Sanaa: The Latest Architecture and News

Tokyo-based SANAA has designed a new addition to the Art Gallery of New South Wales (AGNSW) in Sydney. As the firm's first building in Australia, the project will transform the flagship art museum and connect through an outdoor public art garden overlooking Sydney Harbor. The new building is designed to contrast the Gallery’s 19th-century neo-classical building as a light, transparent and open addition.

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SANAA’s recently completed social housing complex in Paris was captured by the Architecture and Photography studio of Vincent Hecht. Part of Paris habitat, France’s largest public utility social housing company, the project comprises four buildings accommodating more than 100 social housing units in total.

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Founded in 1995 by architects Kazuyo Sejima (born 29 October 1956) and Ryue Nishizawa (born 7 February 1966), SANAA is world-renowned for its white, light buildings grounded in the architects’ Japanese cultural origins. Despite the white exteriors, their architecture is far from modernist; the constant incorporation of ambiguity and doubt in SANAA’s buildings is refreshing and playful, taking the reflective properties of glass and brightness of white to a new level.

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SANAA's new campus for the Bezalel Academy of Arts and Design in Jerusalem is now set for a 2022 opening. Initially proposed in 2013, the new project for Israel’s national school of art broke ground back in 2015. The campus is being built in the Russian Compound in Jerusalem’s City Center. The design will bring together 2,500 students and 500 faculty members as the school moves from the current Mount Scopus Campus. The new campus aims to revitalize the city center and connect to the urban fabric of Jerusalem.

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Italian artist Federico Babina has published the latest in his impressive portfolio of architectural illustrations. “Archivoid” seeks to “sculpt invisible masses of space” through the reading of negatives – using the architectural language of famous designers past and present, from Frank Lloyd Wright to Bjarke Ingels.

Babina’s images create an inverse point of view, a reversal of perception for an alternative reading of space, and reality itself. Making negative space his protagonist, Babina traces the “Architectural footprints” of famous architects, coupling mysterious geometries with a vibrant color scheme.

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This article was originally published on July 22, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

The New Museum is the product of a daring vision to establish a radical, politicized center for contemporary art in New York City. With the aim of distinguishing itself from the city’s existing art institutions through a focus on emerging artists, the museum’s name embodies its pioneering spirit. Over the two decades following its foundation in 1977, it gained a strong reputation for its bold artistic program, and eventually outgrew its inconspicuous home in a SoHo loft. Keen to establish a visual presence and to reach a wider audience, in 2003 the Japanese architectural firm SANAA was commissioned to design a dedicated home for the museum. The resulting structure, a stack of rectilinear boxes which tower over the Bowery, would be the first and, thus far, the only purpose-built contemporary art museum in New York City.[1]

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Kazuyo Sejima, co-founder of the architecture firm SANAA, shared details of their upcoming project the New National Gallery – Ludwig Museum in Budapest at the Hay Festival Segovia in Spain. The 2010 Pritzker Prize winner linked the underlying premise of this project to three iconic museums: the 21st Century Museum of Contemporary Art in Kanazawa (2004), the New Art Museum in New York (2007), and the Louvre Lens in France (2012).

In this conversation, Laszló Baán, General Director of the National Gallery, Budapest and Ministerial Commissioner of the Liget Budapest Project, explained the details of the 100-hectare (247-acre) masterplan at the heart of Hungary's capital city. The Liget Budapest Project will feature ten museums, including Sou Fujimoto's House of Hungarian Music, the expansion of the Budapest Zoo, and SANAA's New National Gallery for Budapest — a museum that will host 19th, 20th century, and contemporary artworks.

"Moriyama-San" - a film by Bêka & Lemoine - has been awarded the 2018 Best Prize at the Arquiteturas Film Festival in Lisbon. Centered around the famous Moriyama House by Pritzker Prize Laureate Ryue Nishizawa, it becomes part of a developing series called “Living Architectures,” in which the filmmakers aim to “put into question the fascination with the picture, which covers up the buildings with preconceived ideas of perfection, virtuosity, and infallibility.” In its unique approach, the film “masterfully combines image, sound, and narrative in a compelling story about a unique character and its relation to his house and music.”

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The cloud-shaped bicycle terminal on the island of Naoshima is SANAA's latest work. The pavilion is known for its impressive collection of outdoor art and contemporary architecture, with works by prominent exponents such as Yayoi Kusama and Tadao Ando.

New images have been revealed of SANAA’s design for the expansion of the Art Gallery of New South Wales in Sydney, Australia, as the project has received a $244 million AUD ($186 million USD) commitment from the NSW Government, more than two-thirds of the project’s total estimated budget. A supplemental campaign will be launched later this year for the remaining $100 million, $70 million of which has already been pledged.

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Located in Tokyo's Sumida Ward, in which Sumida Hokusai (Katsushika Hokusai) was born and spent the majority of his life, this museum—completed in November 2016 to designs by Kazuyo Sejima—is a temple to the Japanese artist's work, including the likes of The Great Wave off Kanagawa and Red Fuji. Sejima, who was awarded the Pritzker Prize in 2010, is commonly known as one-half of SANAA (alongside Ryue Nishizawa). This project, while seeking to celebrate Hokusai's work, has also been designed as a cultural beacon. In this photoset, photographer Laurian Ghinitoiu has turned his lens to the new cultural landmark.

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The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.

“Our goal for the 2017 Chicago Architecture Biennial is to continue to build on the themes and ideas presented in the first edition,” explained Johnston and Lee. “We hope to examine, through the work of the chosen participants, the continuous engagement with questions of history and architecture as an evolutionary practice.”