Japanese architect Junya Ishigami's 2019 Serpentine Pavilion is taking shape in London. A series of photographs by Laurian Ghinitoiu showcase the project and its flowing, free-form roof. Ishigami is the second-youngest designer of the pavilion, and his work is known for a light and ephemeral approach. The design for the 2019 pavilion takes the form of a slate sheet rising from the landscape of the park, held up by pilotis that form an interior field.
Frida Escobedo: The Latest Architecture and News
As we have seen throughout the history of architecture, ephemeral installations and pavilions are important tools for talking about specific moments in architecture in an almost immediate way. While it is true some pavilions have been so relevant that they broke with their ephemeral quality to become permanent, such as the German Pavilion in Barcelona, designed by Ludwig Mies van der Rohe and Lilly Reich, most are documented in photographs, plans and experiences to be rewritten in future projects.
In the 12 months since 2018 International Women’s Day, we have seen many female architects come to fore of the design discourse. From Shelley McNamara and Yvonne Farrell’s curation of the 2018 Venice Biennale to Frida Escobedo's celebrated design for the Serpentine Pavilion, the architectural newsfeeds from the past twelve months have played host to many signs of change in a traditionally male-dominated profession.
ArchDaily has also been busy over the past year, publishing stories such as twelve prominent women in architectural photography, seven influential women of the Bauhaus, and the women redefining success in architecture. Beyond news and editorials, the honorary lists and award ceremonies of prominent architectural institutions from around the world have also paid tribute to some of the world’s leading and emerging female architects.
After having previously photographed the architecture offices in the Netherlands, Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, Barcelona and Los Angeles, the architectural photographer Marc Goodwin continues the series with an exploration of some of the most recognized architecture offices in Mexico. With a set of emerging and world-renowned offices alike, the series offers insight into the lives of designers in Mexico City.
Cuernavaca, located just a few hours from Mexico City, is one of the most visited places in the country thanks to its history, weather, and architecture. The city has eleven declared historical sites, such as the Cortés Palace, the Cuernavaca Cathedral, the Borda Garden, the Calvario Spire, Teopanzolco, Chapultepec Nature Park, the Cuernavaca Kite, and the Hotel Casino de la Selva, among others. For the past few years, Cuernavaca has experienced a boom in contemporary architecture, starting with the Tallera building which was built in 2010 by Mexican architect Frida Escobedo. The project gave life to the Siqueiros murals and all the history behind them.
The Royal Institute of British Architects (RIBA) unveiled the seven laureates of the 2019 International Fellowships, a "lifetime honor allows recipients to use the initials Int FRIBA after their name," recognizes the contributions that architects across the world outside of the UK have made in the field of architecture. Previously awarded to architects such as Jeanne Gang and Phillip Cox, the annual Fellowship emphasizes not only the impact of architects' work in their respective homelands but also their global influence.
A juror's committee, consisting of Ben Derbyshire, RIBA President; Lady Patty Hopkins, a 1994 RIBA Gold Medalist; Bob Shiel, a professor at the Bartlett School of Architecture; Wasfi Kani, a 2018 Honorary Fellow; and Pat Woodward RIBA, of Matthew Lloyd Architects, awarded the 2019 Fellows. The fellowships will be presented in London in February 2019.
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
As a “global capital,” London is home to some of the world’s most influential people, architects included. This fact has recently been laid bare by the London Evening Standard newspaper, whose list of the 1000 most influential Londoners features 30 architects, big and small, who use the city as a base for producing some of the world’s most celebrated architectural works.
Below, we have rounded up the 30 most influential architects in London, complete with examples of the architectural works which have put them on the city and world map.
Open House London 2018 has officially released the list of over 800 buildings open to the public this September. Now in its 27th edition, the weekend-long festival offers free guided tours and open doors to buildings and architecture across the city. This year, a range of exciting architecture will be featured, including the new US Embassy by KieranTimberlake, Maggie's Barts by Steven Holl Architects, and Bloomberg European Headquarters by Foster + Partners, the world's most sustainable office building. Find out our list of the top 10 must-see buildings to discover at this year's Open House.
Color, inherited from indigenous cultures of Mexico, is a defining characteristic of Mexican architecture. Vibrant colors have been used by architects and artists such as Luis Barragán, Ricardo Legorreta, Mathias Goeritz, Juan O'Gorman, and Mario Pani.
Color in Mexican architecture has reinforced the identity of different regions and areas within the country. For example, it is almost impossible to think of San Miguel de Allende or Guanajuato without the facade colors that weave the landscape.
The brise soleil is an architectural element that has been used since ancient times to create subtle barriers between the interior and the exterior. Its use and design have been diversified over the years through the research and technology with which these elements are applied, creating the ability to build a small window to a complete facade and pavilion that seem to float.
We know that Mexico is a country with one of the most diverse climates, thus the use of a brise soleil is positioned stronger within the guild. Also, rural areas have long adapted the feature in Mexico, demonstrating its beauty and usefulness. Read on for our collection of 21 brise soleil features in Mexican projects to inspire you with its diverse applications.
For readers around the world who monitored with enthusiasm the opening of Frida Escobedo’s Serpentine Pavilion, but were unable to reach London to experience it in real life, Photographer Nikhilesh Haval of nikreations is here to help.
Similar to previous productions of BIG’s 2016 Pavilion, and SelgasCano’s 2015 Pavilion, Haval 360-degree virtual tour explores Escobedo’s pavilion to capture aesthetic delights such as the Mexican celosias façade, shallow water pool, and curving, mirrored roof element. When inside the courtyard, don’t forget to look up!
Following the opening of the 2018 Serpentine Pavillion this week, designed by Mexican architect Frida Escobedo, photographer Laurian Ghinitoiu has turned his lens to London. Ghinitoiu’s images, which you can discover below, capture the elemental beauty of Escobedo’s pavilion, defined by a permeable cement tile façade inspired by Mexican celosias.
Fusing elements typical to Mexican architecture with local London references, the pavilion centers on a courtyard enclosed by two rectangular volumes constructed using the characteristic celosia method.
Frida Escobedo on the 2018 Serpentine Pavilion: "Mexican Architecture Is an Architecture of Layering"
After Frida Escobedo, Yana Peel and Hans Ulrich Obrist officially presented the 2018 Serpentine Pavilion on Monday, June 11 at Kensington Gardens in London, we had the opportunity to interview Mexican architect Frida Escobedo exclusively for ArchDaily. Escobedo shared with us with us the importance that designing pavilions has had in her career, the relevance of working on public spaces, and offered her thoughts on the perception of the Mexican context outside of Mexico. She also spoke further about the details of the pavilion itself and revealed where she would like the pavilion to be moved after completing its 4-month stay at Kensington Gardens.
The 2018 Serpentine Pavilion opens to the public on June 15th and will remain in place until October 7th, 2018.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
The 2018 Serpentine Gallery Pavilion, designed by Frida Escobedo, was unveiled today in London's Hyde Park. Escobedo's design, which fuses elements typical to Mexican architecture with local London references, features a courtyard enclosed by two rectangular volumes constructed from cement roof tiles. These tiles are stacked to form a celosia, a type of wall common to Mexican architecture which is permeable, allowing ventilation and views to the other side.
Photographer Francesco Russo has captured the construction of Frida Escobedo’s 2018 Serpentine Pavilion, as the structure nears completion in London’s Hyde Park. The images showcase the dark cement roof tiles used to construct the pavilion, which comprises an enclosed courtyard created by two rectangular volumes.
With an interplay of light and water, the pavilion seeks to evoke the sensation of the domestic architecture of Mexico, from where Escobedo hails. The stacked cement tiled visible in the photographs form a "celosia," a type of permeable wall common in Mexico.
Thinking broadly of architecture, the masterpieces of the past inevitably come to mind; buildings constructed to withstand the passage of time, that have found an ally in age, cementing themselves in the history of humanity. Permanence, however, is a hefty weight to bear and architecture that is, due to its program, ephemeral should not be cast aside as "lesser-than."