Sydney‘s historic George Street is about to receive a major facelift with the soon-to-be built 333 George Street, an 18 storey mixed use office and retail tower. Designed by Grimshaw Architects and executive architects Crone Partners for Australian property developer Charter Hall, the minimal glass and steel tower will contrast the historic structures on Sydney’s well-preserved original high street, with a 15 storey 12,500 square metre contemporary office tower tower atop a three storey 2,100 square metre retail podium.
Read on after the break for more on Sydney’s newest tower.
Set to be installed over a set of light rail tracks, Junya Ishigami’s Cloud Arch will soon be one of the biggest landmarks in downtown Sydney. Commissioned by Sydney’s public art program, City Art, the arch will symbolize Sydney’s qualities of being “Green, Global, and Connected.” Over 50 meters high, it will change shape as viewer’s walk past it. Cloud Arch will act as both a gateway for the pedestrian George Street, and a defining feature of the city.
The government of New South Wales have announced plans for Sydney’s largest program of urban renewal since the 2000 Summer Olympics. The proposal seeks to utilise and regenerate a series of former docklands from the area of Blackwattle Bay, through the Sydney Fish Market, Rozelle Bay and Rozelle Rail Yards, to White Bay Power Station (a protected building).
Make Architects have been selected from a shortlist of five practices to renovate the area around Sydney‘s Wynyard Station, beating SOM, Grimshaw, Bates Smart and Ingenhoven to the $1 billion project.
The scheme, called One Carrington Street, involves the renovation of the historic Shell House, creation of a new 27-story, 58,000 square metre office tower, a new eastern transit hall for Wynyard Station including 5,000 square metres of retail space, and a new grand entrance to Wynyard Station from George and Carrington Streets.
More on the scheme after the break
Now through June 9, the city of Sydney will be illuminated by its annual, world-exclusive light festival known as Vivid Sydney. Each night from 6PM until midnight, many of the Harbour City’s most famous landmarks will be transformed into an interactive visual spectacular, paralleled with street side installations, laser shows, (free) live music performances and over 200 creative industry business events.
One of the festival highlights, of course, is the illumination of the Sydney Opera House. Watch as Jørn Utzon’s famous white sails are transformed by a series of mind-bending, 3D projections designed by 59 Productions after the break…
The City of Sydney has requested that 1.6 million square meters of empty commercial and residential space be made available to artists for “creative activities.” The proposed cultural policy offers over 120 ideas in which the space can be used to enhance Sydney’s reputation as a world renowned creative city. “The City is proud to spend more than $34 million each year to support the arts, culture and creative activity in Sydney – but we know it is equally important to create an environment where ideas and imagination can flourish.” More information on the new policy can be found here.
Pritzker Prize winning architect Jørn Utzon, who died in 2008 aged 90, was the relatively unknown Dane who, on the 29th January 1957, was announced as the winner of the ‘International competition for a national opera house at Bennelong Point, Sydney’. When speaking about this iconic building, Louis Kahn stated that:
The sun did not know how beautiful its light was, until it was reflected off this building.
Unfortunately, Utzon never saw the Sydney Opera House, his most popular work, completed. Learn of his fascinating story, after the break.
A recent, well-written article for The Guardian chronicles the story of Sydney’s East Darling Harbour (also known as ‘Barangaroo’), from the city’s optimism in 2003 to the relative disappointment of today. David Shoebridge, a New South Wales Greens MP and the party’s planning spokesperson, recounts the series of compromises and sellouts that have turned what was meant to be a “prime public space” into – to add insult to injury – the site for a casino.You can read this cautionary tale in full here.
Czech architect Ales Javurek has been awarded first prize in the [AC-CA] Architectural Competition for his design of a two-story, 340 square meter vacation home utilizing shipping containers in Sydney, Australia. The proposal situates the home on the edge of a 1500 square meter hillside to maximize the striking panoramic view of Bondi Beach. By preserving current trees and the slope’s profile, consisting of “three platforms,” the proposal successfully addresses the main brief: to design a contemporary, sustainable vacation house which sensitively fits into its context and considers Sydney’s climate conditions.
Learn more after the break…