Amorepacific, Korea's largest beauty company, occupies a site in the centre of Seoul, Korea. Their headquarters was designed by David Chipperfield Architects as a single clear volume, with large urban openings and a central void. In the middle of a bustling downtown landscape, the building strikes a bright, open figure.
The Amorepacific HQ took three years to complete and opened in 2017. The firm described the building as "abstract and gestural," with hanging gardens that provide dramatic views over the city and the mountains in the distance. The design echoes aspirations of mediating between local and global, private and public, collective and individual, formal and informal. Laurian Ghinitiou captures the identity of this dynamic headquarters.
While architects all in India are rejoicing and celebrating him, Anupama Kundoo, Professor at IE School of Architecture and Design, shared her thoughts on Doshi’s Pritzker Prize. "It is timely that there is recognition of a holistic understanding of the role of the architect, where the design of the built environment is seen as sensitive interventions that retain human scale in the man-made built landscape", stated Kundoo.
Earlier today, B.V. Doshi was named the winner of the 2018 Pritzker Prize, the profession’s highest accolade. For the past 70 years, Doshi has shaped the discourse of architecture and urban design, with a particularly strong influence in his native India, through projects including private residences, schools, banks, theaters, and low-income housing developments. Here are seven examples of this work that exemplifies Doshi’s respect for eastern culture and his desire to contribute to his country through authentic designs that enhance people's quality of life.
B.V. Doshi, one of modern Indian architecture’s most celebrated practitioners, was born in Pune, India in 1927. Nearly 90 years later, the Pritzker Prize jury chose Doshi as the 2018 Laureate. Get to know about Doshi’s history—including his close relationship to the legendary Le Corbusier—in this list of interesting facts.
https://www.archdaily.com/890128/who-is-balkrishna-bv-doshi-12-things-to-know-about-the-2018-pritzker-laureateAD Editorial Team
The iD Town in Shenzhen, Guangdong, China, is a project with many charms. The building itself has a distinctive history: in its prime, it used to be the Honghua Dyeing factory, but then was abandoned. Topographically, too, this building occupies a unique place, perched on a hilltop and surrounded by the mountains and the coast of the Southern Chinese Sea.
With minimal interventions, O-OFFICE architects have managed to refurbish this 8-hectare factory in Shenzhen into a thriving cultural and community center. The original ground floor was converted to form a large open concrete pavilion. What was once a workshop for purifying rough cloth was turned into a reception center – the Z gallery – with 7 individual artist studios, exhibition and meeting rooms and a café. Rotating wall-doors and sliding glass doors help the gallery take on different expressions during different events or in different seasons.
https://www.archdaily.com/888146/id-town-by-o-officeAD Editorial Team
Earlier this month, the Winter Olympics was officially opened in South Korea. Laurian Ghinitiou visited PyeongChang to capture the celebrations and the festivities of the Winter Olympic Games. At the Olympic Park, he turned his lens towards the now-famous Vantablack VBx2 building designed by Hyundai and Asif Khan. The pavilion was conceived of as a "narrative" and everything from the facade to the five rooms within -- water, solar, electrolysis, hydrogen fuel stack and recreation of water -- were part of the story.
The unique experience starts from the initial encounter of the pitch-black building at the Olympic Park to the final room where water droplets ripple off the walls. The alluring black facade, for example, embodies the dearth of light in space, as well as the infinite possibilities of the universe. The universe is also the birth place of Hydrogen during the Big Bang and is where the narrative begins.
Hyundai chose to build the complex in the Olympic Park in order to reveal to visitors how Hydrogen energy is conceived, but the designers made sure this was not going to be purely a science experiment. Laurian Ghinitoiu captures how the pavilion is all about novelty, delight, and the visitor experience.
So many of our readers around the world celebrate Chinese New Year and welcome fresh beginnings in the Year of the Dog, we would like to take a look back at 2017 and share with you the most visited projects from China. This is a collection of projects coming from world-famous practices such as MVRDV and MAD Architects, and also from the younger, local talents who have demonstrated great potential in bringing positive changes to China’s built environment.
"The Greenest Building is the one that is already built." (Carl Elefante, FAIA)
The world’s urban population will double by 2050, and cities need to come up with sustainable ways to accommodate this mass movement. We often see projects being built as quickly as possible to support growth, but these buildings end up lacking character, and they make the city look altogether generic. A smarter and more sustainable solution is to increase the density of existing centers, as well as to recover existing structures through refurbishment and repurposing.
To turn what is old into something new is a challenging process. It requires a bold vision and a rigorous commitment to design.
The Royal Architectural Institute of Canada (RAIC) has selected four architects from around the globe to receive 2018 Honorary Fellowships. This year’s Honorary Fellows inductees demonstrate the diverse ways in which architects contribute exemplary designs to the profession that have a positive impact on society.
The architects receiving the honor are French architect Odile Decq, Burkina Faso native, Diébédo Francis Kéré, and American architects William J. Stanley III and John Sorrenti.
Nothing is more rational than using the wind, a natural, free, renewable and healthy resource, to improve the thermal comfort of our projects. The awareness of the finiteness of the resources and the demand for the reduction in the energy consumption has removed air-conditioning systems as the protagonist of any project. Architects and engineers are turning to this more passive system to improve thermal comfort. It is evident that there are extreme climates in which there is no escape, or else the use of artificial systems, but in a large part of the terrestrial surface it is possible to provide a pleasant flow of air through the environments by means of passive systems, especially if the actions are considered during the project stage.
This is a highly complex theme, but we have approached some of the concepts exemplifying them with built projects. A series of ventilation systems can help in the projects: natural cross ventilation, natural induced ventilation, chimney effect and evaporative cooling, which combined with the correct use of constructive elements allows improvement in thermal comfort and decrease in energy consumption.
The career of Gottfried Böhm (born January 23, 1920) spans from simple to complex and from sacred to secular, but has always maintained a commitment to understanding its surroundings. In 1986, Böhm was awarded the eighth Pritzker Prize for what the jury described as his "uncanny and exhilarating marriage" of architectural elements from past and present. Böhm's unique use of materials, as well as his rejection of historical emulation, have made him an influential force in Germany and abroad.
At ArchDaily, we're lucky enough to know a fantastic network of architecture professionals, allowing us to share the world's best architecture with our audience. But our articles wouldn't be the same without the many photographers who dedicate themselves to making incredible, inspiring images. For that reason, here we present the 50 most popular architecture images of 2017.
Located in the largest remaining park in Beijing’s central business district, MAD Architects’ Chaoyang Park Plaza opened earlier this to year to much deserved fanfare. With a striking black glass form inspired by traditional Chinese ink landscape paintings, the complex is an immediate standout within its context.
In this photo series, Laurian Ghinitiou captures the series of buildings, drawing attention to their relationships to those surroundings. From the bustling streetscape, to the local residents fishing in the nearby pond, to KPF’s fast-rising CITIC Tower in the distance (soon to become Beijing’s tallest tower), Ghinitiou’s photographs are a reminder that all architecture is a product of the people and buildings around it – even the most dramatic of forms.
Venice? Chicago? Lisbon? Seoul? Architecture biennials, biennales, triennials, and triennales have become a vital part of the culture of modern architecture. Every two or three years, they debut new ideas, discuss popular topics, and showcase the best of what is happening in the field for both today and tomorrow. But, with the proliferation of these events in countries around the world, they can be tough to keep track of. How many are there, and when are they? ArchDaily has you covered. Below we have compiled what we believe is a comprehensive list showing the what, where, and when of the world's architecture and design biennials, triennials, and a handful of the larger yearly events. We've also included some more in-depth descriptions of a handful that have (in recent years at least) proven themselves to be big names.
Founder of the innovative architecture firm MAD Architects, Ma Yansong (born 26 November 1975) has helped to give China a name in the international architecture scene. The first Chinese architect to receive a RIBA fellowship, Ma explores contemporary architecture in relation to traditional eastern values of nature, resulting in buildings that are complex and contextually aware, but sometimes even surreal.
Earlier this month, Abu Dhabi’s much-awaited “universal museum,” the Louvre Abu Dhabi designed by Pritzker Prize-winner Jean Nouvel, was opened to the public. After several years of delays and problems including accusations of worker rights violations, revisions in economic strategies, and regional turmoil, the completion of the museum is a feat in itself. Critics, supporters, naysayers, artists, economists, and human rights agencies, have all closely followed its shaky progress, but now that it’s finally open, reviews of the building are steadily pouring in.
Read on to find out how critics have responded to Nouvel’s work so far.