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SANAA's Bezalel Academy in Jerusalem Set for 2022 Opening

13:00 - 8 February, 2019
SANAA's Bezalel Academy in Jerusalem Set for 2022 Opening, Bezalel Academy of Art and Design. Image Courtesy of SANAA
Bezalel Academy of Art and Design. Image Courtesy of SANAA

SANAA's new campus for the Bezalel Academy of Arts and Design in Jerusalem is now set for a 2022 opening. Initially proposed in 2013, the new project for Israel’s national school of art broke ground back in 2015. The campus is being built in the Russian Compound in Jerusalem’s City Center. The design will bring together 2,500 students and 500 faculty members as the school moves from the current Mount Scopus Campus. The new campus aims to revitalize the city center and connect to the urban fabric of Jerusalem.

Bezalel Academy of Art and Design. Image Courtesy of SANAA Bezalel Academy of Art and Design. Image Courtesy of SANAA Bezalel Academy of Art and Design. Image Courtesy of Bezalel Academy of Arts and Design Bezalel Academy of Art and Design. Image Courtesy of Bezalel Academy of Arts and Design + 5

Federico Babina's "Archivoids" Depicts the Invisible Masses left by Famous Architects

13:00 - 4 January, 2019
Federico Babina's "Archivoids" Depicts the Invisible Masses left by Famous Architects, © Federico Babina
© Federico Babina

Italian artist Federico Babina has published the latest in his impressive portfolio of architectural illustrations. “Archivoid” seeks to “sculpt invisible masses of space” through the reading of negatives – using the architectural language of famous designers past and present, from Frank Lloyd Wright to Bjarke Ingels.

Babina’s images create an inverse point of view, a reversal of perception for an alternative reading of space, and reality itself. Making negative space his protagonist, Babina traces the “Architectural footprints” of famous architects, coupling mysterious geometries with a vibrant color scheme.

© Federico Babina © Federico Babina © Federico Babina © Federico Babina + 9

Revolutionary Nature: the Architecture of Hiroshi Sambuichi

07:00 - 30 November, 2018
Naoshima Hall. Image © Sambuichi Architects
Naoshima Hall. Image © Sambuichi Architects

Our world revolves. Not just literally, as it does around the sun, but in nature’s every aspect. Seasons cycle into each other (though more erratically each year), waves trace and retrace the beaches with the shifting tide, flowers open, close, and turn to follow the path of the sun. Even we are governed by these circular natural systems. Maintenance of our circadian rhythms, a human connection to light, is so essential to our health that it is a required element in many contemporary building codes. 

Spotlight: SANAA

15:00 - 29 October, 2018
Spotlight: SANAA, Grace Farms / SANAA. Image © Dean Kaufman
Grace Farms / SANAA. Image © Dean Kaufman

Founded in 1995 by architects Kazuyo Sejima (born 29 October 1956) and Ryue Nishizawa (born 7 February 1966), SANAA is world-renowned for its white, light buildings grounded in the architects’ Japanese cultural origins. Despite the white exteriors, their architecture is far from modernist; the constant incorporation of ambiguity and doubt in SANAA’s buildings is refreshing and playful, taking the reflective properties of glass and brightness of white to a new level.

Grace Farms / SANAA. Image © Dean Kaufman Louvre Lens / SANAA. Image © Julien Lanoo Glass Pavilion at the Toledo Museum of Art / SANAA. Image © Iwan Baan New Museum / SANAA. Image © Laurian Ghinitoiu + 12

Life after Serpentine: Second Lives of Architecture's Famed Pavilions

09:30 - 18 October, 2018
Life after Serpentine: Second Lives of Architecture's Famed Pavilions, Serpentine Pavilion 2016 / Bjarke Ingels. Image © Laurian Ghinitoiu
Serpentine Pavilion 2016 / Bjarke Ingels. Image © Laurian Ghinitoiu

If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.

Serpentine Pavilion 2015 / Selgas Cano. Image © Iwan Baan Serpentine Pavilion 2014 / Smiljan Radic. Image © Iwan Baan Serpentine Pavilion 2006 / Rem Koolhaas. Image © John Offenbach Serpentine Pavilion 2007 / Olafur Eliasson, Kjetil Thorsen, Cecil Balmond. Image © Luke Hayes + 20

AD Classics: New Museum / SANAA

22:00 - 14 October, 2018
AD Classics: New Museum / SANAA, © Laurian Ghinitoiu
© Laurian Ghinitoiu

This article was originally published on July 22, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

The New Museum is the product of a daring vision to establish a radical, politicized center for contemporary art in New York City. With the aim of distinguishing itself from the city’s existing art institutions through a focus on emerging artists, the museum’s name embodies its pioneering spirit. Over the two decades following its foundation in 1977, it gained a strong reputation for its bold artistic program, and eventually outgrew its inconspicuous home in a SoHo loft. Keen to establish a visual presence and to reach a wider audience, in 2003 the Japanese architectural firm SANAA was commissioned to design a dedicated home for the museum. The resulting structure, a stack of rectilinear boxes which tower over the Bowery, would be the first and, thus far, the only purpose-built contemporary art museum in New York City.[1]

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu + 30

Kazuyo Sejima: "The Building is About the Size, But Also About the Details"

05:00 - 2 October, 2018
Kazuyo Sejima: "The Building is About the Size, But Also About the Details", Laszló Baán (left), Kazuyo Sejima, and Martha Thorne in Hay Festival. Image © Nicolás Valencia
Laszló Baán (left), Kazuyo Sejima, and Martha Thorne in Hay Festival. Image © Nicolás Valencia

Kazuyo Sejima, co-founder of the architecture firm SANAA, shared details of their upcoming project the New National Gallery – Ludwig Museum in Budapest at the Hay Festival Segovia in Spain. The 2010 Pritzker Prize winner linked the underlying premise of this project to three iconic museums: the 21st Century Museum of Contemporary Art in Kanazawa (2004), the New Art Museum in New York (2007), and the Louvre Lens in France (2012).

In this conversation, Laszló Baán, General Director of the National Gallery, Budapest and Ministerial Commissioner of the Liget Budapest Project, explained the details of the 100-hectare (247-acre) masterplan at the heart of Hungary's capital city. The Liget Budapest Project will feature ten museums, including Sou Fujimoto's House of Hungarian Music, the expansion of the Budapest Zoo, and SANAA's New National Gallery for Budapest — a museum that will host 19th, 20th century, and contemporary artworks.

Bêka & Lemoine's Award-Winning Film "Moriyama-San" Explores Japan's Most Influential Contemporary Home

09:30 - 30 June, 2018

"Moriyama-San" - a film by Bêka & Lemoine - has been awarded the 2018 Best Prize at the Arquiteturas Film Festival in Lisbon. Centered around the famous Moriyama House by Pritzker Prize Laureate Ryue Nishizawa, it becomes part of a developing series called “Living Architectures,” in which the filmmakers aim to “put into question the fascination with the picture, which covers up the buildings with preconceived ideas of perfection, virtuosity, and infallibility.” In its unique approach, the film “masterfully combines image, sound, and narrative in a compelling story about a unique character and its relation to his house and music.”

© Bêka and Lemoine © Bêka and Lemoine © Bêka and Lemoine © Bêka and Lemoine + 21

Round-Up: The Serpentine Pavilion Through the Years

14:00 - 11 June, 2018
Round-Up: The Serpentine Pavilion Through the Years

Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.

Serpentine Pavilion 2013. Image © Neil MacWilliams Serpentine Pavilion 2000. Image © Helene Binet Serpentine Pavilion 2006. Image © John Offenbach Serpentine Pavilion 2015. Image © Iwan Baan + 38

OMA / Shohei Shigematsu and Rem Koolhaas Selected to Design New Museum Expansion in New York

07:10 - 11 October, 2017
OMA / Shohei Shigematsu and Rem Koolhaas Selected to Design New Museum Expansion in New York, © Dean Kaufman
© Dean Kaufman

Rem Koolhaas and Shohei Shigematsu, both partners at OMA, have been tapped to design the recently-announced expansion of the New Museum in New York. OMA will design a new building adjacent to SANAA's tiered-box museum. The project is expected to break ground in 2019 and will give the New Museum an additional 50,000 square feet (4,650 square meters) for "galleries, improved public circulation and flexible space for the institution’s continued exploration of new platforms and programs." This will be Koolhaas' first public building in New York. According to the New York Times, the New Museum—the only museum in New York City exclusively devoted to contemporary art—has already raised 50 percent of the cost.

Cloud-Shaped Pavilion is SANAA's Latest Work in Naoshima

16:00 - 9 September, 2017
Cloud-Shaped Pavilion is SANAA's Latest Work in Naoshima, © Fernanda Castro
© Fernanda Castro

The cloud-shaped bicycle terminal on the island of Naoshima is SANAA's latest work. The pavilion is known for its impressive collection of outdoor art and contemporary architecture, with works by prominent exponents such as Yayoi Kusama and Tadao Ando.

SANAA Reveals New Images of Design for Art Gallery of New South Wales

16:25 - 26 June, 2017
SANAA Reveals New Images of Design for Art Gallery of New South Wales, In progress image of Sydney Modern Project, view from north-east as produced by Kazuyo Sejima + Ryue Nishizawa / SANAA. © Art Gallery of New South Wales, 2017
In progress image of Sydney Modern Project, view from north-east as produced by Kazuyo Sejima + Ryue Nishizawa / SANAA. © Art Gallery of New South Wales, 2017

New images have been revealed of SANAA’s design for the expansion of the Art Gallery of New South Wales in Sydney, Australia, as the project has received a $244 million AUD ($186 million USD) commitment from the NSW Government, more than two-thirds of the project’s total estimated budget. A supplemental campaign will be launched later this year for the remaining $100 million, $70 million of which has already been pledged.

In progress image of Sydney Modern Project, view from north-east as produced by Kazuyo Sejima + Ryue Nishizawa / SANAA. © Art Gallery of New South Wales, 2017 © Art Gallery of New South Wales, 2017 © Art Gallery of New South Wales, 2017 © Art Gallery of New South Wales, 2017 + 6

Kazuyo Sejima's Sumida Hokusai Museum in Tokyo Photographed by Laurian Ghinitoiu

04:00 - 19 May, 2017
Kazuyo Sejima's Sumida Hokusai Museum in Tokyo Photographed by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

Located in Tokyo's Sumida Ward, in which Sumida Hokusai (Katsushika Hokusai) was born and spent the majority of his life, this museum—completed in November 2016 to designs by Kazuyo Sejima—is a temple to the Japanese artist's work, including the likes of The Great Wave off Kanagawa and Red Fuji. Sejima, who was awarded the Pritzker Prize in 2010, is commonly known as one-half of SANAA (alongside Ryue Nishizawa). This project, while seeking to celebrate Hokusai's work, has also been designed as a cultural beacon. In this photoset, photographer Laurian Ghinitoiu has turned his lens to the new cultural landmark.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu + 41

Chicago Architecture Biennial Announces List of 2017 Participants

11:00 - 6 March, 2017
Chicago Architecture Biennial Announces List of 2017 Participants, James Welling, 8183, 2016 from the series Chicago, 2016-2017, Courtesy the Artist and David Zwirner, New York and London. Image Courtesy of Chicago Architecture Biennial
James Welling, 8183, 2016 from the series Chicago, 2016-2017, Courtesy the Artist and David Zwirner, New York and London. Image Courtesy of Chicago Architecture Biennial

The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.

“Our goal for the 2017 Chicago Architecture Biennial is to continue to build on the themes and ideas presented in the first edition,” explained Johnston and Lee. “We hope to examine, through the work of the chosen participants, the continuous engagement with questions of history and architecture as an evolutionary practice.”

Layers and Lighting: How Top Architects Design Fashion Stores to Turn Heads by Day and Night

09:30 - 1 February, 2017

Flagship stores excite both fashion shoppers and designers alike due to their role as visionary laboratories for the latest trends and stimulating retail experiences. Architects have developed various ways to dress haute couture stores, from distinctive icons in the day to seductive night-time images. The images accompanying this article, created by the Portuguese architect and illustrator André Chiote, help to explore the graphic potential of famous brands like Dior, Prada and Tod's. The illustrations clearly reveal the various techniques of playing with diaphanous layers, intimate views inside or the contrast of light and shadow.

Studio Gang, SANAA Among Winners of 2017 AIA Institute Honor Awards

13:05 - 17 January, 2017
Studio Gang, SANAA Among Winners of 2017 AIA Institute Honor Awards

The American Institute of Architects (AIA) have named 18 architectural and interior projects as recipients of the 2017 Institute Honor Awards, the profession’s highest recognition for excellence in design.

According to the AIA, “the 2017 Architecture program celebrates the best contemporary architecture regardless of budget, size, style, or type. These stunning projects show the world the range of outstanding work architects create and highlight the many ways buildings and spaces can improve our lives.”

The awarded projects were selected from nearly 700 submissions. The winners will be honored at the 2017 AIA National Convention in Orlando.

First Look at Kazuyo Sejima's Sumida Hokusai Museum

16:00 - 5 January, 2017
First Look at Kazuyo Sejima's Sumida Hokusai Museum, © Vincent Hecht
© Vincent Hecht

In this photoset, Vincent Hecht takes his lens into the recently completed Sumida Hokusai Museum, designed by pritzker prize winner Kazuyo Sejima, one half of the acclaimed international firm SANAA. Located in the Tokyo neighborhood of Sumida, the 4-story, angular structure will house a collection of over 1800 works by world-renowned ukiyo-e woodblock painter Katsushika Hokusai, who lived in Sumida over 200 years ago.

© Vincent Hecht © Vincent Hecht © Vincent Hecht © Vincent Hecht + 21

SANAA's Zollverein School of Management and Design Photographed by Laurian Ghinitoiu

16:15 - 19 December, 2016
SANAA's Zollverein School of Management and Design Photographed by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

SANAA's Zollverein School of Management and Design in Essen, Germany, is a perfect 35 meter-cube. The building's dominant presence, which is particularly striking amid its suburban context, extends to the interior spaces. The architects felt "that exceptional ceiling heights were appropriate for the educational spaces, particularly for the studio level that occupies an entire slab of the structure." Indeed, this production floor is "an unusually lofty and fully flexible space," enclosed only by the external structural walls. Photographer Laurian Ghinitoiu has visited the building, which was completed in 2010, to capture a fresh view on this seminal project.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu + 63