FeaturedHouse M / Estudio Aire
Editor's ChoiceÁlvaro Siza’s Archives May Soon Belong to Canada
Clark Art Institute / Tadao Ando Architect & Associates + Selldorf Architects + Reed Hilderbrand Landscape Architecture + Gensler
Architects: Selldorf Architects, Gensler, Tadao Ando Architect & Associates, Reed Hilderbrand Landscape Architecture
Location: 225 South Street, Williamstown, MA 01267, USA
Area: 97700.0 ft2
Photographs: Jeff Goldberg – ESTO, Tucker Bair, Nicholas Whitman, Mike Agee, Betty Sartori, Courtesy of Tadao Ando Architect & Associates, Kris Qua, Jonas Dovydenas, Reed Hilderbrand
Curated and commissioned by the German architects Oliver Schütte and Marije van Lidth de Jeude, Costa Rica’s first pavilion at the Venice Biennale focuses on a competition-winning project for the new Costa Rican Legislative Assembly, a project which illustrates the “vicious circle of social segregation and spatial fragmentation in the Greater Metropolitan Area of Costa Rica (GAM).”
Read the curators’ description and take a virtual tour of the Costa Rica Pavilion after the break.
Architects: Gustavo Penna
Location: Paranoá, Brasilia, Brazil
Design Team: Alexandre Bragança, Augustin de Tugny, Fernando Arruda Guillen, Norberto Bambozzi
Trainees: Alessandra Valadares, Carolina Soares, Luiza Martini, Paulo Menicucci, Priscila Dias de Araújo, Roberta Vasconcellos
Total Area: 42,000 sqm
Area: 7,000 sqm
Photographs: Jomar Bragança
Architects: Supermachine Studio
Location: Bangkok, Thailand
Design Team: Pitupong Chaowakul with Suchart Ouypornchaisakul, Korakot Meesatien, Kasidis Puektes, Supakorn Sinthutarn and Sujinda Khawkum
Client: Peung & Tem
Area: 600.0 sqm
Photographs: Wison Tungthunya, Courtesy of Supermachine Studio
Architects: Keitaro Muto
Location: Ogaki, Misasa, Tohaku District, Tottori Prefecture, Japan
Area: 186 sqm
Photographs: Teruaki Yoshiike
Monday night began the relocation process of thousands of inhabitants living in Venezuela’s Torre de David (Tower of David), the world’s tallest slum, according to reports by Venezuelan newspaper Últimas Noticias, BBC Mundo and tweets from journalists following the coverage. The relocation initiative is being carried out by the Interior and Justice Ministry, and comes just five days after the announcement that the Venezuelan government is in negotiations with Chinese banks interested in purchasing the building.
The Argentine pavilion at the 2014 Venice Biennale analyzes modernity in terms of the IDEAL and the REAL by looking at how the country has used “ideal” modern ideas to construct the reality of its cities.
Enjoy photos from the pavilion and read the description from the curators after the break.
OMA has unveiled its latest design project to blend the worlds of fashion and architecture: the refurbishment of a late 19th century industrial building for French high-end retail group Galeries Lafayette’s Fondation d’Entreprise, in Paris.
OMA is no stranger to the world of fashion, having collaborated on bold catwalk designs for Prada over the last decade as well as the renovation of a 16th century palazzo in Venice for Benetton. For Galeries Lafayette, a five-story, U-shaped, courtyard building built in 1891 will be transformed into a space for exhibitions and production. Located in Le Marais, one of Paris’ oldest neighborhoods, the architecture is protected under a heritage preservation plan. The building is to be fully preserved, cleaned and restored, and OMA’s design also includes the construction of a new exhibition tower for the courtyard. The tower will contain two sets of mobile platforms that can be split into four independent platforms, adding additional space and flexibility.
See photos and read a project description from OMA after the break.
“Elements of Architecture,” the Rem Koolhaas-curated exhibition at the 2014 Venice Biennale, delved into several remarkable structural as well as technical components of architecture, including floors, walls, doors, stairs and toilets. But why was light missing?
My manifesto for the inclusion of light as a fundamental element of architecture — after the break.
The Morpholio Project has just announced the winners of the Pinup 2014 competition. Drawing from an impressive shortlist of finalists, the Jury – which included participants from Fast Company, Metropolis Magazine, Columbia GSAPP, and even our very own Editor-in-Chief, David Basulto – has chosen nine outstanding examples of studio, 3D-printed or unbuilt works that exemplify the best of today’s emerging talent.
Amy Azzarito, jurymember and Managing Editor at Design*Sponge ”was impressed by the number of entrants who chose to devote their time and creative energy toward addressing social problems on a global scale, demonstrating an empathetic understanding that as the world grows increasingly smaller, the problems of our neighbors are problems for which we all bear responsibility.”
Duann Scott, jurymember and Designer Evangelist at Shapeways added: ”The breadth and quality of the entrants was truly inspiring, making it very difficult to pick the winners, or to put it better, not pick more to be winners,” said .
Beyond the jury’s picks, a public competition and The Morpholio Project chose five additional winners. See them all, after the break.
A significant development at Canary Wharf has been approved by planners in London. The scheme, dubbed ‘Wood Wharf’ and consisting of 30 new buildings, was masterplanned by Allies and Morrison and includes a cylindrical residential tower by Herzog & de Meuron, and will provide 3,100 homes, 240,000 square metres of office space, a primary school, a medical centre, a community centre, a hotel, and around 100 retail outlets. Connecting the space will be a 3.6 hectare network of public spaces.
Read on for more on the development
Proyecto de Recuperación Ambiental y Puesta en Valor del Entorno de la Fortaleza y Playa Fluvial de Goián / Pablo Gallego Picard
Architects: Pablo Gallego Picard
Location: 36750 Goián, Pontevedra, Spain
Area: 7610.0 sqm
Photographs: Courtesy of Pablo Gallego Picard
Following the recent announcement of Aedas’ demerger into two separate companies - one retaining the Aedas name and the other now known as AHR - we spoke to Keith Griffiths, Chairman of Aedas’ global board and a practicing architect for close to three decades. The company, which was recently ranked by the Architects’ Journal as the 5th largest and most influential practice in the world, have now moved their head office to London’s Chandos Place and are championing a new approach to urban regeneration in the UK’s capital. Alongside discussing how an international practice of Aedas’ scale successfully operates, Griffiths offered his insight into how the future looks for European cities based on a tried and tested Asian model of densification.
To find out how Aedas approach sustainability in flourishing Asian markets, as well as the significance of the ‘urban hub’ typology for London’s metropolitan future, read the interview in full after the break.
Architects: 5+1AA Alfonso Femia Gianluca Peluffo
Location: Milan, Italy
Architect In Charge: Alfonso Femia, Gianluca Peluffo, Alessandro Schiesaro
High Supervision: Cesare Stevan, Angelo Bugatti, Simonetta Cenci
Desing Team: Gabriele Pulselli, Raffaella F. Pirrello, Daniele Marchetti, Domenica Laface, Alessandro Bellus, Lorenza Barabino, Luca Pozzi
Area: 23261.0 sqm
Photographs: Ernesta Caviola