Not a Hotel Ishigaki by Sou Fujimoto Architects. Image Courtesy of Sou Fujimoto Architects
Sou Fujimoto has unveiled a “Not a Hotel Ishigaki”, a new project in the southwest of Ishigaki Island in Okinawa, Japan. The unique tropical resort hotel sits on a circular base open in all directions toward the surrounding natural landscape. The main feature of the building is the undulating roof covered in vegetation. Its shape allows access from the building terraces, creating an inner landscape, complete with meadows, relaxation areas, and a water mirror that reflects the sky and the singular tree in its vicinity.
Sou Fujimoto Architects has unveiled its design for the Hida Furukawa Station Eastern Development, a regional community-based center that aims to enrich the life, leisure, and culture of the residents of Hida City, in Gifu Prefecture. The Center will include a university research base, student accommodation, an all-weather playing field, and commercial facilities, all interconnected to form one harmonious community.
It is nearly impossible nowadays not to present accompanying renders when proposing a new project. No matter the method, software or style that is used, it is a valuable reference that bares more practical weight than one might think. Not only can it be one of the closest possible representations of the architect's vision, if approved, it can also become a promise to clients, investors, and the general public.
When it comes to works from renowned architects, the render becomes a critical reference to the project participants and to the expectant community. A lot of details can be developed and considered when creating the images. In most cases, special attention is brought to the lighting, materials, and context in order to make the most accurate representation possible.
Architecture education is not only about learning how to design and construct buildings but it gives a whole new perspective on our built environment and on how design can contribute to create quality spaces and experiences. Moreover, a big percentage of this design thinking can be used by professional architects as a resource to create other spatial configurations that vary from the traditional building, opening up to a diverse world of possibilities in terms of spatiality and materials.
Sou Fujimoto’s House of Hungarian Music, a contemporary cultural landmark dedicated to music in Budapest's City Park has officially opened its doors to the public. Considered as one of the most anticipated buildings of the year, the project is nestled within the park's trees, and is designed as an extension of its natural setting through uninterrupted glass volumes and a perforated roof structure. The museum offers a unique artistic experience combining landscape, architecture, and exhibition design, all dedicated to the creation of music and sound.
Sou Fujimoto Architects has unveiled its design for the Hida Takayama University, a new academic institute tucked in a small rural area of Japan. The project aims to revitalize the rural areas which are often overlooked, especially by academic institutes, and nurture the sense of community and appreciation of the rich culture provided by nature. The design features an organic-shaped structure inspired the surrounding landscape and a walkable roof. The university is set to open in 2024, and will be followed by 11 other regional learning centers across the country.
The winning proposal for redesigning Thessaloniki’s ConfEx fairground features a series of pavilions with large overhanging roofs that float within a park, creating the infrastructure for international events while providing locals with a robust public space. Designed by Sauerbruch Hutton, together with Gustafson Porter + Bowman as landscape architects and Elena Stavropoulou, the project builds on the existing network of landmarks creating a new hybrid landscape that caters to the Northern Greek city’s goal of becoming the region’s primary business and tourist attraction.
The House of Hungarian Music is taking shape within Budapest's City Park. With the structure and the design's distinctive roof completed, construction work is underway for the interior of the music hall. Nestled within the park's trees, the project designed by Sou Fujimoto features an extensive, horizontally uninterrupted glass volume topped by a perforated roof which allows natural light to penetrate all levels of the building.
Naoshima, Teshima, and Inujima are the three main islands of an archipelago in Japan's Seto Inland Sea. What sets them apart from the many other Japanese islands is the large number of exceptional architectural works designed by some of the greatest architects and artists in the world. These projects are part of the Benesse Art Site Naoshima, an art complex idealized by billionaire businessman Soichiro Fukutake in the 1980s, composed of eighteen museums, galleries, and open-air installations.
Sou Fujimoto Architects have revealed the winning design of the New City Center Landmark, a monumental floating tower on the bay of the Qianhaiwan district in Shenzhen. The proposed tower is 268m high, and consists of 99 individual tower-like elements connected a strong horizontal plane in the upper part, gradually vanishing as they descend. It is both one tower and a collection of towers all at once, symbolizing the future of societies in an age of diversity.
Courtesy of Sou Fujimoto Architects & Donghua Chen Studio
Japanese studio Sou Fujimoto Architects alongside Chinese office Donghua Chen Studio have designed a large scale exhibition complex in the heart of Futian District. The Shenzhen Reform and Opening-up Exhibition Hall adopts the city's characteristics as a contemporary entrepreneurial hub, welcoming innovative international businesses in a garden-inspired structure wrapped with white perforated facades. The design proposal was the winning entry of an international competition in Futian, and will be a part of the Shenzhen Ten Cultural Facilities of New Era promoted by the Municipal Government, once completed.
Miralles Tagliabue EMBT, directed by Benedetta Tagliabue, has won the international competition to design the Shenzhen Conservatory of Music, one of the city's 10 new era cultural buildings. Characterized by the dialogue generated with its surroundings, the complex integrates music and art in nature with a proposal of organic and sustainable architecture.
Sou Fujimoto. Image Courtesy of Sou Fujimoto Architects
After MAD’s Wormhole Library, the city of Haikou revealed a pavilion by Sou Fujimoto Architects. Scheduled for the end of spring, the ribbon-like white pavilion with an accessible roof will be one of the first public waterfront interventions to be completed in the spring of 2021. Shaping the future of Haikou city and Hainan Free Trade Port, the master plan of 16 permanent destinations re-imagines the future of coastal living.
Sou Fujimoto Architects has unveiled its design for the top part of the tallest skyscraper in Japan“Torch Tower” in Tokyo, collaborating mainly with Mitsubishi Jisho Sekkei, Inc. Standing tall at 390m, the highrise building planned to be ready by 2028, takes on a large plaza at around 300m, generating a space for people.
The House of Hungarian Music, part of the Liget Budapest Project, has won the World's Best Use of Music in Property Development at the Music Cities Awards. Also selected as one of the top three Best European Development category, the intervention, designed by Sou Fujimoto is under construction on the former site of the demolished Hungexpo office buildings in Budapest, Hungary. Scheduled to open in 2021, the structure of the building is complete, and the iconic roof is taking shape, as well as the monumental glass walls, the largest of their kind in Europe.
The current global situation forces us to do all kinds of adjustments and we are seeing this as an opportunity to go out of our comfort zone and try something new. We are going online! This allows us to invite architects from different parts of the world and make it possible for you to get to know them from the “AnA perspective”, no matter where you are located. The first round of events will take place before mid-July. Join us!
Earlier this year, the L’Abre Blanc Residential Tower was completed in Montpellier, France. Designed by Sou Fujimoto, Nicolas Laisné, Manal Rachdi, and Dimitri Roussel, the tree-like structure features cantilevered balconies protruding from its ‘trunk’ in all directions. An eccentric but unique silhouette, the building is hoped to become an object of pride for the people of Montpellier as well as a tourist attraction.
https://www.archdaily.com/922217/sou-fujimotos-labre-blanc-through-the-lens-of-laurian-ghinitoiuLilly Cao
Hokkaido-born Sou Fujimoto’s breakout masterpiece, the playful and cloud-like 2013 Serpentine Pavilion says a lot about who Fujimoto is and how he thinks about architecture. But even more so do the 100-plus sometimes painstakingly refined, sometimes roughly executed exploratory models that dot the minimalist gallery space of Japan House Los Angeles. This, his retrospective show, Futures of the Future, neatly reflects on Fujimoto’s career, which began when he opened his own Tokyo-and-Paris-based firm in 2000.