23rd Serpentine Pavilion by Mass Studies. Image Courtesy of Serpentine Gallery
Seoul-based Korean architect Minsuk Cho and his firm Mass Studies have been selected to design the 23rdSerpentine Pavilion, to open on June 5, 2024, in London’s Kensington Gardens. Titled “Archipelagic Void,” this iteration of the iconic commission will consist of five ‘islands’ displayed around an open space, breaking down the structure into a series of smaller elements intertwined with the park’s natural ecology. The pavilion will be open to the public from June 7, until October 27, 2024, with a press preview two days before the opening.
The MPavilion represents one of the most important architectural events happening annually in Melbourne, Australia. Initiated and founded by the Naomi Milgrom Foundation, the event was first launched in 2014 and has since brought internationally recognized architects to design a temporary structure in Melbourne's Queen Victoria Gardens in a system similar to London’s Serpentine Gallery Pavilion. From Sean Godsell's solar-actioned panels to Studio Mumbai‘s experimental bamboo structure, each pavilion explores craftsmanship and contemporary design while fostering a rich cultural program for several months before being disassembled and donated to one of the city’s parks. As the latest pavilion was recently inaugurated by Tadao Ando, we look back at the previous editions of Australia’s most famous annual structure.
Beirut-born, Paris-based architect Lina Ghotmeh has been announced as the designer of the 22nd annual Serpentine GalleryPavilion. Titled “À Table,” the French expression for sitting together to eat, her proposal introduces a slender wooden structure with nine pleated petals supported by radial ribs. Inside the pavilion, a ring of tables and benches invites visitors to enter, sit down and relax, eat or work together. According to the architect, the modest space and low-slung canopy is meant to make people feel close to the earth. The Serpentine Pavilion will be open from June to October 2023.
Mainly known outside of his home country for his design of the 2014 Serpentine Gallery Pavilion, architect Smiljan Radić (born June 21, 1965) is one of the most prominent figures in current Chilean architecture. With a distinctive approach to form, materials, and natural settings, Radić mostly builds small- to medium-sized projects that flirt with the notion of fragility.
Japanese architect Junya Ishigami's 2019 Serpentine Pavilion is taking shape in London. A series of photographs by Laurian Ghinitoiu showcase the project and its flowing, free-form roof. Ishigami is the second-youngest designer of the pavilion, and his work is known for a light and ephemeral approach. The design for the 2019 pavilion takes the form of a slate sheet rising from the landscape of the park, held up by pilotis that form an interior field.
Following a controversy surrounding unpaid internships at the office of Serpentine Pavilion architects Junya Ishigami + Associates, the Serpentine Gallery has ordered the firm to pay all staff who will work on the design of the 2019 pavilion. Criticism of the working conditions of interns at the firm followed an email reportedly seen by The Architects’ Journal, with a prospective intern highlighting a lack of pay, six-day work weeks, and long office hours.
https://www.archdaily.com/913982/serpentine-bans-use-of-unpaid-interns-for-2019-pavilion-design-teamNiall Patrick Walsh
The two BIG-designed structures, located on opposite coasts, have both been recognized for their architectural innovation. The LEED-Platinum Vancouver House was awarded the World Architecture Festival’s Future Building of the Year in 2015, while the “unzipped wall” is the first Serpentine Pavilionto embark on a multi-city tour of this kind, before ultimately landing in a permanent home on the Vancouver waterfront.
https://www.archdaily.com/899563/bigs-relocated-serpentine-pavilion-nears-completion-in-toronto-as-landmark-tower-tops-out-in-vancouverNiall Patrick Walsh
Similar to previous productions of BIG’s 2016 Pavilion, and SelgasCano’s 2015 Pavilion, Haval 360-degree virtual tour explores Escobedo’s pavilion to capture aesthetic delights such as the Mexican celosias façade, shallow water pool, and curving, mirrored roof element. When inside the courtyard, don’t forget to look up!
https://www.archdaily.com/897002/step-inside-frida-escobedos-serpentine-pavilion-with-this-360-degrees-virtual-tourNiall Patrick Walsh
Fusing elements typical to Mexican architecture with local London references, the pavilion centers on a courtyard enclosed by two rectangular volumes constructed using the characteristic celosia method.
After Frida Escobedo, Yana Peel and Hans Ulrich Obrist officially presented the 2018 Serpentine Pavilion on Monday, June 11 at Kensington Gardens in London, we had the opportunity to interview Mexican architect Frida Escobedo exclusively for ArchDaily. Escobedo shared with us with us the importance that designing pavilions has had in her career, the relevance of working on public spaces, and offered her thoughts on the perception of the Mexican context outside of Mexico. She also spoke further about the details of the pavilion itself and revealed where she would like the pavilion to be moved after completing its 4-month stay at Kensington Gardens.
The 2018 Serpentine Pavilion opens to the public on June 15th and will remain in place until October 7th, 2018.
https://www.archdaily.com/896242/frida-escobedo-on-the-2018-serpentine-pavilion-mexican-architecture-is-an-architecture-of-layeringAD Editorial Team
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
The 2018 Serpentine Gallery Pavilion, designed by Frida Escobedo, was unveiled today in London's Hyde Park. Escobedo's design, which fuses elements typical to Mexican architecture with local London references, features a courtyard enclosed by two rectangular volumes constructed from cement roof tiles. These tiles are stacked to form a celosia, a type of wall common to Mexican architecture which is permeable, allowing ventilation and views to the other side.
With an interplay of light and water, the pavilion seeks to evoke the sensation of the domestic architecture of Mexico, from where Escobedo hails. The stacked cement tiled visible in the photographs form a "celosia," a type of permeable wall common in Mexico.
A new Serpentine Pavilion has opened in Beijing, China, marking the first time the prestigious program has been implemented away from its usual home at the Serpentine Gallery in Hyde Park, London. Designed by JIAKUN Architects, the pavilion was commissioned by The Serpentine Galleries working in partnership with WF CENTRAL, and is located just 600 meters away from Beijing's Forbidden City.