The official opening date for the 23rd Serpentine Pavilion has been announced for June 7th, 2024. The structure designed by Seoul-based Korean architect Minsuk Cho and his firm Mass Studies, will welcome visitors until October 27, 2024, in London’s Kensington Gardens. Titled “Archipelagic Void,” the pavilion is composed of five islands displayed around a central void in reference to the mandang, a type of open courtyard found in traditional Korean houses. The intervention will be activated throughout the summer with a diverse program of events, starting with a conversation between Minsuk Cho and Serpentine Artistic Director Hans Ulrich Obrist on June 7, 2024.
Serpentine Gallery: The Latest Architecture and News
Bringing People Together Through Architecture: In Conversation with Lina Ghotmeh, the Designer of the 2023 Serpentine Pavilion
While visiting this year’s Serpentine Pavilion, the ArchDaily team has a chance to sit down with French-Lebanese architect Lina Ghotmeh, the designer behind the temporary structure built in the Kensington Gardens in London. The conversation touched upon Ghotmeh’s motivations and concepts that prompted this pavilion titled À table, conceived as an invitation to sit down together at a table, to enjoy sharing food and engaging in open dialogues. Delving into her Lebanese roots, the architect also expands on her methodology and the desire to create space for conversation and decision-making while encouraging conviviality among people of different backgrounds and experiences. The ArchDaily team also talked to Hans Ulrich Obrist, artistic director at the Serpentine Galleries, about the pavilion as a platform for architecture and the arts.
Lina Ghotmeh Selected as Designer of the 2023 Serpentine Pavilion, with a Proposal Aiming for the Smallest Possible Carbon Footprint
Beirut-born, Paris-based architect Lina Ghotmeh has been announced as the designer of the 22nd annual Serpentine Gallery Pavilion. Titled “À Table,” the French expression for sitting together to eat, her proposal introduces a slender wooden structure with nine pleated petals supported by radial ribs. Inside the pavilion, a ring of tables and benches invites visitors to enter, sit down and relax, eat or work together. According to the architect, the modest space and low-slung canopy is meant to make people feel close to the earth. The Serpentine Pavilion will be open from June to October 2023.
Black Chapel Serpentine Pavilion 2022 / Theaster Gates
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Designers: Theaster Gates
- Year: 2022
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Professionals: AECOM
First Look at the 2019 Serpentine Pavilion
Japanese architect Junya Ishigami's 2019 Serpentine Pavilion is taking shape in London. A series of photographs by Laurian Ghinitoiu showcase the project and its flowing, free-form roof. Ishigami is the second-youngest designer of the pavilion, and his work is known for a light and ephemeral approach. The design for the 2019 pavilion takes the form of a slate sheet rising from the landscape of the park, held up by pilotis that form an interior field.
David Adjaye and Serpentine Galleries Release Call for Augmented Reality Installation
The Serpentine Galleries, Google Arts & Culture and trustee David Adjaye have released a call for augmented reality (AR) architecture proposals to run alongside the 2019 Serpentine Pavilion this summer. Applicants are asked to propose "imaginary city spaces and speculations on the built environment to be developed and experienced” in AR onsite at the galleries. The call invites applicants to consider AR as a digital layer that offers new opportunities to design, visualize and experience.
This Week in Architecture: More than Visual
Architecture is a profession deeply dependent on the visual. It’s imagined, sold, critiqued and consumed almost entirely on the strength (or lack thereof) of drawings. We pick and prod at images presented at angles we’ll never be able to see, admiring the architectonic qualities of elements we’ll never actually experience.
Life after Serpentine: Second Lives of Architecture's Famed Pavilions
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
The 9 Bars That Every Architect Needs to Visit
When you think of your favorite spot to grab a beer, what architectural features come to mind? Is it the swanky furniture, themed artwork, or the heavily designed cocktail menu? Today, the aesthetics of bars are now as much a draw as the drinks themselves. From movie set inspired spaces to rooftops that offer spectacular city views, we’ve compiled a list of nine bars and beer gardens that every architect needs to cross off their list.
Step Inside Frida Escobedo's Serpentine Pavilion with This 360° Virtual Tour
For readers around the world who monitored with enthusiasm the opening of Frida Escobedo’s Serpentine Pavilion, but were unable to reach London to experience it in real life, Photographer Nikhilesh Haval of nikreations is here to help.
Similar to previous productions of BIG’s 2016 Pavilion, and SelgasCano’s 2015 Pavilion, Haval 360-degree virtual tour explores Escobedo’s pavilion to capture aesthetic delights such as the Mexican celosias façade, shallow water pool, and curving, mirrored roof element. When inside the courtyard, don’t forget to look up!
Christo's First UK Outdoor Public Sculpture Opens on the Serpentine Lake
The “London Mastaba” has opened in Hyde Park. A temporary sculpture floating on the Serpentine Lake, the project is the first major public outdoor sculpture in the United Kingdom designed by the artist Christo. The opening comes as new photographs by Wolfgang Volz are released which chart the construction and completion of the striking art piece.
Featuring 7,506 horizontally-stacked barrels floating on the Serpentine Lake, the Mastaba coincides with an exhibition of Christo and Jeanne-Claude’s work at the Serpentine Galleries featuring sculptures, drawings, collages, and photographs spanning more than 60 years.
Frida Escobedo's 2018 Serpentine Pavilion Opens in London
The 2018 Serpentine Gallery Pavilion, designed by Frida Escobedo, was unveiled today in London's Hyde Park. Escobedo's design, which fuses elements typical to Mexican architecture with local London references, features a courtyard enclosed by two rectangular volumes constructed from cement roof tiles. These tiles are stacked to form a celosia, a type of wall common to Mexican architecture which is permeable, allowing ventilation and views to the other side.
7,500 Barrels To Feature in Christo's First UK Outdoor Public Sculpture
Artist Christo has released images of his proposed temporary sculpture for Hyde Park, London, to become his first major outdoor public sculpture in the United Kingdom. Titled “The Mastaba (Project for London, Hyde Park, Serpentine Lake)," the sculpture will consist of 7,506 horizontally-stacked barrels floating on the Serpentine Lake throughout the summer of 2018.
“The Mastaba” will coincide with an exhibition of Christo and Jeanne-Claude’s work at the Serpentine Galleries, featuring sculptures, drawings, collages and photographs spanning more than 60 years. Supported by Bloomberg Philanthropies, the exhibition will be the artists’ first in a UK public institution since 1979 and will showcase their long-running exploits with barrel forms, chosen initially for their sculptural effect and low cost.
Mexican Architect Frida Escobedo Selected to Design 2018 Serpentine Pavilion
London's Serpentine Gallery has announced Mexican architect Frida Escobedo as the designer for the 2018 Serpentine Gallery Pavilion in Hyde Park. Escobedo, known for her work in activating public spaces, will be the youngest architect to have participated in the Serpentine Pavilion program since it began in 2000. Her design features an enclosed courtyard created by two rectangular volumes positioned at an angle. With its interplay of light and water, the design is intended to evoke the sensation of Mexican domestic architecture, while using British materials and containing references to its London context.
Critics Laud Francis Kéré’s 2017 Serpentine Pavilion for Its Simplicity and Authenticity
London’s annual temporary architecture pavilion spectacular has returned. Each summer the Serpentine Pavilion program selects an accomplished architect who has yet to create work in the United Kingdom, and asks them to build a temporary shelter on the gallery's lawn. The resulting structure is erected in June and dismantled in October.
This year’s offering is designed by Francis Kéré—the first pavilion designed by an African Architect to grace Kensington Gardens. Kéré’s project is composed of a series of curving blue walls shaded by an elliptical cantilevering wood and steel canopy. Thus far the design has been universally lauded by critics; read on to find out why they thought the project was so appealing.
Diébédo Francis Kéré's Serpentine Pavilion Photographed by Laurian Ghinitoiu
Following the opening of the 2017 Serpentine Pavilion, designed this year by Diébédo Francis Kéré (Kéré Architecture), photographer Laurian Ghinitoiu has turned his lens to London. Designed to mimic a tree, or a canopy of trees, the wooden structure has been designed to fuse cultural references from Kéré's home town of Gando in Burkino Faso with more "experimental" construction techniques. His ambition is that the pavilion becomes a social condenser – "a symbol of storytelling and togetherness."
Diébédo Francis Kéré's Serpentine Pavilion Opens in Sun-Drenched London – But Will Come Alive During Rain
The 2017 Serpentine Pavilion, designed by Diébédo Francis Kéré (Kéré Architecture), was unveiled today in London. Conceived as a micro cosmos—"a community structure within Kensington Gardens"—the pavilion has been designed to consciously fuse cultural references from Kéré's home town of Gando in Burkino Faso, with "experimental construction techniques." The architect hopes that the pavilion, as a social condenser, "will become a beacon of light, a symbol of storytelling and togetherness."