In Louisiana Channel's latest interview, Indian architect Anupama Kundoo shares her thoughts on the importance of observing the surroundings from the perspective of time and its imprint on matter. "Before humans, there was an architecture that life itself creates," says the architect discussing the natural world as a source of inspiration, pointing out that one "can see the same question already solved by nature".
Louisiana Museum Of Modern Art: The Latest Architecture and News
The Louisiana Channel recently released a new interview with Peter Eisenman on the Memorial to the Murdered Jews of Europe in Berlin. Sharing his thoughts on what went into building the memorial, he touches on the desire to move away from Jewish symbolism. The video explores the larger idea and feeling of being lost in space and time, a concept that Eisenman describes as a "field of otherness."
In this short video by Louisiana Channel, Junya Ishigami talks about Tokyo and what he sees as the defining traits of the vibrant and diverse metropole. Discussing what he likes about the city, the renowned Japanese architect underlines Tokyo’s polycentrism and explains how being made up of different small town allows the city to preserve its very local characteristics.
In this short video, Jens Thomas Arnfred and Søren Nielsen from the Danish office Vandkunsten Architects talk about wood and the many reasons why it makes for such excellent building material. The two architects discuss the sustainability advantages of using timber and reflect on its influence on our senses and mind, on our feeling of wellbeing.
This January, Peter Eisenman was interviewed by Marc-Christoph Wagner at his studio in New York City. Featured by the Louisiana Museum of Modern Art, the video “Learn the language” explores how Eisenman stresses the importance of communication and of knowing the language of the field you’re interested in.
India’s uprising from a dependent to an independent governance altered the way it was perceived by the world. The country’s evolution left architects and urban developers with important questions: How can they solve the economic and environmental disparities in India, and how can they implement an understanding in people about the potential of what they can achieve with their country’s culture and resources.
In a new extensive video interview by Louisiana Channel, Indian Pritzker Prize-winner Balkrishna Doshi narrates how he became an award-winning architect, his traditional Hindu beliefs and culture, and India’s juxtaposition of having nothing to keeping up with a world that is creating everything.
In this video from the Louisiana Museum, Anne Lacaton from the award-winning practice Lacaton & Vassal describes the importance of building upon existing conditions to create new architecture. She shares the firm's approach to architecture, which is to "never withdraw, always add" and their focus on generosity of space, care of the users, and utilization of existing natural resources to create a more affordable architecture.
Lacaton & Vassal have gained worldwide acclaim for their transformative social housing work. They were awarded the Grand Prix national de l'architecture in 2008, the Heinrich Tessenow Medal in 2016, and the Global Award for Sustainable Architecture in 2018, to name a few. Their projects such as the 23 Semi-collective Housing Units in Trignac, France, and Ourcq Jaures Student & Social Housing display a dedication to social responsibility in architecture. In Anne Lacaton's interview, she describes how they mine the richness of existing architecture and the surroundings to create beautiful and affordable designs. Interpreting history as "an addition of layers," she articulates their stance against the idea of tabula rasa and the importance of utilizing the found beauty of existing environments: "We don't see [the existing conditions] as a constraint, we see it as a chance."
[Architecture can] change the life of people and give them a new one right away. This is not a job for normal people to do. This should be the work of God.
SelgasCano's Louisiana Hamlet Pavilion, designed in collaboration with Helloeverything, has been dismantled from its Copenhagen home and is set to be reconstructed in the sprawling Kibera slum, Nairobi, where it will begin a new life as a school. The structure, which is in transit to one of the largest slums in the country, will replace a dilapidated shelter which currently houses 600 pupils. The pavilion, originally commissioned by the Louisiana Museum of Modern Art (Copenhagen), has been relocated following discussions between Iwan Baan, SelgasCano, the museum, and Second Home.
The Department of Human Settlements at the Royal Danish Academy of Fine Arts' School of Architecture, Design, and Conservation has developed a new low-income housing prototype for Maputo, Mozambique in southeast Africa as part of the Casas Melhoradas research project. The prototype reinterprets the area’s traditional “Casa de Madeira e Zinco,” which is made of wood and corrugated iron sheets, and the "Casa de Blocos," which is composed of concrete blocks.
On the Louisiana Channel's latest installment, Burkinabé architect Diébédo Francis Kéré discusses his "Canopy" installation, currently on view at the Louisiana Museum in Denmark, and shares thoughts on the impact of architecture. Designed with a sense of freedom that encourages users to interact with the installation as they wish, Kere's Canopy serves as a flexible gathering space within the museum that is reminiscent of "AFRICA."
“They’re free to use the space like they behave, like they feel," says Kere. "Architecture is about people."
The exhibition AFRICA is the third and last in the series architecture, culture and identity. It focuses on the area called sub-Saharan Africa – the part of Africa south of the Sahara Desert. Louisiana’s wish to mount this exhibition has its origin in a very simple observation: despite the fact that Africa is the world’s second-largest continent, surprisingly little contemporary culture from there comes our way.
"There are no real things. This is it. We are living in models and that's how it will always be and has always been... Who has authorship of reality? Who is then real?"
In this new video from Louisiana Channel, Olafur Eliasson meditates on the deeply philosophical questions posed by his provocative exhibition, Riverbed. Discussing themes such as the currency of trust, the authorship of reality through choice of perception, and the intricate relationships between museum, art, artist, and viewer, Eliasson sits within his own artificial landscape and recounts the deep inquiries that drive his work. Describing his views on the complexity of trust in the foundational value of the museum as an institution, Eliasson argues for the empowerment of the public. "If an audience feels trusted," he states, "then they dare to get involved."
In this video from the Louisiana Museum of Modern Art's Lousiana Channel, three acclaimed writers - Sjón, James McBride and Daniel Kehlmann - talk about their experience of Olafur Eliasson's Indoor Riverbed at the Danish museum. Sjón describes how he felt when he saw 180 tons of rock from his home country of Iceland filling the room, saying "It was like a moment in a dream, when you enter a room and something is not right, but familiar."
Blurring the boundaries between the Natural world and the Manmade in one wide, sweeping gesture, Danish-Icelandic artist Olafur Eliasson's first solo exhibit, aptly titled Riverbed, brings the Outdoors in.
Recreating an enormous, ruggedly enchanting landscape, complete with riverbed and rocky earth, the artist draws heavily from site-specific inspiration. The Louisiana Museum of Modern Art's location on the Danish coast lends a raw, elemental and powerful character that extends into the building as a major intervention, transforming into a work of art.