Opening in February 2020, the Solomon R. Guggenheim Museum is showcasing an exhibition by Rem Koolhaas and AMO, the think tank of the Office for Metropolitan Architecture (OMA). Entitled Countryside, The Future the exhibition seeks to investigate urgent environmental, political, and socioeconomic transformations in the nonurban areas.
Office For Metropolitan Architecture: The Latest Architecture and News
Qatar has been radically reshaped by growth and development. The sovereign state transformed since the second half of the twentieth century after the discovery of the Dukhan oil field in 1940. Capitalizing on over 70 years of economic development, Qatar now has the highest per capita income in the world. Reflecting the country’s wealth, its modern architectural projects are being built at a monumental scale.
OMA has been announced as one of four firms to win an international competition for the design of Unicorn Island in Chengdu, an “innovative masterplan specifically designed for New Economy companies.”
As China moves from a production-orientated economy to a knowledge and service-based economy, the masterplan seeks to provide a variety of working and living conditions for both start-up firms and “Unicorn” companies, those with a value of over one billion US dollars. Along with OMA, the four winners also included Morphosis, who were recognized for their walkable scheme integrating business, green infrastructure, and lifestyle.
Louisiana Channel has released a new video interview with Ellen van Loon, the Dutch “design duchess” of OMA. In the interview, available to watch below, van Loon discusses the concept of “architectural contamination” behind OMA's new mixed-use "BLOX" scheme, home of the Danish Architecture Center in Copenhagen.
Van Loon discusses the process of “re-invention” needed for the scheme’s realization, in terms of both function and location. Situated on an old brewery site, the scheme seeks to embed architects and visitors in their own field of study, “placing them in the center of the building, which meant they would contaminate all other functions.”
In this episode of GSAPP Conversations, Tomas Koolhaas—the director of the much anticipated documentary-biopic REM, a film about the eponymous founder of the Office for Metropolitan Architecture (OMA), Rem Koolhaas—discusses the movie at length. Among other topics, the conversation touches upon Koolhaas's specific tools and methods for filming architectural space, and the challenges of producing a film founded on a personal relationship.
In the canon of great Dutch architects sit a number of renowned practitioners, from Berlage to Van Berkel. Based on influence alone, Rem Koolhaas—the grandson of architect Dirk Roosenburg and son of author and thinker Anton Koolhaas—stands above all others and has, over the course of a career spanning four decades, sought to redefine the role of the architect from a regional autarch to a globally-active shaper of worlds – be they real or imagined. A new film conceived and produced by Tomas Koolhaas, the LA-based son of its eponymous protagonist, attempts to biographically represent the work of OMA by “expos[ing] the human experience of [its] architecture through dynamic film.” No tall order.