Ochoalcubo (Eight-Cubed) is a pioneering project in Chile that seeks to unite leading Chilean and Japanese practices with ground-breaking architecture. The collaborative enterprise was started by Eduardo Godoy, a design impresario who began working in Chile in the 1980s and who has always been a strong advocate for innovative design and architecture in the country. For a nation that boasts more than forty individual schools of architecture, the ever growing number of professionals seems to have had a relatively small impact on Chilean cities. Faced with the seemingly infinite landscape of 'cookie-cutter housing' in the suburbs, Godoy implemented Ochoalcubo in order to provide opportunities for young professionals, alongside fostering a new kind of appreciation for the profession itself. With a large number of architects having taken part in the first stage, including Smiljan Radic (designer of the 2014 Serpentine Pavilion), the third and fourth stage of what is certainly one of the world's largest active architectural laboratories will be launched in the coming days.
Architects have always questioned what the cities of the future will look like. In the 1960s and 70s, one of the most prominent advocates of this field of "futurology" within architecture was historian and critic Michel Ragon. In an upcoming exhibition entitled City As A Vision, the FRAC Centre pays tribute to Ragon by presenting both historical and prospective urban concepts by architects throughout the last fifty years.
Hufton + Crow's brilliant photography captures the inimitable originality and sensational quality of the uniquely crafted pavilions embedded within the Austrian landscape. Immerse yourself in Krumbach and check out the latest images after the break.
A year in the making, Krumbach in Austria has unveiled seven eye-catching bus shelters which have turned the world's gaze on the tiny village. Designed by internationally renowned architects such as Wang Shu, Sou Fujimoto and Smiljan Radic, who worked in collaboration with local architects and craftsmen, the whimsical structures will put the village of 1000 residents on the map.
Curator Dietmar Steiner praised the commitment of those involved, saying "the entire project succeeded because it was supported in the most generous fashion by more than 200 people." This included the architects, who took up their projects for little more than a free holiday in the area and the chance to engage in an unusual challenge. However, BUS:STOP was not merely a vanity project: Verena Konrad, Director of vai Vorarlberger Architektur Institut, noted that the project was important for "the successful connection of infrastructure and mobility for the rural area."
French developer Christian Bourdais has enlisted eight architects to develop vacation homes on a 50-hectare nature reserve about two hours south of Barcelona. So far, so normal. However, each participant in the "Solo Houses" experiment was given what every architect dreams of (and hardly ever receives): carte blanche. The results, from the likes of Sou Fujimoto, Pezo von Ellrichshausen, and more, are stunning. See them all after the break...
UPDATE: The Washington Post reports that Japan's minister of education, Hakubun Shimomura, has announced a plan to trim the budget proposed for the Olympic stadium (now expected to cost $3 billion) designed by Zaha Hadid Architects. While he did not reveal the details of the scale-down, he maintained that the "design concept will be kept."
Pritzker Prize laureate Fumihiko Maki has rallied together a number of Japanese architects - including Sou Fujimoto, Toyo Ito and Kengo Kuma - to oppose the massive scale of Zaha Hadid’s competition-winning National Stadium. Planned to be Tokyo’s main venue for the 2020 Olympic and Paralympic games, Hadid’s 290,000 square meter stadium is accused of being “too big and too artificial” for the surrounding context.
The Miami Design District, an 18 square-block neighborhood between Miami’s downtown and South Beach, has announced that the facade of its new mixed-use retail building will be designed by Sou Fujimoto. The two-floor, 17,000 square foot structure, which will feature "an elongated series of glass fins extending from the rooftop down to the open courtyard," will create unique pedestrian arcades covered by a "structural waterfall."
Sou Fujimoto has unveiled three design proposals for an extension to Philip Johnson’s Kunsthalle Bielefeld in Germany. Since its completion in 1968, the museum has built a reputation for hosting temporary exhibitions. However, with the construction of the new wing, Kunsthalle Bielefeld will expand their services to accommodate a contemporary art gallery.
AECOM has published an article detailing the way they helped engineer this year’s Serpentive Pavilion. “A typical building might have between 1-2,000 such steel supports, and it’s estimated that the Eiffel Tower has just over 18,000 steel struts, but the Serpentine’s new pavilion has over 26,000 – each one working hard to lend form and strength…The level of detail nearly brought AECOM’s computer systems to a halt. In fact a system upgrade was required to manage the information.” On AECOM’s website you can read more about the challenges of lighting and fireproofing Fujimoto's complicated structure.
As the youngest architect ever to design the Serpentine Gallery Pavilion in London, it is no surprise that 41-year-old Japanese architect Sou Fujimoto has been selected as winner of the $100,000 Marcus Prize. Awarded by the Milwaukee-based Marcus Corporation Foundation, the biennial prize is dedicated to honoring emerging designers by requiring only a decade of exceptional leadership in their field.
This award doesn’t come with responsibility, as Fujimoto will be required to visit the graduate students at the University of Wisconsin-Milwaukee’s School of Architecture and Urban Planning a handful of times through the next year, in addition to skyping with a class as often as once per week.
BUS:STOP Krumbach is a recently initiated project in the Bregenzerwald region of Austria that will bring together seven well-known architecture offices from around the world, pair them up with seven local architects and allow the pairs to work together on the design of seven new bus shelters in the town of Krumbach. A true collaboration between tradition and innovation, national and international, BUS:STOP hopes to create a series of small and functional buildings with their own unique characters that tell not only the story of these architects, but also of this special region.
For the list of participating offices and to learn more about BUS:STOP, read on.
Dazzling viewers with its “tron-like landscape of infinite white,” as described by Guardian critic Oliver Wainwright, Sou Fujimoto’s Serpentine Pavilion in Hyde Park is arguably “one of the most radical pavilions to date.” The 350 square-meter latticed structure melts into its surrounding by fusing together the man-made and natural world, creating a lush, semi-transparent terrain that hosts terraces of seating, steps and side tables that complement its interior coffee bar (view more images here).
Fujimoto, the youngest architect to accept the Serpentine Gallery’s invitation at 41, describes his work as, "...a transparent terrain that encourages people to interact with and explore the site in diverse ways. Within the pastoral context of Kensington Gardens, I envisage the vivid greenery of the surrounding plant life woven together with a constructed geometry. A new form of environment will be created, where the natural and the man-made merge; not solely architectural nor solely natural, but a unique meeting of the two." More images by Danica Kus after the break.
With such a prolific history of star designers over the past 13 years, Fujimoto's ethereal design has a lot to live up to. But despite these high expectations, architecture critics have been gushing over the new design. See a full round-up of opinions after the break...
This Thursday, the official opening of the Serpentine Pavilion, by Sou Fujimoto, took place in Hyde Park, London. It was the first time the public could interact with the structure.
The pavilion, which has already gotten its "cloud" nickname because of its shape and lightness, is generated through a three-dimensional steel grid of about 40 centimetre modules which morphs on each side. The structure is broken to allow people access as well as to generate different uses around, below and upon it.
More pictures and the architect's statement after the break.
Last week an online call was put out by Rome'sMAXXI museum promising the first five architecture students to respond a chance to travel to Rome and build a model of Sou Fujimoto's latest project. The five selected entrants started on their work at MAXXI on Monday and their experience is being broadcast over the course of this week in a series of photos and videos detailing the ups, downs, opinions and thoughts of the students as they work.
Read more about the model and exhibition after the break...
Today, the Serpentine Gallery announced the architect that will design the 13th edition of the Serpentine Gallery Pavilion. Every year the gallery invites a renowned international architects who have not built yet in the UK, to design a temporary pavilion that hosts public activities in at the Gallery’s lawn, in London’s Hyde Park between June and October. The list of architects for the past editions includes several Pritzker laureates. More info of this program at our Serpentine Gallery Pavilion infographic.