Mainly known outside of his home country for his design of the 2014 Serpentine Gallery Pavilion, architect Smiljan Radić (born June 21, 1965) is one of the most prominent figures in current Chilean architecture. With a distinctive approach to form, materials, and natural settings, Radić mostly builds small- to medium-sized projects that flirt with the notion of fragility.
Serpentine Gallery Pavilion
Following the opening of the 2018 Serpentine Pavillion this week, designed by Mexican architect Frida Escobedo, photographer Laurian Ghinitoiu has turned his lens to London. Ghinitoiu’s images, which you can discover below, capture the elemental beauty of Escobedo’s pavilion, defined by a permeable cement tile façade inspired by Mexican celosias.
Fusing elements typical to Mexican architecture with local London references, the pavilion centers on a courtyard enclosed by two rectangular volumes constructed using the characteristic celosia method.
Frida Escobedo on the 2018 Serpentine Pavilion: "Mexican Architecture Is an Architecture of Layering"
After Frida Escobedo, Yana Peel and Hans Ulrich Obrist officially presented the 2018 Serpentine Pavilion on Monday, June 11 at Kensington Gardens in London, we had the opportunity to interview Mexican architect Frida Escobedo exclusively for ArchDaily. Escobedo shared with us with us the importance that designing pavilions has had in her career, the relevance of working on public spaces, and offered her thoughts on the perception of the Mexican context outside of Mexico. She also spoke further about the details of the pavilion itself and revealed where she would like the pavilion to be moved after completing its 4-month stay at Kensington Gardens.
The 2018 Serpentine Pavilion opens to the public on June 15th and will remain in place until October 7th, 2018.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
The 2018 Serpentine Gallery Pavilion, designed by Frida Escobedo, was unveiled today in London's Hyde Park. Escobedo's design, which fuses elements typical to Mexican architecture with local London references, features a courtyard enclosed by two rectangular volumes constructed from cement roof tiles. These tiles are stacked to form a celosia, a type of wall common to Mexican architecture which is permeable, allowing ventilation and views to the other side.
Photographer Francesco Russo has captured the construction of Frida Escobedo’s 2018 Serpentine Pavilion, as the structure nears completion in London’s Hyde Park. The images showcase the dark cement roof tiles used to construct the pavilion, which comprises an enclosed courtyard created by two rectangular volumes.
With an interplay of light and water, the pavilion seeks to evoke the sensation of the domestic architecture of Mexico, from where Escobedo hails. The stacked cement tiled visible in the photographs form a "celosia," a type of permeable wall common in Mexico.
A new Serpentine Pavilion has opened in Beijing, China, marking the first time the prestigious program has been implemented away from its usual home at the Serpentine Gallery in Hyde Park, London. Designed by JIAKUN Architects, the pavilion was commissioned by The Serpentine Galleries working in partnership with WF CENTRAL, and is located just 600 meters away from Beijing's Forbidden City.
London's Serpentine Gallery has announced Mexican architect Frida Escobedo as the designer for the 2018 Serpentine Gallery Pavilion in Hyde Park. Escobedo, known for her work in activating public spaces, will be the youngest architect to have participated in the Serpentine Pavilion program since it began in 2000. Her design features an enclosed courtyard created by two rectangular volumes positioned at an angle. With its interplay of light and water, the design is intended to evoke the sensation of Mexican domestic architecture, while using British materials and containing references to its London context.
The Serpentine Galleries has announced the expansion of their popular summer pavilion program, collaborating with Beijing’s WF Central to commission the inaugural Serpentine Pavilion Beijing. The first Serpentine Pavilion to be built outside of the Galleries’ Kensington Gardens home in London, the Beijing Pavilion will be located just 600 meters away from the historic Forbidden City in the Dongcheng District, where it will host a program of cultural activities and events.
The inaugural pavilion has been designed by emerging Chinese studio JIAKUN Architects, led by architect Liu Jiakun. Drawing both from the historical and social of Beijing and from the storied 17-year history of the Serpentine Pavilion commission, the design features an arched form that balances forces of tensions and compression.
As reported by the Star, the structure has been purchased by Kuala Lumpur-based Ilham Gallery, who are now searching for a permanent site of the pavilion in Malaysia.
London’s annual temporary architecture pavilion spectacular has returned. Each summer the Serpentine Pavilion program selects an accomplished architect who has yet to create work in the United Kingdom, and asks them to build a temporary shelter on the gallery's lawn. The resulting structure is erected in June and dismantled in October.
This year’s offering is designed by Francis Kéré—the first pavilion designed by an African Architect to grace Kensington Gardens. Kéré’s project is composed of a series of curving blue walls shaded by an elliptical cantilevering wood and steel canopy. Thus far the design has been universally lauded by critics; read on to find out why they thought the project was so appealing.
Following the opening of the 2017 Serpentine Pavilion, designed this year by Diébédo Francis Kéré (Kéré Architecture), photographer Laurian Ghinitoiu has turned his lens to London. Designed to mimic a tree, or a canopy of trees, the wooden structure has been designed to fuse cultural references from Kéré's home town of Gando in Burkino Faso with more "experimental" construction techniques. His ambition is that the pavilion becomes a social condenser – "a symbol of storytelling and togetherness."
Diébédo Francis Kéré's Serpentine Pavilion Opens in Sun-Drenched London – But Will Come Alive During Rain
The 2017 Serpentine Pavilion, designed by Diébédo Francis Kéré (Kéré Architecture), was unveiled today in London. Conceived as a micro cosmos—"a community structure within Kensington Gardens"—the pavilion has been designed to consciously fuse cultural references from Kéré's home town of Gando in Burkino Faso, with "experimental construction techniques." The architect hopes that the pavilion, as a social condenser, "will become a beacon of light, a symbol of storytelling and togetherness."
BIG’s Serpentine Pavilion is headed to North America, with plans for stops in New York and Toronto on its way to a new permanent home in downtown Vancouver. Purchased by Canadian developer Westbank, who also sponsored the project in 2016, the pavilion will come to a rest on a site adjacent to the company’s headquarters in Shaw Tower, spitting distance from the waterfront plaza where the 2010 Olympic cauldron is located.
The Serpentine Galleries have announced that the 2017 Serpentine Pavilion will be designed by Diébédo Francis Kéré (Kéré Architecture), an African architect based between Berlin, Germany, and his home town of Gando in Burkino Faso. The design for the proposal, which will be built this summer in London's Kensington Gardens, comprises an expansive roof supported by a steel frame, mimicking the canopy of a tree. According to Kéré, the design for the roof stems from a tree that serves as the central meeting point for life in Gando. In line with the criteria for the selection of the Serpentine Pavilion architect Kéré has yet to have realised a permanent building in England.
Serpentine Galleries Names Rogers & Adjaye to Pavilion Selection Board, Announces Zaha Hadid Exhibition
The Serpentine Galleries has announced a new process for the selection of architects for its successful Summer Serpentine Pavilion program.
For the event’s first 16 years, the annual commissions were selected by program founder and former Serpentine Galleries director Julia Peyton-Jones, who left her position earlier this year to pursue independent contemporary art and architecture projects. Replacing her are the Serpentine Galleries new CEO Yana Peel and Artistic Director Hans Ulrich Obrist, who will lead an advisory board featuring architects Richard Rogers and David Adjaye.
Lilas, Zaha Hadid Architects’ design for the 2007 Serpentine Gallery pavilion, has been reinstalled at a new location on the south lawn of Chatsworth House, the Derbyshire home of the Duke and Duchess of Devonshire. The mushroom-like pavilion has been put on display as part of Sotheby’s annual Beyond Limits sculpture exhibition, and is for sale through the international auction house.
Following the success of last year’s virtual tour of Selgascano’s 2015 Serpentine Pavilion, Photographer Nikhilesh Haval of nikreations has shared with us his virtual tour of BIG’s 2016 Pavilion entry. Hosted this year on Google Street View, the tour allows you to move through and around the “unzipped wall” design, giving you the ability to perceive how sunlight interacts with the structure. Check out how visitors are using the pavilion as an escape from the sunny park or sipping on drinks ordered at the pavilion bar – and don’t forget to look up, where it’s easy to get lost in the sea of interlocking fiberglass bricks.