Following the success of the inaugural HOUSE VISION Tokyo in 2013, the exhibition is set to return again this summer under the theme of “Co-Dividual: Split and Connect / Separate and Come Together.” Once again curated by Kenya Hara, designer and creative director for minimalist housewares retailer Muji, the month-long event will tackle the objective of “thinking about how to create new connections between individuals,” as well as build upon the topics explored by its previous edition, namely the ways in which Japanese housing can adapt to recent demographic, technological and cultural shifts, and the vision of the house as the intersection between industries.
This year’s exhibition will feature house designs by top Japanese architects such as Sou Fujimoto, Kengo Kuma, Shigeru Ban and Atelier Bow-Wow, each paired with a leading company to envision and implement new strategies in housing design. The houses will be constructed at full-scale, allowing event-goers to fully experience and reflect upon each design.
With the 2016 Salone del Mobile now behind us, Romanian photographer Laurian Ghinitoiu has shared his photos from Milan Design Week, along with his ranking of the top five architectural installations. Read on to see his exceptional collection of images accompanied by short descriptions of each project.
"In this installation for COS, I envisage to make a forest of light," said Fujimoto. "A forest which consists of countless light cones made from spotlights above. These lights pulsate and constantly undergo transience of state and flow. People meander through this forest, as if lured by the charm of the light. Light and people interact with one another, its existence defining the transition of the other."
Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP) hosts a conversation among five of the most influential contemporary Japanese architects: Toyo Ito, Kazuyo Sejima, Sou Fujimoto, Akihisa Hirata and Junya Ishigami. Moderated by Columbia GSAPP professors Jeffrey Inaba and Kenneth Frampton, the conversation aims to explore the relationships and creative exchanges among this prominent group of architects and designers.
Réinventer.paris has announced the 23 winners chosen to develop architectural projects in Paris, including designs by Sou Fujimoto, David Chipperfield, and DGT Architects. Réinventer.paris is an urban initiative launched to give designers the power to rethink and reshape the way that Parisians live, work, and play. Located on various sites chosen by Mayor Anne Hidalgo, each project successfully creates a sense of liveliness and embodies what the future of Paris might be. The call for submissions was answered with ideas about innovation, cutting edge-solutions to environmental problems, and intelligent design.
With recent advancements in building technology, Revolution Pre-Crafted hopes to democratize the design of pre-fab structures, offering a line of products that incorporate the distinct spatial and social brands of the designers. See a selection of the Revolution Precraft line after the break.
Sou Fujimoto Architects' "Architecture is Everywhere" was among the ArchDaily editors' favorite exhibitions in the Chicago Architecture Biennial. The thought-provoking, entertaining collection of mundane objects truly embraced the idea that the public—not solely architects—should be included in the Biennial's celebration of architecture.
Before the fruits of architectural labor are realized, we rarely revel in the seeds cultivated in the minds of architects. It's hard to capture these formative ideas, much less present them in a way that seizes the satisfying moment in which architecture is "found."
The deceiving simplicity of displaying "found architecture" actually imparts a deeper, thoughtful lesson, which Fujimoto has inscribed on an accompanying placard "Architecture could come into being from anywhere. I believe fostering that architecture-to-be into real architecture itself is also architecture."
Akris’ creative director, Albert Kriemler, was introduced to Fujimoto by photographer Iwan Baan while working on the Université Paris-Saclay. From a stance of admiration, Kriemler was thus influenced by Fujimoto’s work: "We share a vision to create an effortless relation between the body and the environment with utmost simplicity. Sou Fujimoto is an architect who understands that we have more senses than just the eye," said Kriemler.
Last month, as part of their Park Nights event series, COS assembled Spanish architects José Selgas and Lucía Cano (SelgasCano) at their new pavilion for the Serpentine Gallery in London's Hyde Park to discuss the concepts behind their design and the history of the Pavilion Commission with Serpentine directors Julia Peyton-Jones and Hans Ulrich Obrist. They were joined by Chilean architect Smiljan Radić, designer of the 2014 pavilion, and Japanese architect Sou Fujimoto, designer of 2013's, in an hour long conversation moderated by Sarah Ichioka.
With the award of the $100,000 Marcus Prize to Sou Fujimoto in 2013, graduate students at the University of Wisconsin-Milwaukee’s School of Architecture were offered the rare opportunity to learn from one of Japan's most respected architectural practitioners. Through a semester-long connection to the studio - which he led alongside University of Wisconsin-Milwaukee Associate Professor Mo Zell - Fujimoto and his students have realized a small architectural installation on an unused lot in Milwaukee's East side entitled faBRICK.
In this interview conducted in Tokyo last year, University of Wisconsin-Milwaukee student Robert Guertin speaks with Fujimoto about the ideas and themes of his work. In an attempt to shed light on the influence he had in the design of faBRICK, his answers are presented alongside images of the resulting installation.
All entries must be submitted by May 22nd to be considered for the WAF awards. Shortlisted projects will compete for category prizes on the first two days of the festival. On the third (and last) day, the category winners will present their projects to the “super-juries,” which will select the World Landscape, Future Project and Completed Building of the Year.
Tokyo-based French architect and filmmaker Vincent Hecht has captured the opening of Sou Fujimoto’s polyhedral Naoshima Pavilion on the Kagawa shoreline in Japan. The inhabitable, seven-meter, white stainless steel structure is part of the 2016 Setouchi Triennale. Watch the video above for a closer look.
Now in its eighth year, the forthcoming 2015 World Architecture FestivalAwards (WAF) will take place in Suntec in central Singapore following three days of intensive live presentations and judging. Following a $180 million modernisation programme, the redesigned space will host WAF’s soundproofed crit rooms, auditorium and Festival Hall Stage. Entries are now invited from architects and designers for the 2015 edition of what is described as "the biggest architectural awards programme in the world." The awards are expected to attract more than 750 entries, around half of which will be shortlisted into thirty categories. The closing date for entries is the end of May, and shortlisting will take place in early June.
Taichung Mayor Lin Chia-lung has temporarily “pulled the plug” on Sou Fujimoto’s ambitious Taiwan Tower, saying he would rather pay a penalty for breaking the contract than spend an estimated NT$15 billion to realize the “problematic” project.
The Banyan tree-inspired tower was hoped to become the “Taiwanese version of the Eiffel Tower,” as well as a model for sustainable architecture by achieving LEED Gold with its energy producing features. Its steel superstructure, which proposed to hoist a triangular section of the Taichung Gateway Park’s greenbelt 300-meters into the air, intentionally had “no obvious form” and was to be perceived as a natural phenomenon.
Over the weekend, Japanese architect Sou Fujimoto exhibited an inhabitable sculpture of stacked and suspended aluminum cubes as part of the FIAC art fair in the Parisian Jardins des Tuileries’ gardens. The installation, “Many Small Cubes” is his first project in Paris and was commissioned by the Philippe Gravier art gallery as an exploration of nomadic structures and Sou Fujimoto’s concept of bringing architecture closer to nature.
"The floating masses of Many Small Cubes creates a new experience of space, a rhythm of flickering shadows and lights like the sun filtering through leafy trees,” described Sou Fujimoto.