Ceremonia del Premio Pritzker 2017: Ryue Nishizawa (izquierda), Tadao Ando, Kazuyo Sejima, Rafael Aranda, Glenn Murcutt, Carme Pigem, Ramon Vilalta, Toyo Ito, Shigeru Ban. Image Cortesía de Pritzker Architecture Prize
The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).
Sir David Adjaye Studio. Image Courtesy of Design Miami/Architects for Beirut
Design Miami’s latest initiative in partnership with Architects for Beirut, has gathered a collection of 100+ original architectural drawings and artworks donated by 90+ renowned architects from around the world. With proceeds going to aid on-the-ground restoration efforts in Beirut, works offered include exclusive pieces from Zaha Hadid, David Chipperfield, Toyo Ito, Steven Holl, Tatiana Bilbao, Adjaye Associates, and Renzo Piano, to name a few.
As one of the leading architects of Japan's increasingly highly-regarded architecture culture, 2013 Pritzker LaureateToyo Ito (born June 1, 1941) has defined his career by combining elements of minimalism with an embrace of technology, in a way that merges both traditional and contemporary elements of Japanese culture.
Phillips Exeter Academy Library by Louis I. Kahn (1972). Published in Manual of Section by Paul Lewis, Marc Tsurumaki, and David J. Lewis published by Princeton Architectural Press (2016). Image Courtesy of LTL Architects
For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.
With theirManual of Section(2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.
Unique carpet designs by the two visionary architects will be offered at 20th Century & Contemporary Phillips Art Day Sale in London today, on June 28th.
Pritzker Prize-winning architects Toyo Ito and Rafael Moneo have been invited to design silk carpets, inspired by the Golden Ratio as a part of the eponymous project by an auction house Phillips and ARTinD (Art in Design) — a London-based cooperative that seeks to foster greater synergy between art, architecture, and design.
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
Shelter International Architectural Design Competition for Students 2018
The “Home-for-All” is a project that is built upon the premise of “thinking together and creating together” with the community. It is an architectural manner that goes further than simply supporting the people affected by the disaster to question the most fundamental meaning of the future of public architecture. I would like students to present proposals that build from and go beyond the concept of “Home-for-All” from a perspective that takes into consideration of people living in our society today. - Toyo Ito
At first, books were kept in chests but as they became published in bulk they moved into the cupboard. The doors came off and the bookcase began to evolve. Today, bookcases can be integral architectural elements that shape space and, in some cases, even light. In celebration of International Day of the Book on April 23rd, ArchDaily compiled this round-up of architecturally, innovative bookcases.
Eyeglasses: the quintessential accessory of the architect. They are mini pieces of architecture you can wear, and an outward expression of your inner persona. Whether they be square, round, or wire-frame, black, white, tortoiseshell, or bright neon tones, they represent our visionary ideals. As such, many of the most iconic spectacles have an interesting history behind them; so here are the stories behind seven of the most recognizable eyeglasses in the architecture world.
The UIA (International Union of Architects) has announced the winners of the 2017 UIA Gold Medal and Prizes. Established in 1961, the UIA Prizes are awarded every 3 years to “honour professionals whose qualities, talents, and actions have had an international impact on the diverse sectors of architectural practice.” This year, a total of 46 nominations were considered by the Secretariat.
In his latest video, filmmaker Vincent Hecht takes us inside Toyo Ito's Tama Art University Library. The project is notable for its effortless geometry, with the entire building comprising a series of simple concrete arches which, when combined, create a complex "emergent grid" which allowed for great flexibility in the building's plan. Hecht's video shows how this geometry works in practice, as the elements of the library snake through the building's light, open interior.
https://www.archdaily.com/875133/the-complex-yet-simple-geometry-of-toyo-itos-tama-art-university-libraryAD Editorial Team
This article is part of our 'Innovative Materials' series where we ask architects about the creative process behind choosing the materials they use in their work.
The Museo Internacional del Barroco (International Baroque Museum) by Toyo Ito is located 7km from Puebla, Mexico. The place is noted for its easy access, not only for cars, but also for being connected to a network of bike paths and public transport. In this interview we spoke with Alejandro Bribiesca Ortega and Miriam Carrada.
The encounter between CAMPO and Le FRAC Centre-Val de Loire of Orleans produced MISUNDERSTANDINGS, a project which, addressing one of the most important archives of architectural experiments worldwide, opens a reflection on the operative value of museums and collections for the contemporary discourse and practice of architecture.
A 10-year project in the making, the gargantuan cultural beacon is made of biomorphically curved concrete walls that wind together like a knot of arteries, creating an otherworldly experience for arts patrons. It’s every bit the landmark project you’d expect from 2013’s Pritzker Prize Laureate, but its rapidly approaching completion triggered a vital question: Where to go from here?
Designed in 2006, and under construction since 2009, Toyo Ito & Associates much anticipated Taichung Metropolitan Opera House has finally officially opened. The design is notable for its cavernous, curved and folded interior forms, which produce a dramatic and complex section that is neatly resolved into a rectilinear exterior form. Taiwan-based photographer Lucas K Doolan visited the new Opera House to study its impressive internal spaces and its presence in the surrounding urban environment.
In this article, written by Christian Dimmer and illustrated with photographs by Max Creasy, the post-earthquake and tsunami coastal architectural landscape of the Japanese Prefectures of Aomori, Iwate and Miyagi are presented and studied.
Few disasters were as complex and their implications as hard to grasp as the compound calamity of earthquake, tsunami, nuclear meltdown that hit the North-East of Japan on March 11, 2011. While over 500 kilometers of coastline were devastated, the disaster unfolded in each of the hundreds of towns affected differently depending on local topographies, urban morphologies, existing landscape formations, collective memory of past disasters and preparedness, and the social ties within the communities.
The latest video in French architect and filmmaker Vincent Hecht’sJapanese Collection series features the Gifu Media Cosmos by Toyo Ito. The library/gallery features an undulating wooden ceiling and multiple large, suspended translucent funnels that define areas for different activities. A series of intermittent openings in the roof allows natural light into the space.
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