Japanese Architecture

Heatherwick Studio’s first built venture in Japan is a huge planted pergola, put in place to create a new hub for the district of Toranomon-Azabudai in Tokyo, Japan. The project is due for completion in March 2023.

Although music halls generally appeal to groups of people with a specific interest, Persian architecture firm Hajizadeh & Associates developed a music hall that caters to all citizens of the city, and not just music lovers.

Japanese architect, teacher, and theorist Arata Isozaki (born 23 July, 1931) helped bring Japanese influence to some of the most prestigious buildings of the 20th century, and continues to work at the highest level today. Initially working in a distinctive form of modernism, Isozaki developed his own thoughts and theories on architecture into a complex style that invokes pure shape and space as much as it evokes post-modern ideas. Highly adaptable and socially concerned, his work has been acclaimed for being sensitive to context while still making statements of its own.

Traveling around Japan can be an impressive experience for a Western tourist - especially if they have some connection with architecture. In addition to the huge cultural differences, the country is known for its rich architectural production - eight of the 42 Pritzker Prize laureates are Japanese - which has maintained its consistency since the 1960s.

British architectural photographer Peter M. Cook has documented the city of Tokyo and its evolution for more than twenty years. Following the development of the city and its buildings with a large-format camera, Cook's first book of photographs have been published by Hatje Cantz Verlag with 100 shots. The monochromatic, large-format photographs reveal a story of one of the world's most iconic cities.

If there is any consistent factor in his work, says Pritzker-winning architect Tadao Ando, then it is the pursuit of light. Ando’s complex choreography of light fascinates most when the viewer experiences the sensitive transitions within his architecture. Sometimes walls wait calmly for the moment to reveal striking shadow patterns, and other times water reflections animate unobtrusively solid surfaces. His combination of traditional Japanese architecture with a vocabulary of modernism has contributed greatly to critical regionalism. While he is concerned with individual solutions that have a respect for local sites and contexts Ando’s famous buildings – such as the Church of the Light, Koshino House or the Water Temple – link the notion of regional identity with a modern imagining of space, material and light. Shoji walls with diffuse light are reinterpreted in the context of another culture, for instance, filtered through the lens of Rome’s ancient Pantheon, where daylight floods through an oculus. Ando’s masterly imagination culminates in planning spatial sequences of light and dark like he envisioned for the Fondation d’Art Contemporain François Pinault in Paris.

Either as singular outcroppings or as part of a bustling center, skyscrapers are neck-craning icons across major city centers in the world. A modern trope of extreme success and wealth, the skyscraper has become an architectural symbol for vibrant urban hubs and commercial powerhouses dominating cities like New York, Dubai, and Singapore.

Half a century after the new suburban tract home was the dream of many a young American family, refurbished properties are gaining in popularity. This trend extends beyond North America, with exciting renovations of existing structures popping up all over the world, from Belgium to Kenya to China. The attraction to this typology likely lies in its multiplicity; renovations are both new and old, historic and forward-looking, generative and sustainable. 

Tokyo-based designer monde has created a series of bookends inspired by the narrow back alleys of Tokyo. As described by My Modern Met, the bookends convey the “dizzying feeling of wandering the city’s back alleys” through a mixture of laser-cut wood and lighting.

Clouds Architecture Office have revealed a new design for a space research lab that floats above a crater in Oita, Japan. Called AVATAR X LAB, the design was made for ANA Holdings Inc. and the Japan Aerospace Exploration Agency. The lab aims to be part of ANA's AVATAR Vision, an endeavor to advance and pioneer real-world Avatar technologies, and JAXA's new research and development program J-SPARC. The lab was designed to advance understanding of space exploration and development.