OMA's proposal won the competition for the new KaDeWe department store and hotel in Vienna’s Museumsquartier. Led by Ellen van Loon, Ippolito Pestellini Laparelli, and Laurence Bolhaar, the project will be OMA’s first venture in Vienna, upon its completion.
Oma: The Latest Architecture and News
On August 12, 1833, the Town of Chicago had roughly 200 inhabitants. Four years later, in 1837, it was upgraded to The City of Chicago – an interesting fact given that there are still 19 incorporated towns in Illinois. The Great Chicago Fire of 1871 killed 300 people, destroyed about 3.3 square miles (9 km2), and left more than 100,000 residents homeless. However, by that time Chicago had become the world’s fastest-growing city and its population had risen over 300,000 inhabitants. The fire meant these ambitious citizens had to start again.
With admirable strength, the city was reborn from the ashes and some of Chicago’s best architecture was constructed immediately after. Structures like the Rookery Building (1888, Frank Lloyd Wright), the Auditorium Building (1889, Louis Sullivan) and the Monadnock Building (1893, Burnham & Root, Holabird & Roche) are a few examples of the high standards the city was aiming for.
Since then, Chicago has only continued adding value to its urban grid and new buildings have been progressively enhancing the city’s beautiful skyline. This year Chicago celebrates the 2019-2020 Biennial and the city has plenty to offer. But, where to start?
If you love architecture, here is a list of buildings – old and new – that will help you understand, internalize and love Chicago’s built environment.
Shall we begin?
For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.
With their Manual of Section (2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.
OMA has won the competition to design a new international financial center in Shenzhen, China. Called the IFEC, the project combines large scale conference facilities with a 400-room hotel and public programs. Located at the waterfront of Qianhai, the New District in the Pearl River Delta, the IFEC was designed to be a beacon for ships sailing along the 21st-century maritime silk road.
Five finalist teams have been selected in the MK:U International Design Competition to create alternative masterplan visions for a proposed new model university in the United Kingdom. The proposed new university, will focus on digital economy skills and practical, business-oriented courses; it also plans to offer fast-track two-year degrees. MK:U, a partnership between MKC and Cranfield University, will use the new University Quarter and the wider city as a ‘living lab’ to test out new concepts and ideas while inspiring students and citizens.
The Museum of Contemporary Art Chicago is presenting an exhibition devoted to the work of the ultra-modern, genre-bending artist and designer Virgil Abloh. Titled “Virgil Abloh: Figures of Speech” the immersive space has been curated by the Museum's Chief Curator Michael Darling, and Samir Bantal, a director at OMA’s research wing, focusing on the creative process and collaborative work of Abloh who is redefining fashion, art, and design.
“We’re a Possibilities Company”: Keely Colcleugh on Communicating the Future of the Built Environment
Architecture is defined by stories. It’s through visualization and communication of ideas that we construct new environments. Trained as an architect, Keely Colcleugh is a designer with a range of experience across the fields of architecture, graphic design, film, and visualization. In 2009, she founded Kilograph with a desire to combine leading edge visualization techniques with animation, interactive design, graphics, and branding. Now Keely is the CEO of a growing creative agency with offices in Los Angeles and Spain.
In an exclusive interview with ArchDaily, Keely talks about her transition to communication design, her love for Los Angeles, and how the art of visualization continues to evolve.
From the Publisher:
The book presents the first historical analysis of the productive tension between the city and the architectural form. It introduces 20th-century theories to construct a historical context from which a new architecture-city relationship emerged. The book provides a conceptual framework to understand this relationship and comes to the conclusion that urbanization may be filled with potential, i.e. be a Good Metropolis.
This video tutorial will teach you how to create detailed, 3-D environments from images taken by drones, using Photogrammetry to better contextualize our architectural projects.
The video covers the entire process, from flying the drone to using the RealityCapture software, including identifying plants and trees through an application for mobile phones and lastly viewing the architecture in 3D using Lumion.
Before social media took over, buildings were published on magazines, edited and refined according to their architects’ preferences. Nowadays, magazines are left on the sidelines for a much more influential platform, one that is not totally controlled by the architects. Digital communication has changed the way people view and interact with architecture, providing architects with new insights on how to design their structures.
PLANE—SITE, a global production agency involved in the world of urban, cultural, and social spaces, have put together a short video that examines the impact of social media on architecture firms. Building Images provides insights from OMA/AMO and UNStudio, two firms with different approaches to social media, who explain how social platforms have helped them see their projects in unprecedented ways.
OMA has won a masterplanning competition for the redevelopment of the Scalo Farini and San Cristoforo sites, two disused railway yards north and south of the periphery of Milan. Led by OMA’s Ippolito Pestellini Laparelli and Reinier de Graaf, and co-designed with Laboratorio Permanente, the “Agenti Climatici” scheme revolves around concepts of ecological filters and adaptable development. The OMA scheme triumphed over finalists including Baukuh, Arup, Grimshaw, and Kengo Kuma.