Architecture from United Kingdom

Lighthouses have stood along the margins of continents and islands for centuries as points of light in vast maritime territories. Rising in solitude from rocky cliffs, reefs, and headlands, these towers were tools for navigation and instruments of spatial clarity, shaping coastlines and marking the boundary between land and sea. Built to guide, warn, and locate, they constituted a global network of visibility long before the advent of digital mapping. Yet as maritime technologies evolved, many of these structures lost their original purpose. The typology, once essential, now stands at the edge of obsolescence. What remains is not merely an architectural relic, but a powerful spatial form — resilient, symbolic, and increasingly open to reinterpretation.

From Milan's Scalo Farini to downtown Chicago, and from the Tuscan countryside to the UK's retrofit initiatives, recent announcements demonstrate how architecture is evolving in response to climate goals, cultural identity, and urban transformation. Herzog & de Meuron's new headquarters for UniCredit will anchor one of Europe's largest redevelopment sites with a focus on sustainability and workplace innovation, while Gensler's stadium design for Chicago Fire FC aims to redefine the U.S. matchday experience as part of a major waterfront development. In Tuscany, Alvisi Kirimoto's Sapaio Pavilion merges agricultural production with architectural sensitivity, and in the UK, RIBA and The King's Foundation are advancing retrofit as a national agenda. Meanwhile, finalists including MVRDV, Heatherwick Studio, and Mecanoo are advancing in an international competition to create a climate landmark intended to inspire large-scale behavioral change. This edition of Architecture Now brings together diverse yet interconnected efforts to shape how architecture can support long-term ecological, cultural, and civic impact.

Foster + Partners has won the competition to design the national memorial to Queen Elizabeth II. In February 2025, five finalist teams were selected by the Queen Elizabeth Memorial Committee to develop a master plan honoring and celebrating the late Queen. The memorial aims to provide visitors with a space for reflection in London's St James's Park, a site of historical and constitutional significance. Foster + Partners' winning proposal features a new bridge inspired by the Queen's wedding tiara, a Prince Philip Gate, and new gardens. The design will continue to be developed until April 2026.

Marking World Play Day, June 11, the Play Pavilion, designed by British architect Peter Cook in collaboration with the LEGO Group, has just opened. The Pavilion is located next to Serpentine South in Kensington Gardens, London. Developed with Pablo Wheldon and Cong Ding, the Pavilion is a collaboration between Serpentine, the LEGO Group, The Royal Parks, and CONSUL. The project builds on Serpentine's broader efforts to connect architecture, design, and public engagement through temporary installations in the park.

The V&A East Storehouse will open to the public for the first time on Saturday, 31 May 2025. Located in the Queen Elizabeth Olympic Park, the project is part of East Bank, a new cultural quarter supported by the Mayor of London. Designed by the internationally recognized architecture firm Diller, Scofidio + Renfro, the new facility serves as both a working store and a visitor destination. Following a decade of planning and extensive audience consultation, V&A East Storehouse is the first of V&A East's two new cultural destinations to open in East London. The second, V&A East Museum, is scheduled to open in spring 2026 and will explore the role of making and creativity as agents of change.

Bangladeshi architect and educator Marina Tabassum and her firm, Marina Tabassum Architects, have been selected to design the 2025 Serpentine Pavilion. Titled "A Capsule in Time," the proposal takes inspiration from the ephemeral nature of architecture in the Bengal Delta, incorporating a semi-transparent structure intended to evoke a sense of community and connection. The Pavilion will open to the public on June 6th, until 26 October 2025, with a press preview two days before the opening. Tabassum's pavilion will mark the 25th year since the Serpentine's first commission of Zaha Hadid's inaugural structure in Hyde Park in 2000.

The British Pavilion, commissioned by The British Council, features the exhibition title GBR – Geology of Britannic Repair to represent the United Kingdom at the 19^th International Architecture Exhibition – La Biennale di Venezia 2025. The exhibition is a collaboration between a multi-disciplinary team of curators, Kabage Karanja and Stella Mutegi of Nairobi-based architecture studio Cave_bureau, UK-based curator and writer Owen Hopkins, and academic Professor Kathryn Yusoff. The Pavilion curators and commissioner have been awarded a Special Mention for National Participation by the jury in recognition of their exploration of the relationship between Great Britain and Kenya, focusing on themes of reparation and renewal.

The UK Government has revealed five shortlisted design concepts for the Queen Elizabeth II Memorial, set to be located in the historically significant landscape of St James's Park in London. The proposals, now accessible through a newly launched online gallery, mark a key stage in the development of a national tribute to the late monarch. Public feedback on the exhibited proposals will be gathered until 19 May 2025 and will inform the Committee's decision on the winning design team, expected to be announced in early summer 2025. The final design is anticipated to be unveiled in 2026, coinciding with the centenary of Queen Elizabeth II's birth.

Once seen as purely utilitarian, bare concrete blocks have increasingly become part of an architectural transformation. In regions where warm climates make insulation unnecessary, this material can be left exposed, free of cladding, finishes, or embellishment. In doing so, texture, bond, and form can define the building's character and simplify construction while creating new opportunities for expression and identity. This also creates a platform to explore the concept of material honesty. Beyond its aesthetic value, using a material "as is" can significantly reduce construction costs and minimize maintenance during the building's lifespan.

The gas station is an architectural typology that has undergone significant transformations since its inception. Initially, these structures were simple roadside refueling points designed for functionality rather than aesthetics. As automobile culture expanded, gas stations evolved to accommodate new technologies, shifting urban landscapes and changing consumer behaviors. Over time, they became more than just utilitarian stops — they developed into service hubs, integrating restaurants, motels, and leisure spaces, responding to contemporary transportation increasing demands.