SANAA: The Latest Architecture and News

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Once again in its eighth edition, the Prix Versailles 2022 awards have honored the best achievements in contemporary architecture. A total of 24 projects from different parts of the world have been highlighted paying tribute to innovation, creativity, the reflection of local heritage, eco-efficiency, and the values of social interaction and participation upheld by the United Nations and aligned with the principles of intelligent sustainability considering the ecological, social and cultural impacts that surround the projects.

If you’ve been avoiding some of the latest news recently, here’s a quick update; European and North American countries have been facing one of the hottest recorded summers in modern history. Discussions over the climate crises have therefore been reignited and so has the role of the design and construction industry in providing solutions that would mitigate the experienced heat effects in our daily lives. While passive cooling solutions have always been used in some parts of the world, where local resources and vernacular builds are adapted to high temperatures, other regions are looking to technological and innovative manufacturing means that would maintain human comfort, aesthetic values, and energy efficiency/ cost. 

Although early modernism with its signature high-rises and glass houses had made us think that glass enveloped buildings are mostly uncomfortable, over-exposed, and overheating settings; nowadays glass manufacturers are proving that glass, if well treated and well-placed, can be as versatile and efficient a material as one could want without compromising the visual comfort or the dwellers. 

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One of Japanese architect Kazuo Shinohara’s iconic architectures, designed under the so-called "First Style" has now been reconstructed on the Vitra Campus in Weil am Rhein. The Umbrella House, originally built in Tokyo in 1961, will serve as a venue for small gatherings on the campus, offering visitors insights on modern Japanese architecture. After the geodesic dome by Buckminster Fuller/George Howard in 1975, and a petrol station by Jean Prouvé in 1953, the project is the third historic building to be reconstructed on the Vitra Campus.

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The Art Gallery of New South Wales expansion designed by SANAA is set to open to the public on December 3rd, 2022. The project, dubbed Sydney Modern Project and first revealed in 2019, is the most significant cultural development in the city in almost five decades since the opening of the Sydney Opera house. The new building designed by SANAA, together with Australian practice Architectus as executive architect, features a series of pavilions of various sizes and gallery volumes cascading towards the harbour. The structure that opens toward its surroundings is designed to provide a backdrop for 21st-century art.

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The Garage Museum of Contemporary Art in Moscow, Russia has announced the construction of the Hexagon pavilion by SANAA (Sejima and Nishizawa and Associates). The major architectural project will increase the museum’s physical footprint through the reconstruction of the Hexagon pavilion adjacent to its current home in Gorky Park, and will include a new public courtyard, exhibition spaces, and café, all designed around the "organics of presence, loyalty to the principles of sustainable consumption, and the creation of an accessible environment".

Responsible use and consumption of natural resources and the impacts of the building industry have been ongoing concerns in the field of architecture and urban planning. In the past, concepts such as clean slates, mass demolitions, and building brand new structures were widely accepted and encouraged. Nowadays, a transformation seems to be taking place, calling for new approaches such as recycling, adaptive reuse, and renovations, taking advantage of what is already there. This article explores a selection of projects and provides a glimpse into interventions by renowned architects in pre-existing buildings.

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Examining the work of Tokyo architect Toyo Ito (b. 1941) – particularly his now seminal Sendai Mediatheque (1995-2001), Serpentine Gallery (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), Tama Art University Library (Tokyo, 2007), and National Taichung Theater (2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.

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The Board of Directors of the 2021 Venice Biennale has appointed Kazuyo Sejima as president of the international jury, in charge of awarding mainly the Golden Lion for Best National Participation, the Golden Lion for the Best participant, and the Silver Lion for a promising young participant. In addition, they have also selected four other jury members from Peru, Lebanon, Ghana-Scotland, and Italy. The Awards Ceremony will take place in Venice on Monday, August 30th, 2021.

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After surpassing many hurdles, SANAA's renovation of La Samaritaine Department Store is set to open its doors to the public. The redesign of the Parisian retail institution reinstates its historical value while bringing a contemporary contribution to its architecture.

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Miralles Tagliabue EMBT, directed by Benedetta Tagliabue, has won the international competition to design the Shenzhen Conservatory of Music, one of the city's 10 new era cultural buildings. Characterized by the dialogue generated with its surroundings, the complex integrates music and art in nature with a proposal of organic and sustainable architecture.

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