Bee Breeders has announced the winners of its Archhive: Architecture in Virtual Reality competition, which asked participants to design a virtual exhibition gallery to showcase future Bee Breeders competition winners. In this virtual gallery, visitors would be able to “walk” around and explore the work of selected winners and guest contributors.
The three winners of Archhive: Architecture in Virtual Reality are:
Dublin and Copenhagen-based practice Urban Agency has been commissioned to design the expansion of the MCH Messecenter in Herning, Denmark’s largest exhibition center. According to the architects, the intent was “to create a strategy that will make the complex a more attractive and coherent structure with a new focal point.”
To achieve this, the design converges two circulation routes at the building’s new point of entry, further complimented by usable art displays and foliage, including green walls. The circular form of the roof defines the event square, with ramps serving as outdoor seating and shelter from inclement weather.
You’ve seen the floor plans from Hit TV Shows brought to you by Iñaki Aliste Lizarralde, Homes.com, and Drawbotics. Now, with the Academy Awards just around the corner, we're bringing you a series of floor plans from Oscar-nominated films, all painted in watercolor by Boryana Ilieva (who previously brought us the floor plans of Stranger Things). With movies such as La La Land, Fences, Elle, 20th Century Women and Toni Erdmann depicted in meticulous details, Ilieva’s watercolors not only provide us with a new perspective of the familiar spaces, but also highlight the important architectural features that help construct these captivating storylines.
In the city of Belén, Chile, as a part of the second phase of a Training Program for the Restoration of Facades in Belén, two historically important structures were recently completely restored. The project was financed by the Regional Government of Arica and Parinacota and SUBDERE (Undersecretariat of Regional and Administrative Development), in partnership with the Altiplano Foundation.
In both houses, the foundations and, where necessary, the walls were reinforced, and the traditional Andean roof and existing carpentry was restored. Notably, the structural reinforcement of the adobe walls used a rope mesh system, which was first seen in Chile in 2014 as part of the restoration of a church in San Pedro de Atacama.
Woods Bagot’sShenzhen Hazens Longgang Longteng Mixed-Use project has been rated by the Shenzhen Government as one of the city’s most important projects of 2016. Located in Shenzhen’s Longgang District, the 393,000 square meter site will feature 1,500,000 square meters of gross floor area subdivided into office space, retail space, a shopping mall, residential communities and facilities, and over 90,000 square meters of green and public space.
As a part of the design, the development will rejuvenate a river park area running through the existing site, with the northern bank becoming a commercial and leisure focal point, and the southern bank featuring a community of residential towers connected by retail podiums and green spaces.
Los Andes, as an unexplored territory, is where the investigation and developing experience of the Andes Workshop is settled. Is here where a huge amount of establishments could achieve the domestication of their territory, where the complex locations and scarcity of resources are understood as a virtue that are part of the design, developing and construction process of solutions that give the territory an specific value defying these territorial endeavors capable of understanding the system as a total, where the communal job is comprehended under the reciprocity concept.
Andes Workshop is born by the understanding of how we are inhabit slight and precarious, referring to a low tech architect but with an powerful and expresive impact, understanding that the greater value of Chile and Latin America is in it’s territory:
“Before being a country, Chile is landscape” - Nicanor Parra, chilean poet.
Nashville is set to receive its newest and tallest luxury landmark, in the form of the JW Marriott Hotel, designed by esteemed Miami firm Arquitectonica to be completed in 2018. Situated in the center of downtown, the 33-storey undulating tower will offer expansive views of the surrounding cityscape from a height of 386 feet; one of highest points in the city.
ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this introduction to the December – January 2017 issue—the magazine's celebration of its 120th anniversary—Editor Christine Murray discusses the legacy that comes from more than a century being one of architecture's most respected magazines, and looks forward to the future of the publication. "Looking forward, we are committed to doing things differently – which, paradoxically, is what we’ve always done," she explains.
The archive of The Architectural Review is a great cabinet of curiosities – a cacophony of voices, styles, illustrations and photographs, Outrages and Delights, personalities and proclivities, polemics, failures and fetishes. In creating this anniversary edition celebrating 120 years of criticism, we wanted to capture the diversity and eccentricity of this ongoing architectural conversation. As such, the archive content is organized not chronologically, but in perennial themes that have echoed and evolved across the decades, from technology to education – forces that have shaped the profession.
Titled “Saltholmsgade”, the winning proposal is a reinterpretation of Aarhus’ historical housing typologies along Hjortensgade, creating modern and green communal spaces. The complex consists of 38 individual apartments, offering tenants views of the city through the inclusion of rooftop gardens.