The Diriyah Biennale Foundation has just unveiled the competition details for the AlMusalla Prize, along with the shortlisted architecture studios and the jury. An addition to the Islamic Arts Biennale, this international architecture competition focuses on designing a musalla, a flexible space for prayer and reflection accessible to people of all faiths. Situated in the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah, Saudi Arabia, the musalla will be an integral part of the Biennale’s upcoming edition. The winner of the competition will be announced later this year, and the opening of the musalla will be held on January 25th, 2025.
In his book “Curation: The Power of Selection in a World of Excess,” Michael Bhaskar defines curation as “using acts of selection and arrangement (but also refining, reducing, displaying, simplifying, presenting, and explaining) to add value.” Originating from the Latin word curare, meaning to take care of, the curator’s role in dissecting our understanding of the world around us cannot be overlooked. Over time, as the definition morphs into different bodies, the practice of curation continues to evolve, filling the roles of caretakers of our built environment and thinkers of different forms for the overall bettering of society.
The First Islamic Arts Biennale, artistically directed by Sumayya Vally, opened on January 2023 and is still ongoing until May 23, 2023, in Jeddah, Saudi Arabia. The inaugural event was commissioned and produced by the Diriyah Biennale Foundation and was curated by Vally alongside Dr. Julian Raby, Dr. Omniya Abdel Barr, and Dr. Saad Al-Rashid. The biennale re-imagines the Western Hajj Terminal at King Abdulaziz Airport, designed by Skidmore, Owings & Merrill and winner of the 1983 Aga Khan Award, as a cultural space to redefine Islamic Arts from "within, in a way, that connects some of these art forms and forms of artistic expression to the experience and rituals" of those that live it.
Sumayya Vally is a South African architect, founder, and director of the Johannesburg-based collaborative architectural studio Counterspace. Designer of the Serpentine Pavilion in 2020/2021, she was the youngest architect to get this commission. Part of Time’s 100 emerging leaders who are shaping the future, in 2021, the only architect to make the list at that time, Sumayya started her career as a curator and teacher, and recently she was appointed as artistic director of the first Islamic Arts Biennale in Jeddah. ArchDaily had the chance to talk with Vally about her contribution to this biennale, her vision of the exhibition, the venue, the scenography, and the participating architects. Sumayya also shared some exclusive info about her entry for the 2023 Venice Architecture Biennale, starting on May 20th, in Venice, Italy.
The Islamic Arts Biennale re-imagines the Western Hajj Terminal at King Abdulaziz Airport in Jeddah, Saudi Arabia, as a cultural space to create an evocative journey to explore Islamic heritage. The terminal, designed by Skidmore, Owings & Merrill and a winner of the 1983 Aga Khan Award, will be extended and complemented to create the setting for the event. Through the contributions of over 60 artists from over 20 countries, the biennale aims to become a platform to explore and reflect the diversity of the Muslim experience worldwide. Themed Awwal Bait, or The First House, the event intertwines commissioned works with never-before exhibited historical artifacts to convey a holistic perspective of the Islamic arts. The Biennale, curated by Sumayya Vally, now in its inaugural edition, will be open from January 2023 to April 2023.
Diriyah Biennale Foundation recently revealed the curatorial team of Saudi Arabia's inaugural Islamic Arts Biennale, highlighting the past and present art of the Islamic culture. Among the curators is Sumayya Vally, co-founder of Johannesburg-based practice Counterspace, responsible for designing the 2021 Serpentine Pavilion. Taking place in Jeddah in early 2023, the Islamic Arts Biennale will foster artistic exchanges and further establish Saudi Arabia's status within the art scene.
