The inaugural Obel Award has been awarded to Art Biotop Water Garden by Junya Ishigami+Associates. Announced at a ceremony at the Utzon Center in Aalborg, Denmark, the award recognizes architectural achievement and is presented annually by The Henrik Frode Obel Foundation. The prize is 100,000 Euros and an artwork by leading artist Tomás Saraceno.
Junya Ishigami: The Latest Architecture and News
Japanese architect Junya Ishigami's 2019 Serpentine Pavilion is taking shape in London. A series of photographs by Laurian Ghinitoiu showcase the project and its flowing, free-form roof. Ishigami is the second-youngest designer of the pavilion, and his work is known for a light and ephemeral approach. The design for the 2019 pavilion takes the form of a slate sheet rising from the landscape of the park, held up by pilotis that form an interior field.
I think that the conversation with Junya Ishigami at his experimental (and very international) studio in Tokyo was one of the most memorable experiences of my recent trip to Japan. Junya's visions for not just of his own architecture but for the profession were wholeheartedly inspiring. He thinks that architecture today is “not free enough.” He wants to diversify it, liberate it from so many architects’ insistence on following particular building types and, in general, our narrow expectations. He wants his architecture to be soft and loose and finds inspiration in such improbable metaphors as clouds or the surface of water. “We need to introduce more varieties of architecture to better address peoples’ dreams…I want to expand architecture into the future by creating new comfortabilities,” says Ishigami, whose two recent manifesto-like exhibitions in Paris questioned the very nature and purpose of architecture. He is a visionary and essential voice in what is perhaps the most unsettled of all professions.
London's Serpentine Gallery has announced Japanese architect Junya Ishigami as the designer of the 2019 Serpentine Pavilion. Ishigami, who at 44 is the second-youngest designer of the pavilion (after 2018 designer Frida Escobedo), is known for his light and ephemeral approach to design.
Ishigami's design for the pavilion takes the form of a slate sheet rising from the landscape of the park, held up by light pilotis that form an interior field reminiscent of a forest. The single-canopy space takes inspiration not just from natural canopies but from roofs - the essential structural element that defines and unites architecture. Within, the darkness of the slate roof will create a serene space for contemplation and relaxation. Ishigami explains that his design for the pavilion exemplifies his 'free space' philosophy in which he "seeks harmony between man-made structures and those that already exist."
Kanye West is, according to Kanye West, a reformed man. After months of making headlines over his bizarre political views, he stated on Wednesday that, “my eyes are now wide open and now realize I’ve been used to spread messages I don’t believe in. I am distancing myself from politics and completely focusing on being creative !!!”
While this most likely means a return to his music career, this statement could also indicate a renewed interest in his design projects. The rapper’s interest in architecture is more than just a passing one; he’s collaborated with noted architects such as Jacques Herzog and Rem Koolhaas and has declared on multiple occasions his desire for everything to be “architected.”
With the 2017 Chicago Architecture Biennial in full swing and open to the public until January 7, 2017, we've scoured the galleries, halls and corridors of the Chicago Cultural Center to bring you our favorite fifteen installations. Documented through the lens of Laurian Ghinitoiu and assembled by our Editorial Team on location, this selection intends to shed light on the breadth, scope and preoccupations of Make New History – the largest architecture event in North America.
Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP) hosts a conversation among five of the most influential contemporary Japanese architects: Toyo Ito, Kazuyo Sejima, Sou Fujimoto, Akihisa Hirata and Junya Ishigami. Moderated by Columbia GSAPP professors Jeffrey Inaba and Kenneth Frampton, the conversation aims to explore the relationships and creative exchanges among this prominent group of architects and designers.
MDC 2015 is headlined by an impressive panel of internationally acclaimed architects whose insights will spark your creative energy and rekindle your passion for design. Frank Barkow and Regine Leibinger of Barkow Leibinger, Junya Ishigami of Junya Ishigami + Associates, Carme Pinós of Estudio Carme Pinós and Bernard Tschumi of Bernard Tschumi Architects are set to join you in Monterey alongside renown U.S. architects such as Clive Wilkinson, FAIA of Clive Wilkinson architects and Rand Elliott of Elliott + Associates Architects. Sprinkled among the headliners are imaginative presentations from some of California’s finest emerging talent and an array of continuing education options which will round out the weekend. This conference will inspire participants and remind you of why you got into architecture in the first place.
Set to be installed over a set of light rail tracks, Junya Ishigami’s Cloud Arch will soon be one of the biggest landmarks in downtown Sydney. Commissioned by Sydney’s public art program, City Art, the arch will symbolize Sydney’s qualities of being “Green, Global, and Connected.” Over 50 meters high, it will change shape as viewer’s walk past it. Cloud Arch will act as both a gateway for the pedestrian George Street, and a defining feature of the city.
To celebrate the launch of ArchDaily Materials, our new product catalog, we've rounded up 10 awesome projects from around the world that were inspired by one material: glass. Check out the projects after the break...
The Kanagawa Institute of Technology Workshop by Junya Ishigami is an elegant rectangular box with with floor-to-ceiling glass, enclosing an interesting interior space with 305 columns of various sizes supporting the stripped roof of skylights. The columns, although seemingly random, are specifically placed to create the sensation of zoned spaces, but their nonrestrictive quality provides a flexible layout to suit the changing needs of students.