MVRDV have released images of their ambitious design for the Taipei Twin Towers, set to revitalize the central station area of the Taiwanese capital. The two towers are characterized by a “pile of blocks” that create a vertical urban neighborhood, complete with interactive media facades.
The site is currently occupied by the city’s main station, containing railway, airport lines, metro networks, and underused parks and plazas. Under the MVRDV scheme, the two towers will be built over the top of the station, offering retail, offices, two cinemas, two hotels, and the unification and redevelopment of surrounding plazas.
Dutch practice MVRDV has won the competition to design the new Vanke headquarters building in Shenzhen. Designed for the major Chinese real estate developer, the 250 meter tall project is a cluster of eight interlinked blocks of offices, housing and culture. The concept was grounded in MVRDV's research into the three-dimensional city. Aiming to rethink the next generation of skyscrapers, the tower rises from four separate bases to a single crowning tower.
C.F. Møller Architects has unveiled new images of their proposed Carlsberg Headquarters in Copenhagen, Denmark. Construction of the scheme is well underway, with the topping out ceremony taking place in Spring 2018.
The new renders offer an insight into the scheme’s proposed external finish and interior atmosphere, including the central atrium overlooking the historic site where the famed brewery business began.
https://www.archdaily.com/907060/cf-moller-architects-unveils-images-of-new-carlsberg-headquarters-in-copenhagenNiall Patrick Walsh
MVRDV co-founder Winy Maas has been named Domus’ 2019 10x10x10 Editor-In-Chief. The publication began the Domus 10x10x10 in 2018 as an initiative to bring new ideas and alternative editorial styles to the magazine. The 10-year initiative leads to Domus' 100th anniversary in 2028.
As much an architect as a researcher, Maas will provide an original editorial strategy founded on intellectual exploration and catalyzing creative ways of thinking about contemporary and future design efforts. In a manifesto titled “Everything is Urbanism,” Maas describes his primary goals for Domus 2019, a series of 10 publications over 10 months that explore contemporary design questions and theoretical problems, spark dialogue, and examine ongoing architectural research.
Dutch practice MVRDV has broken ground on Radio Tower & Hotel, a 21,800-square-meter mixed-use high rise located in the Washington Heights area in northern Manhattan. The 22-storey building is MVRDV’s first major project in the United States and combines hotel, retail, and office functions in vibrantly stacked blocks. The project was designed to reflecte the vivacious character of the neighborhood and set a direction for future development.
Dutch practice MVRDV have unveiled RED7, a housing project for Moscow and the firm’s first building in Russia. MVRDV won the competition to design RED7 for client GK Osnova in December 2017, and the project has been accepted by the architectural committee of Moscow. Designed with a Minecraft-like gradient of blocks, the project was inspired by its neighboring context. As a symbolic gateway into the city center, the design will include 289 apartments with external terraces and expansive views of Moscow's skyline.
Alain de Botton’s Living Architecture project - a joyful, democratically-minded concept to share quality architecture in the UK - was borne out of personal crisis. The Swiss-born philosopher and author gained fame in both popular and architectural circles following the release of his book, "The Architecture of Happiness."
The book was immediately successful (movie buffs may recall its brief cameo in the 2009 film 500 Days of Summer), but the response unsettled Botton. “...However pleasing it is two write a book about an issue one feels passionately about," he explained to Assemble Papers, "the truth is that - a few exceptions aside - books don’t change anything. I realized that if I cared so much about architecture, writing was a coward’s way out; the real challenge was to build.”
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
MVRDV has released details of their proposed renovation of a 19th-century listed building on Slodowa Island in Wroclaw, Poland. The “Concordia Hub” will see the retention of the existing façade, with the addition of a contemporary rear extension to “create a focal point” for the general public and visitors.
The site’s former use as a German artillery base in 1945 means almost all of the island’s structures were destroyed in the closing months of World War II. The Concordia Hub scheme seeks to preserve one of the only surviving heritage structures on the island, while transitioning the building into the modern age.
It’s well understood that a sense of place is an essential value for people, architecture, and cities. Everyone from designers to planners to city governments speak breathlessly of the power of places to transform cities for the better - but it’s not clear what placemaking really means.
The apple of every athlete's eye, the Olympic Games direct the gaze of the world onto one host city every two years, showcasing the best that sport has to offer across both summer and winter events. In a haze of feel-good anticipation, the general buzz around the city before during the four week stretch is palpable, with tourists, media and athletes alike generating contributing to the fervour. With almost an almost exclusively positive public response (the majority of Olympic bids are met with 70% approval or higher), the Games become an opportunity for a nation to showcases their culture and all it has to offer. At first glance, it's an opportunity you'd be a fool to miss.
Yet as the dust settles, these ‘lucky’ host cities are often left with structures that lack the relevance and function of their initial, fleeting lives. Empty aquatics centers, derelict running tracks and rarely-used stadiums have become as much a trademark of the Games as the Rings, with the structural maintenance and social implications burdening former hosts for years to come. In recent years, fewer cities have been taking part in the bidding process, suggesting that the impact of the Games is beginning to catch up with the excitement. As many as 12 cities contended for the honor of hosting the 2004 games; only two were put forward for 2024/28.
UNStudio and Cox Architecture have officially been announced as the winners of Melbourne’s landmark Southbank Precinct overhaul. Selected from a range of high-profile offices, including BIG, OMA, and MAD, UNStudio's vision for the $2 billion project includes a pair of twisted towers called Green Spine. As the largest single-phase project in the history of Victoria, Australia, the Green Spine is designed as a state-of-the-art, mixed-use environment centered around innovation in architecture and design.
A prominent shortlist including BIG, OMA, and UNStudio have revealed their visions for Melbourne’s landmark Southbank Precinct overhaul. The $2 billion project will be the largest single-phase project in the history of Victoria, Australia, intended as “a state-of-the-art, mixed-use environment” to be “centered around innovation in architecture and design.”
The six shortlisted schemes include twisting towers, interlocking blocks, and stacked neighborhoods, all focusing on the 6,000-square-meter BMW Southbank site. The designs were revealed at a public symposium on July 27th featuring speakers from the shortlisted firms.
Having previously assembled sets of images featuring the offices of architecture firms in Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, and Barcelona, architectural photographer Marc Goodwin continues the series with an exploration of 17 large and small offices in the Netherlands. Occupying buildings formerly used as offices, banks and old factories, the interior and exterior images capture a glimpse of the lives of these designers and their daily architectural surroundings.