The 2015 Serpentine Pavilion, designed by SelgasCano, is to be relocated to Los Angeles where it will offer free public programs throughout the summer. Organized by Second Home, a London-based social business supporting creativity in cities, and the Natural History Museums of Los Angeles County (NHMLAC), the initiative will use the structure as a flexible, multi-purpose social space hosting programs intersecting art, design, science, and nature.
Following a controversy surrounding unpaid internships at the office of Serpentine Pavilion architects Junya Ishigami + Associates, the Serpentine Gallery has ordered the firm to pay all staff who will work on the design of the 2019 pavilion. Criticism of the working conditions of interns at the firm followed an email reportedly seen by The Architects’ Journal, with a prospective intern highlighting a lack of pay, six-day work weeks, and long office hours.
London's Serpentine Gallery has announced Japanese architect Junya Ishigami as the designer of the 2019 Serpentine Pavilion. Ishigami, who at 44 is the second-youngest designer of the pavilion (after 2018 designer Frida Escobedo), is known for his light and ephemeral approach to design.
Ishigami's design for the pavilion takes the form of a slate sheet rising from the landscape of the park, held up by light pilotis that form an interior field reminiscent of a forest. The single-canopy space takes inspiration not just from natural canopies but from roofs - the essential structural element that defines and unites architecture. Within, the darkness of the slate roof will create a serene space for contemplation and relaxation. Ishigami explains that his design for the pavilion exemplifies his 'free space' philosophy in which he "seeks harmony between man-made structures and those that already exist."
One of the most important factors to consider when designing is the climate of the site. This can create difficulties when it comes to extreme climates and it is necessary to use insulation materials that adapt to changing conditions. However, when discussing Mexico and its specific climate, this can be an opportunity for architects to create microclimates and spaces that blur the transition of interiors and exteriors.
Patios have become a traditional element of design. They create interesting psychological effects that fuse the conception of the interior and exterior, the common and private. It is a way to bring sunlight and rain into the house, to open up paths and coexistences that do not occur in interiors. Below, a selection of projects in Mexico that use the patio as the main design resource.
Open House London 2018 has officially released the list of over 800 buildings open to the public this September. Now in its 27th edition, the weekend-long festival offers free guided tours and open doors to buildings and architecture across the city. This year, a range of exciting architecture will be featured, including the new US Embassy by KieranTimberlake, Maggie's Barts by Steven Holl Architects, and Bloomberg European Headquarters by Foster + Partners, the world's most sustainable office building. Find out our list of the top 10 must-see buildings to discover at this year's Open House.
The collaboration of Bjarke Ingels Group and Westbank are celebrating two milestones in Canada, as the topping out of their innovative Vancouver House coincides with the advanced construction of their relocated Serpentine Pavilion in Toronto.
The two BIG-designed structures, located on opposite coasts, have both been recognized for their architectural innovation. The LEED-Platinum Vancouver House was awarded the World Architecture Festival’s Future Building of the Year in 2015, while the “unzipped wall” is the first Serpentine Pavilion to embark on a multi-city tour of this kind, before ultimately landing in a permanent home on the Vancouver waterfront.
▶ Así se derrumbó una sección de la plaza comercial Artz Pedregal https://t.co/IMnqtfIiZy #CdMx pic.twitter.com/mYzYowaZVP
— Milenio.com (@Milenio) 12 de julio de 2018
Videos circulating around social media show at least a partial collapse of Plaza Artz Pedegral, a project built in 2012 by the Mexican architecture office Sordo Madaleno Arquitectos. At the time of reporting the cause of the collapse has not yet been confirmed.
According to the online version of the Milenio newspaper, The Secretary of Civil Protection (secretario de Protección Civil) in Mexico City stated that, at the moment, there are no reports of people injured or trapped.
Video from 2016 shows part of the site collapsing around the roads adjoining the site.
Following the opening of the 2018 Serpentine Pavillion this week, designed by Mexican architect Frida Escobedo, photographer Laurian Ghinitoiu has turned his lens to London. Ghinitoiu’s images, which you can discover below, capture the elemental beauty of Escobedo’s pavilion, defined by a permeable cement tile façade inspired by Mexican celosias.
Fusing elements typical to Mexican architecture with local London references, the pavilion centers on a courtyard enclosed by two rectangular volumes constructed using the characteristic celosia method.
The 2018 Serpentine Gallery Pavilion, designed by Frida Escobedo, was unveiled today in London's Hyde Park. Escobedo's design, which fuses elements typical to Mexican architecture with local London references, features a courtyard enclosed by two rectangular volumes constructed from cement roof tiles. These tiles are stacked to form a celosia, a type of wall common to Mexican architecture which is permeable, allowing ventilation and views to the other side.
Photographer Francesco Russo has captured the construction of Frida Escobedo’s 2018 Serpentine Pavilion, as the structure nears completion in London’s Hyde Park. The images showcase the dark cement roof tiles used to construct the pavilion, which comprises an enclosed courtyard created by two rectangular volumes.
With an interplay of light and water, the pavilion seeks to evoke the sensation of the domestic architecture of Mexico, from where Escobedo hails. The stacked cement tiled visible in the photographs form a "celosia," a type of permeable wall common in Mexico.
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A month after its critically-lauded run came to a close, Francis Kéré’s 2017 Serpentine Gallery Pavilion has found a permanent home halfway across the globe.
As reported by the Star, the structure has been purchased by Kuala Lumpur-based Ilham Gallery, who are now searching for a permanent site of the pavilion in Malaysia.
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London’s annual temporary architecture pavilion spectacular has returned. Each summer the Serpentine Pavilion program selects an accomplished architect who has yet to create work in the United Kingdom, and asks them to build a temporary shelter on the gallery's lawn. The resulting structure is erected in June and dismantled in October.
This year’s offering is designed by Francis Kéré—the first pavilion designed by an African Architect to grace Kensington Gardens. Kéré’s project is composed of a series of curving blue walls shaded by an elliptical cantilevering wood and steel canopy. Thus far the design has been universally lauded by critics; read on to find out why they thought the project was so appealing.
The 2017 Serpentine Pavilion, designed by Diébédo Francis Kéré (Kéré Architecture), was unveiled today in London. Conceived as a micro cosmos—"a community structure within Kensington Gardens"—the pavilion has been designed to consciously fuse cultural references from Kéré's home town of Gando in Burkino Faso, with "experimental construction techniques." The architect hopes that the pavilion, as a social condenser, "will become a beacon of light, a symbol of storytelling and togetherness."
.jpg?1556185607 "© Laurian Ghinitoiu")
.jpg?1556185648 "© Laurian Ghinitoiu")
.jpg?1556185635 "© Laurian Ghinitoiu")
.jpg?1550150890 "Serpentine Pavilion 2019, Design Render, Interior View, © Junya Ishigami + Associates")
.jpg?1499123196 "© Laurian Ghinitoiu")
.jpg?1499123207 "© Laurian Ghinitoiu")
.jpg?1499123175 "© Laurian Ghinitoiu")
.jpg?1497967188 "Serpentine Pavilion 2017, designed by Francis Kéré. Serpentine Gallery, London (23 June – 8 October 2017) © Kéré Architecture. Image © Iwan Baan")
