Toyo Ito has been selected to join a distinguished roster of laureates, including Mies van der Rohe, I.M. Pei, Jane Jacobs and Maya Lin, as the 2014 Thomas Jefferson Medalist in Architecture. Presented by the University of Virginia, in collaboration with the Thomas Jefferson Foundation at Monticello, the award recognizes significant “achievements of those who embrace endeavors in which Jefferson, author of the Declaration of Independence and third U.S. president, excelled and held in high regard.”
The list of architects that have collaborated with Zhang Xin’s development company, SOHO China, reads like the roster of an architectural dream team (which includes Zaha Hadid, Yung Ho Chang, Bjarke Ingels, Kengo Kuma, Kazuyo Sejima, Herzog & de Meuron, Thom Mayne, David Adjaye, Toyo Ito and others). So it’s no surprise that the self-made billionaire lectured to a packed house at Harvard University’s Graduate School of Design last Thursday. Xin spoke about her commitment to and love of design, explaining that her company’s mission is to bring a variety of architectural languages to China. And though SOHO’s projects are certainly experimental, Xin contends that her developer mindset actually helps meliorate the architect’s propensity to take the experiment too far—all without sacrificing the impressive and iconic forms of SOHO’s building portfolio.
Watch Zhang Xin link her practice in real estate to larger global issues and catch a glimpse of two Zaha Hadid-designs currently under construction: Wangjing SOHO and Sky SOHO.
The innovative work of the 2013 Pritzker Prize Laureate Toyo Ito is often driven by an internal critique and struggle towards perfection. In this translated program, the principal of Toyo Ito & Associates, Architects will discuss his design philosophy and remarkable work, which includes the Sendai Mediatheque in Miyagi, Japan, and Tokyo’s Tama Art University Library and TOD’S Omotesando Building.
This program is presented as part of Architecture Week. Additional support for this program is provided by the School of the Art Institute of Chicago. For more information and tickets please click here.
Title: Spotlight on Design: Toyo Ito
Organizers: National Building Museum
From: Wed, 16 Oct 2013 18:30
Until: Wed, 16 Oct 2013 20:00
Venue: National Building Museum
Address: 401 F Street Northwest, Washington, D.C., DC 20001, USA
Toyo Ito (June 1, 1941) turns 72 today, only three days after receiving the Pritzker Prize in Boston. In his acceptance speech Wednesday night, Ito explained that for him, “the task of the architect is to release people from [conventional and] restrictive frameworks by creating spaces in which they feel at ease and in which they can attain some degree of freedom.”
Not only is Toyo Ito renowned for striving to make flexible spaces that appeal to the human senses, he also draws most of his inspiration from the organic forms of nature and prioritizes fluidity between the natural world and the built form in his designs. Yet despite having a specific perspective on what architects and architecture should aspire to be, Ito defies definition – each of his many works is extremely unique and he is famous for being able to “synthesize many architectural languages and functionalities in the expression of one personal ‘syntax’.”
We invite you to explore the work of this year’s most celebrated architect after the break.
Last night we attended the Pritkzer Prize ceremony, where the 2013 laureate Toyo Ito accepted the prestigious award at the JFK Presidential Library in Boston.
On his acceptance speech, Toyo Ito recognised the team that has worked with him during his 42 years of practice, including engineers and architects who attended the ceremony, including a very special former employee: Kazuyo Sejima, who worked with him for 7 years before establishing her practice, and also a Pritzker laureate (2010). As Ito said “Making architecture is not something one does alone; one must be blessed with many good collaborators to make it happen”.
And then, Ito continued his wonderful speech on how modern architecture and nature have been in a constant clash, how he has approached this relation and what he hopes for the future, appealing to JFK’s famous quote ”ask not what America will do for you” to propose the question “What can we ourselves do for the freedom of man?”.
The full speech is reproduced below, so you can understand how Ito’s passion for architecture and critic view of the state of world turns into a message of union for architects:
In Chile, a very special project is being developed.
Eduardo Godoy, a design impresario who started his business in Chile in the 80′s, has always been an advocate for design and architecture in the country. In Chile, more than 40 schools of architecture have flooded the market, but the ever growing number of professionals has had a relatively small impact on Chilean cities. Seeing the almost infinite landscape of cookie cutter housing in the suburbs, Godoy asked himself: why not break this model into smaller pieces, each designed by a particular architect, each an opportunity for a young professional? With this in mind, and to foster the appreciation for architects, Eduardo and his team at Interdesign started a project called “Ochoalcubo” (Eight-Cubed). His original idea was to make 8 projects, with 8 buildings designed each by 8 architects, to create developments where the singularity of each piece was key, in order to demonstrate how the individuality of the architect could result in good architecture.
At 71, the 2013 Pritzker Prize winner Toyo Ito is not content with settling down just yet, at least not architecturally-speaking. Where many architects have established distinct styles, Ito is known for constantly shifting, experimenting, questioning and developing his approach to architecture. As one member of the Prtizker jury put it “he has been working on one project all along – to push the boundaries of architecture. And to achieve that goal, he is not afraid of letting go what he has accomplished before.”
In this video entitled Learning from Laureates - which comes courtesy of the good folks at ARCHITECT magazine - fellow experimentalist and Pritzker Prize recipient (not to mention 2013 AIA Gold Medalist) Thom Mayne gets to grips with Ito’s motivation. The pair of laureates converse via Skype examining the drive behind Ito’s evolutionary approach, before getting down to discussing how they think architecture is being affected by society’s biggest change yet – the advent of the post-digital age.
See more of Ito’s work along with some of our previous coverage after the break…
Under the guidance of Toyo Ito, Japanese architect Akihisa Hirata envisioned an futuristic, experienced-based installation which sought to express “manifestations of flow as they relate to people and nature” to the spectators of the 2013 Milan Design Week. Titled “Amazing Flow”, the installation offered a “vision of the city of tomorrow” with a multi-sensory experience that embodied the “Lexus’ world vision” and a glimpse into how cars flow throughout built environment The display consisted of a continuous, wooden structure that represented a moment in which “roads, humans, wind and water flow as a single entity.”
Compare the installation to the Lexus “Create Amazing” promotional video for the 2014 LF-LC Concept car and watch an interview with Hirata after the break…
The city of Yatsushiro is known in Japan as a home for exemplary architecture – the legacy at least in part of Artpolis, a plan by the government of the Kumamoto Prefecture to seek out a range of talented architects to design cultural buildings in the cities of the region. Though the Artpolis scheme has been running for the past 22 years, perhaps its most successful building was completed back in 1991, with the construction of Toyo Ito‘s Yatsushiro Municipal Museum.
“Although Mr. Ito has built a great number of buildings in his career, in my view, he has been working on one project all along, — to push the boundaries of architecture. And to achieve that goal, he is not afraid of letting go what he has accomplished before.” — Yung Ho Chang, Member of the Pritzker Jury for 2013
Toyo Ito has been announced as the Pritzker laureate for 2013. Ito is the thirty-seventh recipient of the Pritzker Prize and its sixth Japanese recipient.
The Pritzker jury applauded Ito for his ability to synthesize many architectural languages and functionalities in the expression of one personal “syntax,” inspired by the organic structures found in nature and the sensual nature of the human user.
Calling him a “creator of timeless buildings,” the Pritzker Jury further praised Ito for “infusing his designs with a spiritual dimension and for the poetics that transcend all his works.” Among those works, the Jury singled out his Sendai Mediatheque, whose innovative use of structural tubes “permitted new interior spatial qualities,” TOD’S Omotesando building in Tokyo, “where the building skin also serves as structure,” and Tokyo’s Tama Art University Library as particularly inspiring.
In response to the accolade, the highest award in the profession of architecture, Ito humbly expressed that, with each project, he only becomes more “painfully aware of [his] inadequacy, and it turns into energy to challenge the next project.” For that reason, Ito professed, “I will never fix my architectural style and never be satisfied with my works.”
Read more of the Jury’s selection of Toyo Ito as the 2013 Pritzker Laureate, after the break…
One of Toyo Ito’s most iconic building is undoubtedly the Sendai Mediatheque. The latest Pritzker laureate completed the building in 2001, a cultural media center allowing complete visibility and transparency to the surrounding community.
French director Richard Copans made this documentary on the Sendai Mediatheque that you can’t miss. You can watch part II and III after the break. And don’t forget to check our complete coverage on the 2013 Pritzker Prize winner.
Toyo Ito, recipient of the Pritzker Prize 2013, along with Cecil Balmond and Arup were in charge of the design of the Serpentine Gallery Pavilion back in 2002. What appeared to be an extremely complex random pattern was in fact derived from an algorithm of a cube that expanded as it rotated. The intersecting lines formed different triangles and trapezoids, whose transparency and translucency gave a sense of infinitely repeated motion.
You can see more images of the Serpentine Gallery Pavilion 2002 after the break. And don’t forget to check ArchDaily’s exclusive coverage of the 2013 Pritzker Prize.