

OMA, led by the firm’s partner Jason Long, has designed two towers at Greenpoint Landing in Brooklyn, New York. The towers, in conjunction with a lower seven-story building, will offer 745 housing units (30% of which are affordable) and over an acre of new public space for the neighborhood. As OMA New York’s first ground-up building in Brooklyn, the scheme will serve as “a catalyst in the transformation of the waterfront from a post-industrial edge to an accessible and dynamic part of the neighborhood.

The two towers, extending Eagle Street and Dupont Street, expand the existing waterfront esplanade, incorporating 2.5 acres of public open space along the shoreline, and 8,600 square feet of ground-floor retail. Manifesting as two dancers, the towers simultaneously lean into and away from each other. While the taller tower widens towards the east as it rises, its partner steps back from the waterfront to create a series of large terraces.

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