Miralles Tagliabue EMBT, directed by Benedetta Tagliabue, has won the international competition to design the Shenzhen Conservatory of Music, one of the city's 10 new era cultural buildings. Characterized by the dialogue generated with its surroundings, the complex integrates music and art in nature with a proposal of organic and sustainable architecture.
Sou Fujimoto: The Latest Architecture and News
After MAD’s Wormhole Library, the city of Haikou revealed a pavilion by Sou Fujimoto Architects. Scheduled for the end of spring, the ribbon-like white pavilion with an accessible roof will be one of the first public waterfront interventions to be completed in the spring of 2021. Shaping the future of Haikou city and Hainan Free Trade Port, the master plan of 16 permanent destinations re-imagines the future of coastal living.
Sou Fujimoto Architects has unveiled its design for the top part of the tallest skyscraper in Japan “Torch Tower” in Tokyo, collaborating mainly with Mitsubishi Jisho Sekkei, Inc. Standing tall at 390m, the highrise building planned to be ready by 2028, takes on a large plaza at around 300m, generating a space for people.
Recent Images Highlight Completed Structure for Sou Fujimoto's House of Hungarian Music in Budapest, Hungary
The House of Hungarian Music, part of the Liget Budapest Project, has won the World's Best Use of Music in Property Development at the Music Cities Awards. Also selected as one of the top three Best European Development category, the intervention, designed by Sou Fujimoto is under construction on the former site of the demolished Hungexpo office buildings in Budapest, Hungary. Scheduled to open in 2021, the structure of the building is complete, and the iconic roof is taking shape, as well as the monumental glass walls, the largest of their kind in Europe.
The current global situation forces us to do all kinds of adjustments and we are seeing this as an opportunity to go out of our comfort zone and try something new. We are going online! This allows us to invite architects from different parts of the world and make it possible for you to get to know them from the “AnA perspective”, no matter where you are located. The first round of events will take place before mid-July. Join us!
Hokkaido-born Sou Fujimoto’s breakout masterpiece, the playful and cloud-like 2013 Serpentine Pavilion says a lot about who Fujimoto is and how he thinks about architecture. But even more so do the 100-plus sometimes painstakingly refined, sometimes roughly executed exploratory models that dot the minimalist gallery space of Japan House Los Angeles. This, his retrospective show, Futures of the Future, neatly reflects on Fujimoto’s career, which began when he opened his own Tokyo-and-Paris-based firm in 2000.
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
Sou Fujimoto’s House of Hungarian Music is set to begin construction in an idyllic natural setting beside Városliget Lake in Budapest’s largest park. Having won a competition for the scheme’s design in 2014, the Japanese architect has designed a “modern and extravagant home for music” drawing inspiration from both the natural and musical worlds.
The scheme forms part of the Liget Budapest project, one of Europe’s largest museum developments, which also includes the striated Museum of Ethnography by French firm Vallet de Martinis DIID Architectes and the cuboidal PhotoMuseum Budapest and Museum of Hungarian Architecture by Hungarian firm Középülettervező Zrt.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
Sou Fujimoto, Michel Rojkind, Jeanne Gang, Assemble, MINI Living, Airbnb, WeWork/WeLive and OMA’s Reinier de Graaf are among the confirmed speakers at reSITE 2018 ACCOMMODATE, one of Europe’s top annual international forums showcasing top solutions for cities and attended by the region’s top design, business, and civic leaders, happening in Prague.
Sou Fujimoto, Nicolas Laisné and Dimitri Roussel to Build 28,000 sqm "Village Vertical" in Grand Paris
Sou Fujimoto, Nicolas Laisné and Dimitri Roussel will be building a new gateway to the city of Rosny-sous-Bois in Grand Paris. Their project, Village Vertical, has been chosen as the winning proposal for the "Inventons la Métropole du Grand Paris" competition. The team includes landscape and urban designers from Atelier Georges and urban developers from La Compagnie de Phalsbourg and REI Habitat.
Sou Fujimoto and Coldefy & Associés Architects Urban Planners’ proposal for a pale sweeping canopy enclosing a stacked glazed volume was among the four finalists for the new Palais de justice in Lille, France organized by the Public Agency for Justice’s Real Estate (APIJ). Though the competition drew 139 international proposals, from which OMA was ultimately selected, Fujimoto and Coldefy & Associés' graceful structure was designed to house the high and district courts as well as public spaces within a facility in dialogue with its natural surroundings.
See the full proposal below.
This article was originally published by Redshift as "Architect Sou Fujimoto Has Radical Ideas for Familiar Communal Spaces."
The destruction wrought upon Ishinomaki by the 2011 Great East Japan Earthquake and Tsunami damaged the city’s civic hall and cultural center beyond repair. To rebuild, Ishinomaki City wanted to create a landmark combining these two facilities into a new complex—one that would be like a city unto itself, serving the community.
In 2016, design proposals were screened in a process that included public presentations, with many locals participating. In the end, Sou Fujimoto, a leader among the next generation of Japan’s architects, was selected for his innovative design.
The Naoshima Pavilion by Sou Fujimoto is one of the more recent additions to the world-renowned "Art Island," and is located only meters away from Naoshima's boat terminal (designed by SANAA). The lightweight, highly-transparent mesh-like steel structure was conceived and constructed for the 2016 Setouchi Triennial. Photographer Laurian Ghinitoiu has turned his lens to the project which, in spite of its modest size, casts a striking silhouette on the island's coastline.
Located a few meters from the terminal of Naoshima, the Japanese island better known as the "Art Island", Sou Fujimoto's Pavilion appears as a translucent and lightweight diamond perched on the coastal edge of Kagawa, visible from SANAA's ferry terminal welcoming the visitors to the island.
The Naoshima Pavilion was part of the 2016 Setouchi Triennial. Fujimoto has created its structure with a white painted stainless steel framework, acting as a mesh that gives the polyhedron it's irregular shape and light appearance as if it was levitating from the ground.
You’re a chipper young first-year student, still soft and tender in the early stages of your induction into the cult of architecture. Apart from fiddling with drafting triangles and furiously scribbling down the newfound jargon that is going to forever change how you communicate, you often find yourself planted in a seat, eyes transfixed to a projector screen as your professor-slash-cult-leader flashes images of the architecture world's masterpieces, patron saints, and divine structures.
Soon, you develop a Pavlovian response: you instinctively recognize these buildings, can name them at once and recite a number of soundbites about their design that have lodged themselves in your brain. Your professor looks on in approval. Since we here at ArchDaily have also partaken in this rite of passage, here are 15 buildings that we all recognize from the rituals of architecture school.
Detailed visions of the concept designs from the seven shortlisted teams in the running for the new Ross Pavilion (named for William Henry Ross, the former chairman of the Distillers Company) have been released. Following the announcement of the competition earlier this year—in which the likes of Adjaye Associates, Bjarke Ingels Group, Sou Fujimoto Architects and Reiulf Ramstad Arkitekter were placed in the running alongside local practices, such as Page\Park—the sensitivity and level of restraint behind the majority of the proposals demonstrates the public and national significance of the site, which sits at the heart of the Scottish capital of Edinburgh.