Luis Barragán: The Latest Architecture and News

In October 2025, the Fernando Romero Foundation will officially open the doors of La Cuadra San Cristóbal, one of the late projects of Mexican architect and Pritzker Prize winner Luis Barragán. The goal is to transform the architectural complex into a cultural campus open to the public, with a curatorial program focused on exploring the dynamic interaction between architecture and art.

The project, known as Cuadra San Cristóbal, was built between 1966 and 1968 and includes a house, a stables building, and auxiliary facilities such as the Fuente de los Amantes (Fountain of the Lovers). The complex showcases characteristic elements of Barragán's Latin American modernism, including his use of color and the integration of shadows, textures, and sounds into the experience of space.

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When drawing, lines are fundamental elements of composition. They delineate space, outline structures, and define boundaries. When it comes to maps and borders, the line acquires a particular meaning, as this "simple" graphic expression marks a powerful division between regions, setting the beginning or the end of a territory. This line has a profound meaning at the limit between Mexico and the United States, where it constantly blurs and questions the border. In these places, multiculturalism is a daily occurrence, with a continuous negotiation of boundaries present in all aspects of life. The dynamic of these borders involves design and the generation of a complex network of interactions and collaborations.

Rather than being divided into Tijuanenses on one side and San Diegans on the other, this particular region stands out as a community whose essence harmonizes with a deep legacy of cross-border collaboration, rather than being seen as cities separated by a line. As the first binational designation in the history of the World Design Capital (WDC) program, the Tijuana-San Diego region shares a common interest in addressing urban, social, and economic issues through design. Thus, via conferences, policy summits, and workshops, the region seeks to enhance the catalyzation of ideas through its designation.

Architecture Classics showcased on ArchDaily serve as essential archives of architectural marvels, offering a window into the past. These classics showcase our collective design wisdom and innovation globally, enriching our design knowledge. In fact, through the acknowledgment and appreciation of different styles, functions, and narratives embedded within these structures, our view of architecture and its impact worldwide can become more comprehensive.

Within ArchDaily’s extensive list of Architectural Classics, 2023 saw the exploration of 16 diverse typologies. From public landmarks like Mies Van der Rohe’s Barcelona Pavilion to the Julio Mario Sant Domingo Cultural Center and the Biblioteca El Tintal by Bermùdez Arquitectos, showcasing the power of public infrastructure. Structures such as Mariano Moreno’s National Library and Oscar Niemeyer’s Aeronautics Center highlight the eclectic nature of these classics.

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Two years ago, as part of an initiative by the Barragan Foundation, the launch of the institution's renewed website was announced via its Instagram account. This represented an effort to compile all the information that exists so far from the Barragán Archive that enriches the study of his career, opening up the panorama to understand his trajectory and evolution from a clear chronology, experiments, and collaborations, as well as unrealized or demolished projects. The website compiles these five decades of career, presenting a list of 170 works inside and outside the country that is updated as more material is researched and collected.

March 9 marks the birthday of one of the most important Mexican architects worldwide. A pioneer of the Modern Movement in Mexico whose work has transcended geographical limits to be studied by different generations of architects who have rewritten his teaching to make it their own. Every year, this date represents the perfect excuse to rethink Barragan's legacy to architecture not only in Mexico but also in the world, and different projects have been carried out with this intention, awakening the interest of new generations. However, until a few years ago, the record of the architect's work was not very accessible since more than 50% of the projects he built remained anonymous due to the lack of a proper archive of his work.

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In 1984, the Menil Museum in Houston, Texas, commissioned the Mexican architect Luis Barragan to build a 3,000-square feet guest house to be located across the street from the famous Rothko Chapel. The architect came back with a design for a dazzling purple, pink, and orange 8,000-square feet mansion that looked to be more at home in Mexico City than a Houston residential suburban lot. So, due to the ensuing conflict between client and architect, the house would never get built, only displayed as an exhibition within the Menil’s galleries.

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How many LGBTQIA+ architects do you know? Surely you went to school with someone but probably never heard a professor mention one of them. Bringing up these names is key to understanding the fundamental role this population plays in the field of architectural theory and practice. This reveals their experiences more clearly, how they incorporate their identities into design and debates about architecture and urban planning. This is key for any person who identifies as LGBTQIA+ to feel comfortable expressing their individuality and their abilities in the profession.

Juan Miró, co-founder of Miró Rivera Architects reflects in an opinion piece on the value of American cities. Stating that "when we idealize cities like Copenhagen, we risk losing focus of the fundamental historical differences between the urban trajectories of European and American cities", the architect and educator draws a timeline of events and urban transformations, in order to explain why it would be more relevant to look on the inside when planning U.S cities, rather than taking examples from the outside.

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