Luis Barragán: The Latest Architecture and News

Two years ago, as part of an initiative by the Barragan Foundation, the launch of the institution's renewed website was announced via its Instagram account. This represented an effort to compile all the information that exists so far from the Barragán Archive that enriches the study of his career, opening up the panorama to understand his trajectory and evolution from a clear chronology, experiments, and collaborations, as well as unrealized or demolished projects. The website compiles these five decades of career, presenting a list of 170 works inside and outside the country that is updated as more material is researched and collected.

March 9 marks the birthday of one of the most important Mexican architects worldwide. A pioneer of the Modern Movement in Mexico whose work has transcended geographical limits to be studied by different generations of architects who have rewritten his teaching to make it their own. Every year, this date represents the perfect excuse to rethink Barragan's legacy to architecture not only in Mexico but also in the world, and different projects have been carried out with this intention, awakening the interest of new generations. However, until a few years ago, the record of the architect's work was not very accessible since more than 50% of the projects he built remained anonymous due to the lack of a proper archive of his work.

Much of the production of modern architecture on the American continent was based on the model of European architects who, with their works, projected the fundamental premises and ideas for modern living. These pillars of architecture were transferred and consequently adapted to the American territory, introducing, at the same time, their own characteristics according to the territorial, socio-cultural and economic context. 

We understand that good architecture is that which serves as a model for solving problems inherent to the discipline of architecture in general. This is why certain references that we consider today as "classics" are examples of good architectural practices that have been appropriated by other architects, taking the pertinent and necessary elements to achieve a result in accordance with the particular context. 

The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).

In 1984, the Menil Museum in Houston, Texas, commissioned the Mexican architect Luis Barragan to build a 3,000-square feet guest house to be located across the street from the famous Rothko Chapel. The architect came back with a design for a dazzling purple, pink, and orange 8,000-square feet mansion that looked to be more at home in Mexico City than a Houston residential suburban lot. So, due to the ensuing conflict between client and architect, the house would never get built, only displayed as an exhibition within the Menil’s galleries.

How many LGBTQIA+ architects do you know? Surely you went to school with someone but probably never heard a professor mention one of them. Bringing up these names is key to understanding the fundamental role this population plays in the field of architectural theory and practice. This reveals their experiences more clearly, how they incorporate their identities into design and debates about architecture and urban planning. This is key for any person who identifies as LGBTQIA+ to feel comfortable expressing their individuality and their abilities in the profession.

Juan Miró, co-founder of Miró Rivera Architects reflects in an opinion piece on the value of American cities. Stating that "when we idealize cities like Copenhagen, we risk losing focus of the fundamental historical differences between the urban trajectories of European and American cities", the architect and educator draws a timeline of events and urban transformations, in order to explain why it would be more relevant to look on the inside when planning U.S cities, rather than taking examples from the outside.

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March 9 of last year marked Luis Barragán's 119th birthday and, in celebration of their namesake, the Barragan Foundation announced via their Instagram that they were launching the institution's newly revamped website. This signified two things--one, the absolute effort needed in order to compile every known Barragan work and the value this archive will have in aiding in the study of the architect's work and, two, the sweeping de-mystification of Barragan himself.

On March 9, what would have been Luis Barragán's 119th birthday, we commemorate Mexico's most celebrated architect and discuss his winning of the 1980 Pritzker Prize.

This article is a part of a collaboration with coolhuntermx.com. It was originally published under the title "Luis Barragán and José Clemente Orozco,The House They Built Together ", written and photograped by David Lozano Díaz in collaboration with Lorena Darquea.

There's a lot of discussion surrounding Casa Orozco as to who the real creator is —Luis Barragán or José Clemente Orozco. And even though we know that one of them was responsible for the architecture, the answer still remains unclear. Orozco returned to Mexico in 1934, by invitation from the Mexico City government, after a seven year stint in New York. Once he arrived, he was commissioned to paint a mural inside the Palacio de Bellas Artes. Afterwards, he received commissions from the Jalisco Government to paint a series of murals for three public buildings in Guadalajara.

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Carmelina&Aurelio Architecture Studio based in Tuxtla Gutiérrez, Chiapas in Mexico, released a book with architectural illustrations to color. The book in PDF format is available on their website for free and consists of eight letter-size pages. Read on for the featured projects as well as examples of color palettes for further inspiration.

"The Art of Seeing. It is essential to an architect to know how to see: I mean, to see in such a way that the vision is not overpowered by rational analysis." - Luis Barragán

One of Mexico's greatest architects, Luis Ramiro Barragán Morfín (March 9, 1902 – November 22, 1988) revolutionized modern architecture in the country with his use of bright colors reminiscent of the traditional architecture of Mexico, and with works such as his Casa Barragán, the Chapel of the Capuchinas, the Torres de Satélite, "Los Clubes" (Cuadra San Cristobal and Fuente de los Amantes), and the Casa Gilardi, among many others.

The artist and writer Jill Magid presents a documentary dedicated to the life of the "artist among the architects": Luis Barragán, who is one of the most famous architects of the 20th century. Upon his death in 1988, much of his work was locked in a Swiss bunker, hidden from view of the world. In an attempt to resurrect Barragán's life and art, the redefinition of "The Proposal" limits creates an audacious proposal that becomes a fascinating work of art in itself, a cable negotiation act that explores how far it will go an artist to democratize access to art.